Christopher Lee

Returning to London in 1946, Lee was offered his old job back at Beecham's, with a significant raise, but he turned them down as "I couldn't think myself back into the office frame of mind." The Armed Forces were sending veterans with an education in the Classics to teach at universities, but Lee felt his Latin was too rusty and didn't care for the strict curfews.[69] During lunch with his cousin Nicolò Carandini, now the Italian Ambassador to Britain, Lee was detailing his war wounds when Carandini said, "Why don't you become an actor, Christopher?"[70] Lee liked the idea, and after assuaging his mother's protests by pointing to the successful Carandini performers in Australia (which included his great-grandmother Marie Carandini, who had been a successful opera singer), he met Nicolò's friend Filippo Del Giudice, a lawyer-turned-film producer and head of Two Cities Films, part of the Rank Organisation. Lee recalled that Giudice "looked me up and down... [and] concluded that I was just what the industry had been looking for." He was sent to see Josef Somlo for a contract:[71]

Initially, I was told [by Somlo] I was too tall to be an actor. That's a quite fatuous remark to make. It's like saying you're too short to play the piano. I thought, "Right, I'll show you..." At the beginning I didn't know anything about the technique of working in front of a camera, but during those 10 years, I did the one thing that's so vitally important today – I watched, I listened and I learned. So when the time came I was ready... Oddly enough, to play a character who said nothing [The Creature in The Curse of Frankenstein].[72]

Somlo sent him to see Rank's David Henley and Olive Dodds, who signed him on a seven-year contract.[71] Like other students at Rank's "Charm School," Lee had difficulty finding work.[73] He finally made his film début in 1947, in Terence Young's Gothic romance Corridor of Mirrors.[74] He played Charles; the director got around his height by placing him at a table in a nightclub alongside Lois Maxwell, Mavis Villiers, Hugh Latimer and John Penrose. Lee had a single line, "a satirical shaft meant to qualify the lead's bravura."[73]

In this early period, he made an uncredited appearance in Laurence Olivier's film version of Hamlet (1948), as a spear carrier (his later co-star and close friend Peter Cushing played Osric). A few years later, he appeared in Captain Horatio Hornblower R.N. (1951) as a Spanish captain. He was cast when the director asked him if he could speak Spanish and fence, which he was able to do.[75] Lee appeared uncredited in the American epic Quo Vadis (1951), which was shot in Rome, playing a chariot driver and was injured when he was thrown from it at one point during the shoot.[72]

He recalled that his breakthrough came in 1952, when Douglas Fairbanks, Jr. began making films at the British National Studios. He said in 2006, "I was cast in various roles in 16 of them and even appeared with Buster Keaton and it proved an excellent training ground."[75] The same year, he appeared in John Huston's Oscar-nominated Moulin Rouge.[74] Throughout the next decade, he made nearly 30 films, including The Cockleshell Heroes, playing mostly stock action characters.[76]

Lee as the title character in Dracula (1958). Lee fixed the image of the fanged vampire in popular culture.[77]

Lee's first film for Hammer was The Curse of Frankenstein (1957), in which he played Frankenstein's monster, with Peter Cushing as Baron Victor Frankenstein.[74] It was the first film to co-star Lee and Cushing, who ultimately appeared together in over twenty films and became close friends.[72][76] When he arrived at a casting session for the film, "they asked me if I wanted the part, I said yes and that was that."[75] A little later, Lee co-starred with Boris Karloff in the film Corridors of Blood (1958). Lee had previously appeared with Karloff in 1955 in the "At Night, All Cats are Grey" episode of the British television series Colonel March of Scotland Yard.[78] Karloff and Lee were London neighbours for a time in the mid-1960s.[79]

Lee's own appearance as Frankenstein's monster led to his first appearance as the Transylvanian vampire Count Dracula in the film Dracula (1958, known as Horror of Dracula in the US).[74] The film saw Lee's "triumphant debut" fix the image of the fanged vampire in popular culture, according to writer Kevin Jackson.[81] Dracula has been ranked among the best British films.[82] Lee introduced a dark, brooding sexuality to the character, with Tim Stanley stating, "Lee's sensuality was subversive in that it hinted that women might quite like having their neck chewed on by a stud."[83] The film magazine Empire ranked Lee's portrayal as Dracula the 7th Greatest Horror Movie Character of All Time.[80] CNN listed the performance third in their top 10 British villains, noting his "chilling, sonorous tone."[84] Lee accepted a similar role in an Italian-French horror picture called Uncle Was a Vampire (1959). The same year he starred as Kharis in the Hammer Horror film The Mummy.[85]

Lee as Kharis in The Mummy (1959)

Lee returned to the role of Dracula in Hammer's Dracula: Prince of Darkness (1965).[74] Lee's role has no lines, he merely hisses his way through the film. Stories vary as to the reason for this: Lee states he refused to speak the poor dialogue he was given, but screenwriter Jimmy Sangster claims that the script did not contain any lines for the character. This film set the standard for most of the Dracula sequels in the sense that half the film's running time was spent on telling the story of Dracula's resurrection and the character's appearances were brief. Lee went on record to state that he was virtually "blackmailed" by Hammer into starring in the subsequent films; unable or unwilling to pay him his going rate, they would resort to reminding him of how many people he would put out of work if he did not take part:[86]

The process went like this: The telephone would ring and my agent would say, "Jimmy Carreras [President of Hammer Films] has been on the phone, they've got another Dracula for you." And I would say, "Forget it! I don't want to do another one." I'd get a call from Jimmy Carreras, in a state of hysteria. "What's all this about?!" "Jim, I don't want to do it, and I don't have to do it." "No, you have to do it!" And I said, "Why?" He replied, "Because I've already sold it to the American distributor with you playing the part. Think of all the people you know so well, that you will put out of work!" Emotional blackmail. That's the only reason I did them.[86]

His roles in the films Dracula Has Risen from the Grave (1968), Taste the Blood of Dracula (1969), and Scars of Dracula (1970) all gave the Count very little to do. Lee said in an interview in 2005, "all they do is write a story and try and fit the character in somewhere, which is very clear when you see the films. They gave me nothing to do! I pleaded with Hammer to let me use some of the lines that Bram Stoker had written. Occasionally, I sneaked one in."[72] He starred in two further Dracula films for Hammer in the early 1970s, both of which attempted to bring the character into the modern-day era. These were not commercially successful: Dracula A.D. 1972 (1972) and The Satanic Rites of Dracula (1973). The latter film was tentatively titled Dracula Is Dead... and Well and Living in London, a parody of the stage and film musical revue Jacques Brel Is Alive and Well and Living in Paris, but Lee was not amused. Speaking at a press conference in 1973 to announce the film, Lee said, "I'm doing it under protest. I think it is fatuous. I can think of twenty adjectives – fatuous, pointless, absurd. It's not a comedy, but it's got a comic title. I don't see the point."[87] The Satanic Rites of Dracula was the last Dracula film in which Lee played the Dracula role, as he felt he had played the part too many times and that the films had deteriorated in quality.[88]

In all, Lee played Dracula ten times: seven films for Hammer Productions, once for Jesús Franco's Count Dracula (1970), uncredited in Jerry Lewis's One More Time (1970) and Édouard Molinaro's Dracula and Son (1976). Lee portrayed Rasputin in Rasputin, the Mad Monk (1966) and Sir Henry Baskerville (to Cushing's Sherlock Holmes) in The Hound of the Baskervilles (1959). Lee later played Holmes himself in 1962's Sherlock Holmes and the Deadly Necklace, and returned to Holmes films with Billy Wilder's British-made The Private Life of Sherlock Holmes (1970), in which he plays Sherlock's smarter brother, Mycroft. Lee considers this film to be the reason he stopped being typecast: "I've never been typecast since. Sure, I've played plenty of heavies, but as Anthony Hopkins says, "I don't play villains, I play people.""[72] Lee played a leading role in the German film The Puzzle of the Red Orchid (1962), speaking German, which he had learned during his education in Switzerland. He auditioned for a part in the film The Longest Day (1962), but was turned down because he did not "look like a military man." Some film books incorrectly credit him with a role in the film, something he had to correct for the rest of his life.[89]

Lee's friend the author Dennis Wheatley was responsible for bringing the occult to him.[90] The company made two films from Wheatley's novels, both starring Lee. The New York Times described Lee's performance in the first, The Devil Rides Out (1967), as "suave dignity".[91] However, the second film, To the Devil a Daughter (1976), was troubled by production difficulties and was disowned by its author. Although financially successful, it was Hammer's last horror film. Critic Leonard Maltin described it as "well-made but lacking punch".[92]

Lee and his close friend Peter Cushing in Horror Express (1972). They starred in twenty-two films together.[93]

Like Cushing, Lee also appeared in horror films for other companies from 1957 to 1977. These included the Dr. Fu Manchu series of films made between 1965 and 1969 (beginning with The Face of Fu Manchu) in which he starred as the villain in yellowface make-up; I, Monster (1971), an adaptation of Robert Louis Stevenson's 1886 novella Strange Case of Dr Jekyll and Mr Hyde, with the main characters' names changed to Dr. Charles Marlowe and Mr. Edward Blake; The Creeping Flesh (1972); and his personal favourite, which he considered his best film, The Wicker Man (1973), in which he played Lord Summerisle.[94][72] Lee wanted to break free of his image as Dracula and take on more interesting acting roles. He met with screenwriter Anthony Shaffer, and they agreed to work together. Film director Robin Hardy and British Lion head Peter Snell became involved in the project. Shaffer had a series of conversations with Hardy, and the two decided that it would be fun to make a horror film centring on "old religion," in sharp contrast to the popular Hammer films of the day.[95] Shaffer read the David Pinner novel Ritual, in which a devout Christian policeman is called to investigate what appears to be the ritual murder of a young girl in a rural village, and decided that it would serve well as the source material for the project. Shaffer and Lee paid Pinner £15,000 (equivalent to US$225,561 in 2021) for the rights to the novel, and Schaffer set to work on the screenplay. However, he soon decided that a direct adaptation would not work well, and began to craft a new story, using only the novel's basic outline.[95][96] Lee was so keen to get the film made, and the budget was so small, that he gave his services for free.[97] He later called the film the best he had ever made.[72]

Lee appeared as the on-screen narrator in Jess Franco's Eugenie (1970) as a favour to producer Harry Alan Towers, unaware that it was softcore pornography, as the sex scenes were shot separately.

I had no idea that was what it was when I agreed to the role. I was told it was about the Marquis de Sade. I flew out to Spain for one day's work playing the part of a narrator. I had to wear a crimson dinner jacket. There were lots of people behind me. They all had their clothes on. There didn't seem to be anything peculiar or strange. A friend said: 'Do you know you are in a film in Old Compton Street?' In those days that was where the mackintosh brigade watched their films. 'Very funny,' I said. So I crept along there heavily disguised in dark glasses and scarf, and found the cinema and there was my name. I was furious! There was a huge row. When I had left Spain that day everyone behind me had taken their clothes off![67]

Breaking free from the Dracula image:[95] Lee as Lord Summerisle in The Wicker Man (1973)

In addition to making films in the United Kingdom, Lee made films in mainland Europe: he appeared in two German films, Count Dracula (1970), where he again played the vampire count, and The Torture Chamber of Dr. Sadism (1967). Other films in Europe he made include Castle of the Living Dead (1964) and Horror Express (1972). Lee was a producer of the horror film Nothing But the Night (1972), in which he starred. It was the first and last film he produced, as he did not enjoy the process.[89]

Lee appeared as the Comte de Rochefort in Richard Lester's The Three Musketeers (1973). He injured his left knee during filming, something he still felt many years later.[72] After the mid-1970s, Lee eschewed horror roles almost entirely. Ian Fleming, author of the James Bond spy novels and Lee's step-cousin, had offered him the role of the titular antagonist in the first Eon-produced Bond film Dr. No (1962). Lee enthusiastically accepted, but by the time Fleming told the producers, they had already chosen Joseph Wiseman for the role.[72] Lee finally got to play a James Bond villain in The Man with the Golden Gun (1974), in which he was cast as the assassin Francisco Scaramanga. Lee said of his performance, "In Fleming's novel he's just a West Indian thug, but in the film he's charming, elegant, amusing, lethal... I played him like the dark side of Bond."[72]

Because of his filming schedule in Bangkok, film director Ken Russell was unable to sign Lee to play the Specialist in Tommy (1975). That role was eventually given to Jack Nicholson. In an AMC documentary on Halloween (1978), John Carpenter states that he offered the role of Samuel Loomis to Peter Cushing and Christopher Lee, before Donald Pleasence took the role. Years later, Lee told Carpenter that the biggest regret of his career was not taking the role of Dr. Loomis.[98]

In 1977, Lee left the UK for the US, concerned at being typecast in horror films, as had happened to his close friends Peter Cushing and Vincent Price.[67] His first American appearance was in the disaster film Airport '77 (1977). In 1978, Lee surprised many people with his willingness to go along with a joke, appearing as guest host on NBC's Saturday Night Live.[72] Steven Spielberg, who was in the audience for that show, cast him in 1941 (1979).[72] Meanwhile, Lee co-starred with Bette Davis in the Disney film Return from Witch Mountain (1978).[99] He turned down the role of Dr. Barry Rumack (finally played by Leslie Nielsen) in the disaster spoof Airplane! (1980), a decision he later called "a big mistake."[72]

Lee played the mad scientist Dr. Catheter in Gremlins 2: The New Batch (1990). In a nod to his role as Dracula in Hammer Films, as the Bat Gremlin transforms, Dr. Catheter experiences deja-vu – the audience hears Dracula music.[100] Lee made his last appearances as Sherlock Holmes in the television films Incident at Victoria Falls (1991) and Sherlock Holmes and the Leading Lady (1992).[101]

Lee and Peter Cushing appeared together in more than a dozen feature films together for Hammer Films, Amicus Productions, and other companies, as well as in Hamlet (1948) and Moulin Rouge (1952), albeit in separate scenes. They featured, too, in separate instalments of the Star Wars films: Cushing as Grand Moff Tarkin in the original film, and Lee decades later as Count Dooku. The last project which united them in person was a documentary, Flesh and Blood: The Hammer Heritage of Horror (1994), which they jointly narrated, two months before Cushing's death.[102]

Lee considered his best performance to be in this period, when he played Pakistan's founder Muhammad Ali Jinnah in the biopic Jinnah (1998).[72][94]

Lee at Forbidden Planet, New Oxford Street, London, signing The Two Towers

Lee had many television roles. These included the role Flay in the BBC television miniseries Gormenghast (2000) based on Mervyn Peake's novels. He also appeared as Lucas de Beaumanoir, the Grand Master of the Knights Templar, in the BBC/A&E co-production of Sir Walter Scott's Ivanhoe (1997).[103]

Lee played Saruman in Peter Jackson's The Lord of the Rings film trilogy. In the commentary, he stated that he had for decades dreamt of playing Gandalf. He conceded that he was now too old, and that his physical limitations prevented him from being considered. The role of Saruman, unlike that of Gandalf, required no horse riding and far less fighting. Lee had met J. R. R. Tolkien once, which made him the only person involved in the film trilogy to have done so.[104] He made a habit of reading the novels at least once a year.[105][106][107] In addition, he performed for The Tolkien Ensemble's album At Dawn in Rivendell in 2003.[108] Lee's appearance in the final film in the trilogy, The Lord of the Rings: The Return of the King, was cut from the theatrical release, but the scene was reinstated in the extended edition.[109] The Lord of the Rings marked the beginning of a major career revival that continued in Star Wars: Episode II – Attack of the Clones (2002) and Star Wars: Episode III – Revenge of the Sith (2005), in which he played the villainous Count Dooku. He did most of the swordplay himself, though a stunt double was required for the long shots with more vigorous footwork.[72] In 2005 he played Dr. Wonka, father of Willy Wonka, in Tim Burton's film adaptation of the Roald Dahl children's classic Charlie and the Chocolate Factory.[110]

Lee filming Marcus Warren's The Heavy in Westminster, London in 2007

In 2007, Lee collaborated with Tim Burton on Sweeney Todd: The Demon Barber of Fleet Street, playing the spirit of Sweeney Todd's victims, called the Gentleman Ghost, alongside Anthony Head, with both singing "The Ballad of Sweeney Todd," its reprises and the Epilogue. These songs were recorded, but eventually cut since Burton felt that the songs were too theatrical for the film. Lee's appearance was completely cut from the film, but Head still had an uncredited one-line cameo.[111]

In late November 2009, Lee narrated the Science Fiction Festival in Trieste, Italy.[112] Also in 2009, Lee starred in Stephen Poliakoff's British period drama Glorious 39, Academy Award-nominated director Danis Tanović's war film Triage, and Duncan Ward's comedy Boogie Woogie.[113]

Lee at the Berlin International Film Festival in February 2012

In 2004, Lee lamented that Hollywood scripts were mainly spin-offs, as people were afraid of taking financial risks, commenting that he was mostly being offered spin-offs of Lord of the Rings or Star Wars.[94] In 2010, he marked his fourth collaboration with Tim Burton by voicing the Jabberwock in Burton's adaptation of Lewis Carroll's classic book Alice in Wonderland, alongside Johnny Depp, Helena Bonham Carter and Anne Hathaway.[76][114] Lee respected Depp as "a fellow survivor",[115] describing him as "inventive and [having] enormous versatility".[115]

In 2010, Lee received the Steiger Award (Germany) and,[116] in February 2011, Lee was awarded the BAFTA Fellowship.[117]

In 2011, he appeared in a Hammer film, The Resident, for the first time in 35 years. The film was directed by Antti Jokinen, and Lee gave a "superbly sinister" performance alongside Hilary Swank and Jeffrey Dean Morgan.[118][119] While filming scenes for the film in New Mexico in early 2009, Lee injured his back when he tripped over power cables on set.[65] Lee appears as the unnamed "Old Gentleman" who acts as Lachlan's mentor in a flashback.[120] Also in 2011, Lee appeared in the critically acclaimed Hugo, directed by Martin Scorsese.[121]

Lee played the evil wizard Saruman in Peter Jackson's The Lord of the Rings and The Hobbit film trilogies. The role has been described as "one of the most powerful villains in cinema history", relying on Lee's "physical appearance", in contrast to the Dark Lord Sauron.[122]

Lee reprised the role of Saruman for the prequel film The Hobbit.[124] He said he would have liked to have shown Saruman's corruption by Sauron,[125] but was too old to travel to New Zealand, so the production was adjusted to allow him to participate from London.[126]

In 2012, Lee marked his fifth and final collaboration with Tim Burton, by appearing in Burton's film adaptation of the gothic soap opera Dark Shadows, in the small role of a New England fishing captain.[127][128]

In an interview in August 2013, Lee said that he was "saddened" to hear his friend Johnny Depp was considering retiring from acting, observing that he himself had no intention of doing that:

There are frustrations – people who lie to you, people who don't know what they are doing, films that don't turn out the way you had wanted them to – so, yes, I do understand [why Depp would consider retiring]. I always ask myself, "Well, what else could I do?" Making films has never just been a job to me, it's my life. I have some interests outside of acting – I sing and I've written books, for instance – but acting is what keeps me going, it's what I do, it gives life purpose... I'm realistic about the amount of work I can get at my age, but I take what I can, even voice-overs and narration.[129]

Lee narrated the feature-length documentary Necessary Evil: Super-Villains of DC Comics, which was released on 25 October 2013.[130] In 2014, he appeared in an episode of the BBC documentary series Timeshift called How to Be Sherlock Holmes: The Many Faces of a Master Detective. Lee and others who had played Sherlock Holmes discussed the character and the various interpretations of him.[131] He appeared in a web exclusive, reading an excerpt from the Sherlock Holmes short story The Final Problem.[132]

A month before his death, Lee had signed to star with an ensemble cast in the Danish film The 11th.[133] One of his final performances was the independent Angels in Notting Hill directed by Michael Pakleppa,[134] a fantasy film about an angel trapped in London who falls in love with a human being. Lee played The Boss / Mr. President and the film premiered in the Regent Street Cinema, London on 29 October 2016.[135]

Lee provided voices for numerous films and video games.[114][136] He spoke fluent English, Italian, French, Spanish, and German, and was moderately proficient in Swedish, Russian, and Greek.[137] He was the original voice of Thor in the German dubs of the Danish 1986 animated film Valhalla, and of King Haggard in both the English and German dubs of the 1982 animated adaptation of The Last Unicorn.[114] He provided all the voices for the English dub of Monsieur Hulot's Holiday (1953).[138] He voiced Death in the animated versions of Terry Pratchett's Soul Music[114] and Wyrd Sisters,[114] and reprised the role in the Sky1 live action adaptation The Colour of Magic, taking over from the late Ian Richardson.[114] He provided the voice for the role of Ansem the Wise/DiZ in video games including Kingdom Hearts II.[114]

Lee reprised his role as Saruman in the video game The Lord of the Rings: The Battle for Middle-earth.[114] He narrated and sang for the Danish musical group The Tolkien Ensemble's 2003 studio album At Dawn in Rivendell, taking the role of Treebeard, King Théoden and others in the readings or singing of their respective poems or songs.[139] In 2007, he voiced the transcript of The Children of Húrin by J. R. R. Tolkien for the audiobook version of the novel.[140] In 2005, Lee provided the voice of Pastor Galswells in The Corpse Bride, co-directed by Tim Burton and Mike Johnson.[114] He served as the narrator on The Nightmare Before Christmas poem, also written by Tim Burton as well. Lee reprised his role as Count Dooku in the animated film Star Wars: The Clone Wars (2008).[114] Some thirty years after playing Francisco Scaramanga in The Man with the Golden Gun, Lee provided the voice of Scaramanga in the video game GoldenEye: Rogue Agent.[114][141] In 2013, Lee voiced The Earl of Earl's Court in the BBC Radio 4 radio play Neverwhere by Neil Gaiman.[142] Lee recorded special dialogue, in addition to serving as the Narrator, for the Lego The Hobbit video game released in April 2014; at 91 years and 316 days old he appears in the Guinness Book of Records as the oldest video game narrator.[143]

Lee receiving the "Spirit of Hammer" award for his album Charlemagne: By the Sword and the Cross at the 2010 Metal Hammer Golden Gods ceremony in London

With his operatic[144] bass voice, Lee sang on The Wicker Man soundtrack, performing Paul Giovanni's composition, "The Tinker of Rye."[145] He sang the closing credits song of the 1994 horror film Funny Man.[146] In 1977, he appeared on Peter Knight and Bob Johnson's (from Steeleye Span) concept album The King of Elfland's Daughter.[147]

Lee's first contact with heavy metal music came by singing a duet with Fabio Lione, lead vocalist of the Italian symphonic power metal band Rhapsody of Fire on the single "The Magic of the Wizard's Dream" from their album Symphony of Enchanted Lands II – The Dark Secret, although he only performs backing vocals on the album version. Later he appeared as a narrator and backing vocalist on the band's four albums Symphony of Enchanted Lands II – The Dark Secret, Triumph or Agony, The Frozen Tears of Angels, and From Chaos to Eternity, as well as on the EP The Cold Embrace of Fear – A Dark Romantic Symphony, portraying the Wizard King. He worked with Manowar while they were recording a new version of their first album, Battle Hymns. The original voice was Orson Welles's (long dead at the time of the re-recording).[148]

With the song "Jingle Hell," Lee entered the Billboard Hot 100 chart at No. 22, thus becoming the second oldest living performer to ever enter the music charts, at 91 years and 6 months.[149][150] After media attention, the song rose to No. 18. as Lee became the oldest person to have a top 20 hit.[151]

Lee released a third EP of covers in May 2014, called Metal Knight, to celebrate his 92nd birthday; in addition to a cover of "My Way," it contains "The Toreador March," inspired by the opera Carmen, and the songs "The Impossible Dream" and "I, Don Quixote" from the Don Quixote musical Man of La Mancha. Lee was inspired to record the latter songs because, "as far as I am concerned, Don Quixote is the most metal fictional character that I know."[152] His fourth EP and third annual Christmas release came in December 2014, as he put out "Darkest Carols, Faithful Sing," a playful take on "Hark! The Herald Angels Sing."[153] He explained: "It's light-hearted, joyful and fun... At my age, the most important thing for me is to keep active by doing things that I truly enjoy. I do not know how long I am going to be around, so every day is a celebration, and I want to share it with my fans."[154]

On the self-titled debut album by Hollywood Vampires, a supergroup consisting of Johnny Depp, Alice Cooper and Joe Perry, Lee is featured as a narrator in the track "The Last Vampire." Recorded shortly before his death, this marks Lee's final appearance on a musical record.[155] In 2019, Rhapsody of Fire included a posthumous narration on their new album, The Eighth Mountain, in which Lee narrated the concept story of the band's Nephilim Empire Saga.[156]

Lee with his wife, Birgit Krøncke, March 2009

The Carandinis, Lee's maternal ancestors, were given the right to bear the coat of arms of the Holy Roman Empire by the Emperor Frederick Barbarossa.[7][137] In the late 1950s, Lee was engaged to Countess Henriette Ewa Agnes von Rosen, whom he had met at a nightclub in Stockholm.[157] Her father, Count Fritz von Rosen, proved demanding, getting them to delay the wedding for a year, asking his London-based friends to interview Lee, hiring private detectives to investigate him, and asking Lee to provide him with references, which Lee obtained from Douglas Fairbanks Jr., John Boulting, and Joe Jackson.[158] Lee found the meeting of her extended family to be like something from a surrealist Luis Buñuel film, and thought they were "killing me with cream."[159] Finally, Lee had to have the permission of the King of Sweden to marry. Lee had met him some years before while filming Tales of Hans Anderson, where he received his blessing.[159] However, shortly before the wedding, Lee ended the engagement. He was concerned that his financial insecurity in his chosen profession meant that she "deserved better" than being "pitched into the dishevelled world of an actor." She understood, and they called the wedding off.[160]

Lee was introduced to Danish painter and former model Birgit "Gitte" Krøncke by a Danish friend in 1960.[161] They were engaged soon after, and married on 17 March 1961.[162] They had a daughter, Christina Erika Carandini Lee (b. 1963).[163] Lee was the uncle of the British actress Harriet Walter.[137] Both Lee and his daughter Christina provided spoken vocals on Rhapsody of Fire's album From Chaos to Eternity. Lee relocated to Los Angeles in the 1970s after becoming disillusioned with film roles he was being offered in Britain at the time and stated that in Hollywood "I was no longer a horror star. I was an actor."[164] He subsequently moved back to England and lived with his family in Cadogan Square in west London until his death.[165]

Lee was known for his imposing height:[166] he was 6 ft 5 in (1.96 m) tall.[67] On BBC Radio's Test Match Special "View from the Boundary" interview with Brian Johnston on 20 June 1987, Lee described himself as 6 ft 4 in tall.[167] Lee and his wife Birgit were listed among the fifty best-dressed over 50s by The Guardian in March 2013.[168]

Lee was an Anglo-Catholic Christian.[169] After the Second World War, he was a server at St Stephen's Church in South Kensington, London, during T.S. Eliot's period as a parishioner there.[170] Politically, Lee supported the Conservative Party. He described Michael Howard as "the ideal person to lead the party" in 2003,[171] and also supported Winston Churchill, Harold Macmillan, Alec Douglas-Home, Edward Heath, Margaret Thatcher, John Major, William Hague and David Cameron.[65] He was sympathetic to Islam, stating that Islamic terrorism "is not the true Islam."[172]

Lee had an interest in the occult, to which he was introduced by Dennis Wheatley.[90] It was once erroneously reported Lee had a library of occult literature that amounted to 20,000 books. However, during a talk at University College Dublin Lee confirmed he did not have such a collection and said “Somebody wrote that I had 20,000 books. I don’t — I’d have to live in a bath!” He furthermore cautioned the audience against involving themselves in occult practices, claiming “I have met people who claim to be Satanists, who claim to be involved with black magic, who claimed that they not only knew a lot about it. But as I said, I certainly have not been involved and I warn all of you: never, never, never. You will not only lose your mind: you lose your soul.”[173][174]

Lee died at the Chelsea and Westminster Hospital on 7 June 2015 after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday. His wife delayed the public announcement until 11 June, informing his family of the death before releasing the news to the press.[175][176][177]

Following Lee's death, fans, friends, actors, directors and others involved in the film industry publicly gave their personal tributes.[178][179][180][181] Then-Prime Minister David Cameron praised Lee as a "titan of the golden age of cinema."[177] He was honoured by the academy at the 88th Academy Awards on 28 February 2016 in the annual in Memoriam section.[182]

• Christopher Lee's X Certificate, London: Star Books, 1975. Hardcover reprint, Christopher Lee's 'X' Certificate edited by Christopher Lee and Michel Parry, London: W. H. Allen, 1976. US retitled reprint in paperback as From the Archives of Evil, New York: Warner Books, 1976.
• Christopher Lee's Archives of Evil, London: Mayflower paperback, 1975. Hardcover reprint as Archives of Evil presented by Christopher Lee and Michel Parry. London: W. H. Allen, 1977. US retitled reprint in paperback as From the Archives of Evil 2, New York: Warner Books, 1976.
• Christopher Lee's Omnibus of Evil, London: Mayflower paperback, 1975; reprint 1980). Retitled hardcover reprint as The Great Villains: An Omnibus of Evil, presented by Christopher Lee and Michel Parry. London: W. H. Allen, 1978.

Note: Lee was 'ghost-editor' on the above series, which was edited by the anthologist Michel Parry.

• Tall, Dark and Gruesome. (autobiography). London: W. H. Allen, 1977. Expanded retitled edition as Lord of Misrule: The Autobiography of Christopher Lee. London: Orion Books, 2003, with an introduction by Peter Jackson.

• William Peter Blatty: The Exorcist (abridged)
• Agatha Christie: The Hound of Death and Other Stories (unabridged)
• Sir Arthur Conan Doyle: The Adventure of the Lion's Mane and Other Stories (unabridged short stories)
• Sir Arthur Conan Doyle: The Adventure of the Sussex Vampire and Other Stories (unabridged short stories)
• Sir Arthur Conan Doyle: The Case-Book of Sherlock Holmes (unabridged short stories)
• Sir Arthur Conan Doyle: The Valley of Fear (abridged)
• James Herbert: The Fog (abridged)
• Victor Hugo: The Hunchback of Notre Dame (abridged)
• Gaston Leroux: The Phantom of the Opera (abridged)
• Sir Walter Scott: Ivanhoe (abridged)
• Mary Shelley: Frankenstein (abridged)
• Robert Louis Stevenson: Strange Case of Dr Jekyll and Mr Hyde (abridged)
• Bram Stoker: Dracula (abridged)
• J. R. R. Tolkien: The Children of Húrin (unabridged)
• Dennis Wheatley: The Devil Rides Out (unabridged)
• Dennis Wheatley: Strange Conflict (unabridged)

With Rhapsody of Fire