David Firth (actor)

David Firth (born 15 March 1945) is an English actor, writer and singer for stage, film, radio and television.[1] Firth created the role of M. André in the original cast of Phantom of the Opera, among other roles in the West End, and originated the role of John Wilkes Booth in the first London production of Assassins, in a career spanning more than 40 years.

Early life

Firth was born David Firth Coleman in Bedford on 15 March 1945, the son of Ivor Firth Coleman and Beatrice née Jenkins.[2] He was educated at Bedford Modern School, the University of Sussex and the Guildhall School of Music and Drama. In 1969 he married Julia Elizabeth née Gould, and the couple have two sons.[2]

Career

Firth was with the Royal Shakespeare Company (1967–70) and the Royal National Theatre (1973). His first West End role was The Courier in 1776 (Albery Theatre, 1970), for which he was nominated as Most Promising Actor in the Plays and Players Awards.[1][2] He played M. André in the original cast of the Phantom of the Opera (Her Majesty's Theatre, 1986).[3]

During his stage career, Firth appeared in the revue Side by Side by Sondheim (Wyndham's Theatre and Garrick Theatre, 1977),[4] played Algernon in a musical version of The Importance of Being Earnest (Ambassadors Theatre, 1984),[5] originated the role of Sir Alastair in The Metropolitan Mikado (Queen Elizabeth Hall, 1985),[6] and played roles in King Lear (Old Vic, 1988), The Hunting of the Snark (1991), A Tree Grows in Brooklyn (Barbican Theatre, 1992) and Jubilee (Barbican Theatre, 1992). In the original London production of Assassins (Donmar Warehouse, 1992), he played John Wilkes Booth "with mesmerising power".[7] He followed this with roles in Knickerbocker Holiday (Barbican, 1993), Follies (Brighton, 1993) and Forty Years On (West Yorkshire Playhouse, 1994),[8] and sang in Manfred at the Royal Festival Hall in 1994.[9] He next appeared in Love Life (Barbican Theatre, 1995)[10] and as Colonel Ricci in the original West End production of Passion (Queens Theatre, 1996).[11] He created the role of Reed Chandler in The Fix (Donmar Warehouse, 1997),[12] and appeared in Die Fledermaus (Arts Theatre, 1998), On a Clear Day You Can See Forever (Barbican Theatre, 1998),[10] Good Grief (Yvonne Arnaud, 1998), H.M.S. Pinafore (Royal Festival Hall, 1999), Susanna's Secret (Drill Hall, 1999) and Jubilee (Her Majesty's and BBC Radio 3, 1999).[1][2]

In recent decades, he appeared in Der Kuhandel (Barbican and BBC Radio 3, 2000), Journey's End (Drill Hall, 2000), Alidoro in Cenerentola (Music Theatre London, 2001),[13] Reverend Tooker in Cat on a Hot Tin Roof (Lyric, 2001),[14] Relatively Speaking (Secombe Theatre, Sutton, 2002),[15] Our Song (tour, 2003), Coward and Others (2004), The Man Who... (Orange Tree Theatre, Richmond, 2005),[16] The Shell Seekers (tour, 2006), Alan Sugar in Yellow Lines (Oval House, 2007),[17] Park Avenue (Lilian Bayliss Theatre, 2008), Dirty Dancing (Aldwych Theatre, 2008) and Phantom of the Opera (Royal Albert Hall, 2011).[1][2] He played Phileas Fogg in Around the World in Eighty Days in 2013 (Sadler's Wells Theatre).[18]

Alongside his stage career, Firth has performed in a number of television series and on film,[19] and is credited as a writer on The Return of Shelley, Home James! and Sorry, I'm a Stranger Here Myself.[20]

Filmography

Actor
Sources:[2][20]

Writer

References
  1. Parker, John (1981). "Firth, David". Who's Who in the Theatre. Pitman. ISBN 9780810302358.
  2. Hume, Lucy (2017). "Firth, David ne David Coleman". People of Today. eBook Partnership. ISBN 9781999767037. Retrieved 3 May 2022.
  3. Coveney, Michael. "The Phantom of the Opera: Her Majesty's", Financial Times, 10 October 1986, Section I; The Arts; p. 25
  4. "Side by Side by Sondheim", The Stephen Sondheim Reference Guide, accessed 3 May 2022
  5. Coveney, Michael. "Of No Importance", Financial Times, June 2, 1984, Section I; The Arts; p. 16
  6. Hoyle, Martin. "Bravado Mikado With a Touch Too Much Fertiliser", 3 August 1985, Financial Times, p. XI
  7. Kennedy, Michael. "All the Presidents' Assassins", The Herald, November 3, 1992, p. 8; and Wardle, Irving. "Theatre: Sondheim Scores a Direct Hit", 1 November 1992, The Independent, p. 20 ("elegantly macabre")
  8. Wainwright, Jeffrey. "Theatre: Under New Orders ... Saint Joan at Theatr Clwyd and Forty Years On at the WYP, Leeds", The Independent, May 7, 1994, Weekend Arts, p. 34
  9. Driver, Paul. "Intimacy in Festival Hall", Financial Times, October 25, 1994, Arts, p. 17
  10. Jones, Kenneth. "Dinner at Eight – the Musical – Is Served in a London Reading July 1", Playbill, July 1, 2003
  11. Kennedy, Michael. "Passion", The Herald, April 3, 1996, p. 17
  12. Kennedy, Michael. "Musical: The Fix", The Herald, May 14, 1997, p. 19
  13. Picard, Anna. "Music: You Shall Go to the Ball ... Classical: Cinderella", Independent on Sunday, January 7, 2001, Features, p. 8
  14. Morley, Sheridan. "Lazy Charm; The Arts Theatre", 29 September 2001, The Spectator, p. 48
  15. "Last Chance", UK Newsquest Regional Press – London, March 1, 2002
  16. "Theatre: Listings – Off-West End", Time Out, April 20, 2005, p. 150
  17. Logan, Brian. "Theatre – Reviews: Yellow Lines – Oval House", Time Out, June 7, 2007, p. 129
  18. Kiek, Miranda. "Theatre review: Around the World, Sadler's Wells, London", 28 October 2013, The Independent, p. 46
  19. "David Firth", BFI, accessed 2 May 2022
  20. "David Firth". IMDb. Retrieved 4 May 2022.
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