Crash Magazine

Crash Magazine is a French independent magazine published biannually that features articles on women's fashion and cinema.[2]

Crash Magazine
Editor-in-chiefArmelle Leturcq
CategoriesFashion magazine
FrequencyBiannual
PublisherFrank Perrin, Armelle Leturcq
Founded1998[1]
CountryFrance
Based inParis
LanguageFrench / English
Websitewww.crash.fr
ISSN1276-4108

History and profile

Crash Magazine was founded in 1998 by Frank Perrin and Armelle Leturcq; art critics before publishing Crash, Perrin and Leturcq had previously published an art review known as "Blocnotes".[3][4][5][6][7] They are both considered part of the new generation of French art critics that left a mark in the 1990s. The magazine is published biannually.[8]

Jean-Francois Bizot, the founder of Actuel has mentioned that the creation of this publication revolutionized the landscape of French press.

Crash arrived on the French market in 1998 characterized with an element of the unexpected, filled with a deliberate desire to change things: characterized by a minimalist layout and design, it is constituted by challenging avant-garde visuals seeking to emphasize the beauty of things with innovative ideas. Crash worked in close relation with artists such as Air, Daft Punk, Abel Ferrara, Larry Clark, Jared Leto,[9] Michel Gondry during the emergence of the "French Touch". Since 2000, however, they have shifted their focus towards the "New Generation" such as Sofia Coppola, Phoenix and Super Discount.

Crash quickly started to gain the attention of high-end luxury brands such as Chanel and Christian Dior, who looked to revamp their image and attract a younger public, something Crash was able to provide.

Crash Magazine has been considered a platform for rising talent and new artists and its team is internationally recognized. This publication focuses on fashion and cinema among other things, fashion representing a cultural phenomenon of society and everything that is driven by it in our time. Crash has been recognized as the only French publication that dares to mix high-end fashion with urban culture, representing the image of a new generation of consumers that has recently emerged.

Crash enjoys a circulation of 80,000, also publishing an English version sold internationally. The average reader (20–45 years old) sees Crash as a reference point that explores the fresh and upcoming trends, styles, culture and lifestyle.

References

  1. Martin Conrads. "Welcome to the crash period". Art Bag (February 1, 1998).
  2. "Women's Fashion/ Crash". Speed Impex. Archived from the original on 7 March 2016. Retrieved 25 February 2016.
  3. Joly, Patrice. "Que sont mes revues devenues ?". CRASH Magazine (in French).
  4. Guéhenneux, Lise. "Une scène des années 1990 autour de la revue Blocnotes: une plate-forme d'échanges : entretiens entre artistes et critiques d'art". BlocNotes (in French).
  5. Denizot-Saget, Nolwenn. "Fiche synthétique de Blocnotes" (PDF). BlocNotes (in French).
  6. Lindgaard, Jade. "Revue d'art contemporain". Les Inrockuptibles (in French).
  7. Frogier, Larys. "Les Enjeux de la critique d'art contemporain en France depuis 1992" (PDF). Archives de la critique d'Art (in French).
  8. ">Home >Shop >FASHION >Crash". Mag Nation. Archived from the original on 2016-03-03. Retrieved 25 February 2016.
  9. Céline, Rey (29 May 2013). "why Jared Leto is making music?". CRASH Magazine (in French). Retrieved 2 January 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.