Cueva del Agua, Garafia

The chapel

It is a small building of only one vessel and a gable roof covered with curved ceramic tiles. The facade includes a triangular pediment, crowned with a bell wall and a cross above it. The access door is made out of Canarian pine wood and its top is arch-shaped.

It is a devotional image with eyes made out of crystal. It differs from the usual representations of the Virgin Mary generally encountered in the Canaries. But as everywhere else in the nation, from the 16th century a grandeur was given to the particular type of Lady of the Seven Sorrows, where Mary remains alone after the crucifixion of her Son and handed over to pain.

This site of cave engravings is on a rocky outcrop located on the top shore of the right bank of the ravine of the Atajo.[5] Le site includes six panels in their original position. The patterns are geometric and put the accent on spirals, fretwork and meanders. They were made by punching the stone, making marks of variable widths and lengths. Its state of conservation is worsening due to the wear by erosive agents. These were made public in 1970 by Dr. Mauro Hernández Perez in his dissertation.[6] Later they were studied during the Second phase (1988) of the Corpus of Cave Engravings of La Palma.[7]

The site stands nearby an old settlement of prehistoric origin. The troglodyte village occupies the middle area of the right bank of the ravine of Atajo (barranco del Atajo). In general, the caves present good conditions for habitability in regard of their size, brightness, exposure and protection against inclement weather. The caves have been intensely used in the historical epoch and some of them have been pillaged.

Fragments of ceramics were found in this archaeological site, that belonged to jars from phases III and IV. The lithic technology is includes stone chips, dikes, cores, a.s.o., of grey basalt and glassy basalt. Ovine and caprine bony fragments have also been crushed as well as numerous limpet shells.

Petroglyphs are quite common on the territory of Cueva del Agua, and indeed on that of Garafia.[8] Many have disappeared, notably during the construction of the roads,[9] but a number of petroglyphs remain scattered. For example, near Cueva del Agua's windmill,[10] at a place called The Calvary (El Calvario) are 17 engraved panels; their dominant motive is based on circles and spirals. This locally well-known place with easy access is often visited.[11] Another petroglyph was found in 1997 among the stones used to build a wall.[5]

At the mouth of the Atajo river is a small beach of black sand framed by tall cliffs, stretching over about 100 m. It is made of black volcanic sand dragged by the tides. A quiet beach in the winter months, it is a zone with great currents and precautions are strongly recommended for bathing.

It is reached from the LP-114 road at km 9 (starting from the south end of the LP-114, where it reaches the LP-1 near Las Tricias and Fagundo). The lane is tarmacked up to the parking place for the vehicles. From that point onward, there is a walk of approximately 1 km up to the beach.[12]

This cave, called Cueva de la Fuente in Spanish, is on the north face of the ravine that opens into Callejoncito. Its mouth is under a rocky arch. It is a large cave, used a park for goats - and therefore fenced in. There are some cement- and brickworks in connection with the spring. The cave, of volcanic origin, runs parallel to the coastline - and not perpendicularly to it.[13]

• García, Francisco José Herrera (2005). Grabados en la memoria: catálogo de estaciones rupestres ya desaparecidas en el antiguo bando de Tagalguen (Garafia)] ("Engraved in memory: list of rupestrian art already disappeared from the old region of Tagalguen (Garafia)" (PDF). Article in Revista de Estudios Generales de la Isla de La Palma, pp. 255-273. ISSN 1698-014X.

• Cueva del Agua, some photos on islalapalma.com
• Cueva del Agua on garafia.es, site of the municipality of Garafia