Simone Bittencourt de Oliveira

By 1977, she reached national recognition in Brazil, notably with Jura Secreta, Face a Face and O Que Será. The last, composed by Chico Buarque, was featured in the soundtrack of the film Dona Flor and Her Two Husbands, by Bruno Barreto, which helped to popularize the music. The same year, she also met Chico Buarque at the studio and said, "O Que Será opened doors for me and my career."

From June 16 to September 15, 1978, she was among artists of the Projeto Pixinguinha that traveled around the country with upcoming new singers. An excerpt from the Projeto comments on her success:

In 1977, beyond launching 'Face a Face' and the Dona Flor and Her Two Husbands soundtrack, she was acclaimed in a spectacle at the Museu de Arte Moderna. At the Teatro Clara Nunes, directed by Hermínio Bello de Carvalho, she presented "Face a Face". She is improving her performance in each spectacle and is featured now among Brazil's best singers. She has just recorded "Cigarra", singing Gonzaguinha's "Petúnia Resedá" as well as songs by Fagner and Abel Silva ("Sangue e Pudins"), Milton Nascimento and Ronaldo Bastos ("Cigarra").

A performance in 1977 was also claimed to be one of her best. (Excerpt by Funarte): "Along with Belchior, young Simone brought crowds to João Caetano theatre for her Seis e Meia performance on August 25, 1977, and was highly acclaimed when singing 'Gota D'Água'; Seis e Meia marked her first national recognition."[8]

Two years later, on December 12, 1979, her next LP Pedaços was launched at Canecão Rio de Janeiro; it was positively received by critics and drew over 120,000 attendees for the album tour.[9] Pedaços gave her her first golden disc.[10]

According to Revista Veja (Brazil's largest weekly news magazine): "Simone Bittencourt de Oliveira was born twice. The first time, in 1949, in a lower-class Salvador area, in Bahia. The second time was last February 7 at the 'Morumbi Stadium', in São Paulo, when she raised a vibrant chorus of 90,000 at the 'Canta Brasil' spectacle, singing 'Caminhando'. When her presentation ended, she was another shining star in the sky." She recorded her career's first golden disc and an eponymous program for Rede Globo, recorded live at the 'Globo Theater' (March 1980). The program, Simone Bittencourt de Oliveira, was the first of a series called Grandes Nomes. Also in 1979, she was present at the Festival de Música Popular Brasileira, interpreting Para Lennon & McCartney (by Márcio and Lô Borges and Fernando Brant). In 1982, the same magazine would declare Simone to be the largest album seller of the decade[11] on the cover, with seven pages of coverage.

From the 1960s, when the Festival de Música Popular Brasileira series was launched (Rede Record), until the 1980s, Brazilian television broadcast programs from live music festivals. Mulher 80 (Rede Globo) exhibited a series of interviews and musicals discussing women's role in society with an approach to the national music evolution and the predominance of female voices, including Elis Regina, Maria Bethânia, Fafá de Belém, Marina Lima, Simone, Rita Lee, Joanna, Zezé Motta, Gal Costa and Regina Duarte and Narjara Turetta from the Malu Mulher TV series. In an interview given to O Pasquim journal (nº 572, from June 13 to 19, 1980), Elis Regina said about her: "I Like Simone very much. Potentially, there is a talent to bloom out. She is a beautiful woman; her repertoire is very good, and she is very well guided by Flávio Rangel and Nelson Ayres."

At the age of 32, she became the first female singer to fill the Maracanãzinho Stadium. In February 1982, 15,000 to 20,000 people attended Canta Brasil to see her perform music by Milton Nascimento, Ary Barroso, Chico Buarque, Tom Jobim, Fernando Brant, Vítor Martins, Paulo César Pinheiro, Hermínio Bello de Carvalho, Isolda, Sueli Costa and Abel Silva. In December 1983, she drew a crowd of 150,000 people to Quinta da Boa Vista to see a live transmission of Rede Globo for a New Year's TV show.[12]

As her career grew, Simone became increasingly involved in political activities. She helped raise funds with Nordeste já,[13] a Brazilian version of the American charity efforts We are the World or USA for Africa. The 155 choruses of voices recorded a compact disc with two songs of hers, Chega de Mágoa and Seca D'Água.

In May 2006, in a pocket show at Bourbon Street Nightclub in São Paulo, Simone and her band performed for the Credicard Project. Notable recent performances include the ones in Peru, where the audience stood by the stage clapping for more than five minutes straight; and in Miami, along with Ivan Lins. By June 2007, the Coliseum of Santos received an icon of MPB who had once been a resident. Amigo é Casa, sharing the stage with Zélia Duncan, was a show for the recording of an eponymous DVD and aimed to mark the partnership she had with Zélia Duncan for the past two years.[14]

• 1973 – Simone
• 1973 – Brasil Export
• 1973 – Expo Som 73 – ao vivo
• 1974 – Festa Brasil
• 1974 – Quatro Paredes
• 1975 – Gotas D'Água
• 1977 – Face a Face
• 1978 – Cigarra
• 1979 – Pedaços
• 1980 – Simone Ao Vivo no Canecão
• 1980 – Simone (Atrevida)

• 1981 – Amar
• 1982 – Corpo e Alma
• 1983 – Delírios e Delícias
• 1984 – Desejos
• 1985 – Cristal
• 1986 – Amor e Paixão
• 1987 – Vício
• 1988 – Sedução
• 1989 – Simone (Tudo por Amor)
• 1991 – Raio de Luz
• 1991 – Simone – Procuro olvidarte (Spanish) (featuring Hernaldo Zúñiga)
• 1993 – Sou Eu
• 1993 – La Distancia (Spanish)
• 1995 – Simone Simone
• 1995 – Dos Enamoradas (Spanish)

• 1995 – 25 de Dezembro
• 1996 – Café com Leite
• 1996 – 25 de diciembre (Spanish)
• 1997 – Brasil, O Show – Live
• 1998 – Loca (Espanhol)
• 2000 – Fica Comigo Esta Noite
• 2001 – Seda Pura
• 2002 – Feminino – Live

• 2004 – Baiana da Gema
• 2005 – Simone ao Vivo

• Amigo é Casa (CD)
• Amigo é Casa (DVD)

• O canto da Cigarra nos anos 70 (CD)

• Um desejo só não basta (Corpo a Corpo) – Sony
• Pensamentos (Explode Coração) – Universal
• Íntimo (Uma Esperança no Ar) – Sony
• Naquela noite com Yoko (Brilhante) – Sony
• Quem é Você (A Próxima Vítima) – Sony
• É festa (Senhora do Destino) – Universal
• Sentimental demais (Laços de Família) – Universal
• Será (Perigosas Peruas) – Sony
• Desafio (Mulheres de Areia) – Sony
• Apaixonada (Pantanal) – Sony
• Então Me Diz (Belíssima) – EMI
• Raios de Luz (De Corpo e Alma) – Sony
• Muito Estranho (Desejos de Mulher) – Universal
• Veneziana (A Lua me Disse) – EMI
• Seu Corpo (Sassaricando) – Sony
• Loca-Crazy (Torre de Babel) – Universal
• Tô Que Tô (Sol de Verão) – Sony
• Anjo de Mim (Anjo de Mim) – Sony
• Em Flor (Roda de Fogo) – Sony
• Amor explícito (Corpo Santo) – Sony
• Carta Marcada (Araponga) – Sony
• Beija, Me Beija, Me Beija (O Amor Está no Ar) – Universal
• Uma Nova Mulher (Tieta) – Sony
• Sob Medida (Os Gigantes) – EMI
• Saindo de Mim (Chega Mais) – EMI
• Medo de Amar nº 2 (Sinal de Alerta) – EMI
• Povo da Raça Brasil (Terras do Sem Fim) – EMI
• Mulher da Vida (Champagne) – Sony
• O Tempo Não Pára (O Salvador da Pátria) – Sony
• Começar de Novo (Malu Mulher) – EMI
• A Outra (Roque Santeiro) – Sony
• Desesperar jamais (Água Viva) – EMI
• Face a Face (O Pulo do Gato) – EMI
• Valsa do Desejo (Força de um Desejo) – Universal
• Mundo Delirante (Elas por Elas) – Sony
• Vento nordeste (Pé de Vento) – EMI
• Existe um céu (Paraíso Tropical) – EMI
• Jura secreta (O Profeta e Memórias de Amor) – EMI
• Cigarra (Cara a Cara) – EMI'
• Ela disse-me assim (Os Imigrantes – Terceira Geração) – EMI
• Então vale a pena (Salário mínimo) – EMI
• O que será (Dona Flor and Her Two Husbands) – EMI
• Enrosco (Paixões Proibidas) – EMI