David Hegarty

David Hegarty joined Lorenz Publishing in 1974 as a composer and editor of The Sacred Organ Journal

Hegarty joined the Lorenz Publishing Company in 1974, and began a prolific period of composing for the organ.[1] In addition to serving as editor for Lorenz's The Sacred Organ Journal, where many of his original compositions were published, Hegarty was a regular contributor to other Lorenz publications including The Organist and The Organ Portfolio. Other publishing credits during his long association with Lorenz include eleven books of music:

• Gospel Hymn Duets, Vol. 3 (KK504, 1976)
• Toccatas! Toccatas! (KK258, 1977)
• Favorite Hymn Duets (KK321, 1985)
• Sacred Organ Diversities (KK504, 1986)
• Organ Duets for Four Hands (KK358, 1986)
• Easy Festive Classics for Organ and Piano (KK353, 1986)
• In Dulci Jubilo (Christmas Organ/Piano Duets) (KK421, 1987)
• Christmas Duets for Organ and Piano, Vol. 4 (KK356, 1987)
• Hymn Innovations for the Organist (KK450, 1991)
• Hymns in Free Style (KK137, 1991)
• Hymn Innovations for Organ and Piano (70/1009, 1993)

In 1976 Hegarty resigned from his position at Lorenz (and his organist position at Kettering Seventh-day Adventist Church) to move to San Francisco, California. He continued publishing his original compositions with Lorenz and other publishers including Broadman Press and Hal Leonard Publications.[7] As Hegarty settled into a California lifestyle, his compositional interests shifted from the sacred to the secular. He was appointed organist of the Castro Theatre in 1978, and began arranging both popular music and film music for his performances there. He became a frequent contributor to Sheet Music Magazine with arrangements for organ of such popular songs as The Way You Look Tonight, Who's Sorry Now, and In the Mood.[8][9][10] He also published articles on organ performance technique.[11]

Hegarty Music Press publication of organ solos by John Gart

In 1993 he founded Hegarty Music Press to develop and publish instructional material for organ performance, and to publish his original compositions.[12] He also published works by the legendary radio/television organist John Gart, who Hegarty deeply admired.[13] Notable publications from Hegarty Music Press include:

• Method of Organ Playing (1993)
• 12 Service Pieces (1993)
• Hymns for Bass Coupler (1993)
• Six Rhythmic Organ Solos (by John Gart, 1994)
• Maestro Magic (1995)
• Maestro Magic Live (1996)

Hegarty's compositions have also appeared on stage and screen. In 2007 he was co-arranger, with his partner, Leonard Moors, of music for the New York Musical Theatre Festival production of Joel Adlen’s Emma.[7] Hegarty has composed and performed the organ soundtracks for two films:[14]

• Hole to China (1999)
• The Magic Man (2011)

In 2017 Hegarty was commissioned to compose Appalachian Triptych, a piece that he dedicated to organist Jonathan Dimmock.[15] This piece has been performed widely in Europe and the United States, and, in October 2018, broadcast on the Pipedreams program of American Public Media.[16][17][18]

Hegarty at the console of the Castro Theatre Wurlitzer Organ

When Hegarty came to San Francisco in 1976 he began performing at eclectic venues: a piano bar some nights, an East Bay pizza parlor on other nights, substituting at the Castro Theatre when he could, and of course church on Sundays.[19][20] Some evenings between sets in a piano bar he would race to the Castro Theatre to play an intermission, then rush back to the piano bar for his next set.[21] In a biopic Hegarty recalled the first time that he played at the Castro Theatre in 1976:

The Castro's Theme song for as long as I can remember has been San Francisco, the title song from the 1936 movie. I remember the first time that I substituted here I had to have someone hum it to me so I could jot it down having just come in from Ohio, and I managed to play it that night. Since then I don't know how many thousands of times I have played it, but it just seems to capture the essence of San Francisco and this Theatre and I never tire of it. And I hope that the audience doesn't either.[22]

After two years of playing at the Castro Theatre as a substitute, Hegarty joined the Castro Theatre as staff organist in 1978. In addition to his work at the Castro, Hegarty was named a staff organist at Palo Alto's Stanford Theatre in 1998, and in the same year became a regular recitalist at the California Palace of the Legion of Honor, presenting monthly pops concerts on the E.M. Skinner Organ.[23] His concert tours have taken him all across America, and even around the coast of South America (as an organist for Prudential Lines South American Cruises). He has performed in many of the most prestigious concert venues in the United States including Kennedy Center, Davies Symphony Hall, the Crystal Cathedral, and Grace Cathedral.[7][24] Hegarty is appreciated by audiences and critics alike. Paul Hume of The Washington Post described Hegarty as "one of the best."[25]

Hegarty with the Castro Symphonic Theatre Organ under construction at the R. A. Colby factory in Johnson City, Tennessee

In 2015 the Wurlitzer organ, which had been on loan to the Castro Theatre since 1982, was removed.[26] The owners of the organ were moving out of the Bay Area, and they needed to take the organ with them. The tradition of organ performance at the theatre dated back to the theatre's opening in 1922, and David Hegarty was not about to let that tradition die.[27] Within a week Hegarty installed his personal digital organ in the theatre and performances continued, albeit on a much less capable organ than the "Mighty Wurlitzer."

During his concert tours throughout the United States, Hegarty was particularly impressed by the Harrah Symphonic Organ in Hurricane, West Virginia.[28][29] The designer of that organ, Allen Harrah, was formerly president of the Rodgers Organ Company and inventor of the "hybrid" organ which uses a combination of wind-blown pipes (as in a traditional pipe organ) and digital pipe and orchestral voices to produce a much wider palette of sounds than would be found in a pipe organ alone.[30] Hegarty conceived of an organ design for the Castro Theatre based on Harrah's work, and contacted Allen Harrah about the idea of designing such an organ. Harrah was excited about the project, and offered to produce a detailed design of the organ pro bono.[31]

Hegarty formed a non-profit organization to manage the building of the new "Castro Symphonic Theatre Organ," and recruited Lauren Woodland and Harry Garland to serve on his Board of Directors.[32][33] Hegarty serves as president of the board. Construction has begun on the new organ which, with seven manuals, will be the world’s largest hybrid organ.[34][35][36][37]

David Hegarty with Angela Morley at her home (2004)

David Hegarty serves as conservator and archivist of the musical artifacts for the estate of John Gart and for the estate of Angela Morley.[13][38]

Hegarty furthers the legacy of John Gart by frequently including Gart's works in his concert programs, and through his publishing company, Hegarty Music Press, he has published previously unknown Gart compositions.[39]

Hegarty has also transcribed several of Angela Morley's compositions for organ, and regularly performs them in concert.[40][41] In 2003 he was invited to perform his transcription of Morley's "Snow Ride" in a concert at Davies Symphony Hall with the San Francisco Symphony.[42] In 2009 he was asked by The Film Music Society to write a remembrance of Angela Morley which was published in their quarterly journal, "The Cue Sheet."[40]