Church Key

The involvement with Tony Hilder came about as a result of meeting him early in 1960. The group were playing for a March of Dimes benefit in San Luis Obispo at a Chevrolet dealership. Hilder had come into town to promote a couple of his artists, Billy Watkins and Charles Wright. He was looking for a band to back them while on tour. Knowles wanted Hilder to think about The Revels as the backing group. It didn't happen but Hilder still left his business card. The second time that the group came across Hilder was in the summer of 1960. The group had driven down to LA for what was to be their second recording session. They were at a small studio located on the corner of Santa Monica and Western.[4] The session wasn't too fruitful so Knowles decided to ring Hilder with his experience to come over to help them with the session. Soon Hilder arrived with Robert Hafner who was his partner and songwriter. Hilder's attention was drawn to Dan Darnold's playing around with the vibrato bar. Hafner helped with a melody centering around a hook with the vibrato. An arrangement was developed and later the title "Church Key" came about. Barbara Adkins, Hilder's girlfriend and future wife provided the giggles on the recording. Robert Hafner had some other tunes with him, one of which was "Vesuvius". The band learnt it in the studio and recorded it. Not having his own label to release the recording at the time, Hilder and Norman Knowles started their own co. as partners, splitting the costs as well as the profits.[5]

The A side which was credited to The Revels with Barbara Adkins. The B side to the single was "Vesuvius which was written by Robert J. Hafner[6] However, the 1959 release on CT 1-IM, 1-IMX credits Norman Knowles as the composer.[7] Knowles' involvement as well As Hafner's is confirmed in Catalog of Copyright Entries: Third series.[8] This was the first release on Hilder's Impact Records label.[9] It was also previously released on the CT label which was another record label of Hilders.[10][11] According to Norman Knowles, the song was banned in some cities because of it being "derogatory of religion."[12] According to the liner notes in the CD release of Intoxica! The Best Of The Revels by John Blair (author of The Illustrated Discography of Surf Music, 1961-1965), Adkins who did the female giggling voice on the recording was Tony Hilder's girlfriend and future wife.[13]

It appears on The Revels 1964 album Revels on a Rampage, Intoxica!!! The Best of the Revels in 1995 and various artist compilations Kahuna Classics: Surf Music, Surf Wax: Songs of the Beach and Instro Poker of Aces.[14] The single was picked up by Liberty Records for national distribution. The banner that it was released under was that of Impact. This was to retain the identity of Tony Hilder's label.[15]

The track starts off with a guitar intro, following with the main theme of the number is handled by the guitar in a 12 bar blues progression. There is a party atmosphere in the track. The title of the track is spoken. There is the sound of a beer can being opened as well as a voice of giggling female.[16] The piano player on the track is said to be Langdon Winner.[17][18]

"Church Key" and "Comanche" were the tracks The Revels were best known for.[19] "Church Key" was a hit for them in 1960.[20][21] The band's next single was "Intoxica" / "Tequila" which was released in 1961.[22]