Diamond Cut Productions

Diamond Cut Productions was originally a private archival venture by Craig Maier and Rick Carlson that begun in response to proposed budget cuts to the Edison National Historic Site in 1986.[1] At the time Kitta MacPherson of The Star Leger reported on the deteriorating condition of the Edison National Historic Site and its archives located in West Orange, New Jersey. Among the many artifacts lacking proper curatorial attention resulting from funding deficiencies was a collection of test-press recordings made by the Edison Company between 1927 through 1929 (their last few years in the record business). Having read the disturbing article, R&D engineer Craig Maier and software engineer Rick Carlson offered to volunteer their time and technical expertise in the areas of audio hardware and software engineering in order to preserve the Edison Lateral Record collection of test pressings by transferring them to digital tape for archival and preservation in the digital domain.

Then Supervisor and Museum Curator, Dr. Edward Pershey, Ph.D. showed Craig and Rick the thousands of one-of-a-kind test recordings which were piled in stacks on a long row of tables on the second floor of the Edison main laboratory building. The total number of songs which were recorded numbered over 1200 with anywhere from two to five takes each, increasing the possibility of finding some truly important music that had remained unheard since the late 1920s. Following several meetings an informal agreement was made such that private funding could be sourced to construct the audio restoration laboratory required for the project. After seven months, enough funding was sourced to construct an audio in addition to designing and constructing several pieces of custom equipment required for the project.[2]

With the laboratory up and ready, Mr. Tom Owens of the Rodgers and Hammerstein musical library in New York City was hired for his expertise in the area of archival audio transferring. Mr. Owens provided constructive criticism regarding the sound laboratory allowing them to improve upon their initial system. One significant problem which he had highlighted was that of establishing the correct turnover frequency for the transfer of the lateral test pressings. Documentation could not be found at the Edison site regarding the specifics of this important parameter, instead Craig and Rick had to devise and conduct experiments. This experimentation involved a "high-end" vacuum tube based Edison phonograph designed around the same time period as the test pressings in order to deduce the correct turnover frequency. The experiments proved useful allowing various modifications to be made to their magnetic phonograph pre-amplifier in order to provide the most likely proper turnover frequency for the transfers consistent with their era.

With the laboratory and equipment in place, a seven-year pro-bono contract was drawn up between the Edison National Historic Site / U.S. Department of the Interior, Rick Carlson and Craig Maier for the purposes of executing the archival project. Nearly one full year had lapsed before the first record was transferred to digital tape. Shortly thereafter, the sound lab was rebuilt in Rockaway Township, NJ where the lion's share of the transfer project took place over the next seven years.

After transferring around 900 of the recordings (times 2 - 5 takes per song, about 2,200 transfers in total) Craig and Rick decided that the music was not doing much good sitting in the underground vault of a museum. It was decided to release some of this previously unreleased material (only around 200 of the songs had ever been released in the Edison lateral format). At the time it worked out to be significantly easier to form a company and release these songs under a new record label. Thus Diamond Cut Productions was formed in 1992 through Craig Maier and Rick Carlson providing their own seed capital for the venture.