DEFA Film Library

The DEFA Film Library at UMass Amherst was established in the late 1980s by Barton Byg, professor of Film and German Studies at the University of Massachusetts Amherst. The signing of an UMass Memorandum of Understanding on September 23, 1993, marks the DEFA Film Library's official founding. Byg's idea was to make films from the East German DEFA Studios more available and widely known in North America and to broaden popular and scholarly understanding of filmmaking in the former GDR by critically exploring its aesthetic, political and ideological bases.

As the post-unification fate of East Germany's film heritage was being decided in Germany, the DEFA Film Library's collection grew bit by bit. In 1997, an agreement with two German partners—Progress Film-Verleih and the DEFA-Stiftung—brought a collection of East German film journals and the largest collection of 16mm and 35mm prints of DEFA films outside of Germany to the UMass Amherst campus. Also housed in the DEFA Film Library archive are 16mm prints that were donated by the US-GDR Friendship Committee and the former East German Embassy. This part of the collection includes films that were made specifically to report on and represent the GDR overseas.

In 1998, ICESTORM International Inc., which owned the international video rights for DEFA films, brought East German titles on VHS to North America. ICESTORM and the DEFA Film Library collaborated on the selection of 61 titles for the first U.S. release of subtitled DEFA films on video in 1999. On October 1, 2001, the DEFA Film Library took over the distribution of these titles for ICESTORM International. Since 2003, the DEFA Film Library has produced DVDs for the North American market, expanding in 2014 to educational video on demand. Since 2005, the DEFA Film Library has produced high-quality English subtitles for these films.

The DEFA Film Library's collection of theatrical film prints has now grown to almost 500 prints that have been screened at venues throughout North America, including: The Museum of Modern Art, Anthology Film Archives and the New York Jewish Film Festival in New York; the Harvard Film Archive and the Museum of Fine Arts, Boston; the American Film Institute and the National Gallery of Art in Washington, D.C.; the San Francisco Museum of Modern Art; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art and the Hammer Museum in Los Angeles; the Toronto International Film Festival; the Wexner Center for the Arts in Columbus, Ohio; Real Art Ways in Hartford, Connecticut; and Darkside Cinema in Corvallis, Oregon.

Most visible have been large-scale touring film series that are co-curated by the DEFA Film Library and various partners and which premiere at prestigious cultural institutions. In 2005, The Museum of Modern Art and the Goethe-Institut New York presented the most comprehensive retrospective of East German films ever screened in North America, Rebels with a Cause: The Cinema of East Germany. In 2009, a series commemorating the 20th anniversary of the fall of the Wall, WENDE FLICKS: Last Films from East Germany, premiered at the Los Angeles County Museum of Art, the Hammer Museum, the Wende Museum, UCLA and the Goethe-Institut Los Angeles.

For a list of selected curated film series, please visit the website of the DEFA Film Library.

The on-site research collection includes over 1,000 35 and 16mm prints, DVDs, .mp4 files and over 400 books and periodicals (Filmspiegel, Kino DDR, Film und Fernsehen, epd Film, Deutsche Filmkunst).

In addition, Special Collections and University Archives (SCUA) at UMass Amherst's W.E.B. Du Bois Library owns the collection "Social Change and Movements for Social Change," which includes a Cold War Culture Collection with an emphasis on East Germany.

Other Collections:

The Graphic Art of Anke Feuchtenberger (a comprehensive collection of early works—including film and theater posters and smaller-scale pieces—made by (East) German artist Anke Feuchtenberger; donated by film director Jörg Foth).

The Carlos Foth Collection (documents the work of the East German Prosecutor General Carlos Foth, a key player in the legal effort to investigate and punish Nazi war criminals. The collection includes correspondence, case files and legal documents including press articles, speeches, reports, photographs and other research materials and relevant publications. Topics include NS trials, i.e. Robert Mulka, Hans Globke, Adolf Eichmann and Alois Brunner; nuclear weapons /IALANA; East German legal advisory in Cambodia; Weinhold Case and border control in the GDR).

The Jörg Foth Collection (film scripts, festival catalogs, correspondence, miscellaneous film production and project documents)

The Volkmar Andrä Collection (Tapes, Vinyl LPs, catalogs, and miscellaneous materials of VEB Deutsche Schallplatten)

The DEFA Film Library supports an international network of scholars with a range of regular programming that has helped shape national and international research agendas on (East) German cinema.

• In 1997 and 1999, the DEFA Film Library organized two international conferences on East German cinema in the Five College area, in collaboration with PROGRESS Film-Verleih and the DEFA Foundation in Berlin. The DEFA Film Library collaborated on a third international conference with the Academy for Film and Television in Potsdam-Babelsberg in November 2011.
• Since 2001, the DEFA Film Library has hosted a biennial Summer Film Institute. Combining workshop discussions with screenings of a range of films—including little-known and rare titles—the Institutes are known for their stimulation of new research topics. (For a list of Summer Film Institute topics, see the DEFA Film Library’s website)
• The DEFA Film Library organizes or participates in panels and panel series at national conferences, including German Studies Association (GSA) and Association for Slavic, East European and Eurasian Studies (ASEEES).

The DEFA Film Library Visiting Filmmakers program brings German film directors to colleges, universities and cultural institutions throughout North America. Featured directors have included Frank Beyer, Jürgen Böttcher, Lutz Dammbeck, Andreas Dresen, Jörg Foth, Iris Gusner, Peter Kahane, Helke Misselwitz, Siegfried Kühn, Herrmann Zschoche and Rainer Simon.

Other visiting artists and scholars have included:

• Directors: Egon Günther, Thomas Heise, Dietmar Hochmuth, Günter Jordan, Bernd Sahling, Evelyn Schmidt, Andrea Simon, Andreas Voigt, Lothar Warneke, Lutz Stützner, Gerd Kroske, Vojtěch Jasný.
• Scriptwriters: Wolfgang Kohlhaase, Stefan Kolditz, Helga Schubert.
• Composer: Stefan Carow.
• Cameraman: Thomas Plenert.
• Editor: Gudrun Steinbrück-Plenert.

Film historians and scholars: Monika Albrecht, Seán Allan, Christine Becker, Lothar Bisky, Benita Blessing, Oksana Bulgakova, Burghard Ciesla, Alexander Donev, Stephan Ehrig, April Eismann, Thomas Elsaesser, Thomas Fox, Sabine Hake, Dina Iordanova, Konrad Jarausch, Lars Karl, Heinz Kersten, Mario Kessler, Sylvia Klötzer, Thomas Lindenberger, Claus Löser, Hanno Löwy, Tom Maulucci, Larson Powell, Eric Rentschler, Ralf Schenk, Elke Schieber, Ursula Schröter, Lu Seegers, David Shneer, Frank Stern, Evan Torner, Katie Trumpener, Annette Weinke, Johanna Frances Yunker and others.