Dianne Brooks

With the Three Playmates

In the late 1950s, she was involved in the following recordings,

• "Giddy-Up-a-Ding-Dong" / "It Must Be Love", (released on Savoy 45-1523 in 1957),[8]
• "Give Your Love to Me" / "(Do-oo, Do-oo) I Dreamed", (released on Savoy 45-1528 in 1957) with backing by musicians, George Barrow, Jerome Richardson, Budd Johnson, Sam Price, Kenny Burrell, Joe Benjamin, Bobby Donaldson, Ernie Wilkins (arranger)[9]
• "Sugah Wooga" / "Lovey Dovey Pair", (released on Savoy 45-1528 in 1957) with backing by musicians, Buddy Lucas, Bobby Banks, Leonard Gaskin.[9]

The Three Playmates was made up of sisters Lucille and Alma Beatty and Gwen Brooks (Dianne). They had a chart hit with one of the records they had released on the Savoy label. The song "Sugah Wooga" which she co-wrote with Ozzie Cadena managed to get to # 89 on the Billboard Pop Top 100.[10][11][12]

The Orbiteers

In 1962, she was featured on a recording relating to the Orbiteer toy. The song was "The Orbiteer Twist" which was a commercial. It was also her own composition. The A side of the single was credited to Dianne Brooks with Billy O'Conner and His Orbiteersmen. The B side, "My Orbiteer Will Come Back", a Randy Leeds composition was credited to The Orbiteers with Billy O'Conner and His Orbiteersmen. It was allegedly the first time Robbie Robertson had played on a released recording.[8][13][14]

The Silhouettes

Brooks and saxophonist Steve Kennedy had been part of The Silhouettes who were an established group on the Toronto r&b scene. The Silhouettes had backed Eric Mercury on his single, "I Wondered Why" / "Softly", released on Clip 1122 in 1966. The group also backed and included Jack Hardin They played at venues such as Toronto's prominent music club, Friar’s Tavern,[15] and the Blue Note club which was also located in Toronto.[16][17]

With the Soul Searchers

Also in 1966, Brooks and Kennedy left the group to form The Soul Searchers with Eric Mercury, guitarist Terry Logan, organist William "Smitty" Smith and drummer Eric "Mouse" Johnson.[8] According to Smitty's book, A Stroke of Luck, Brooks and Kennedy were in a romantic relationship. Smith and Kennedy had an idea of putting together a group to play behind Brooks. Things began in April that year. Even though the group is referred to as the Soul Searchers, the real name was Diane Brooks, Eric Mercury and The Soul Searchers.[18] The instrumental section of the group consisted of Eric "Mouse" Johnson on drums and vocals, Steve Kennedy on tenor, baritone sax and background vocals, Terry Logan on guitar and vocals and William "Smitty" Smith on Hammond B3 organ and vocals.[19] They first played at the Memory Lane in Toronto.[18]

Sometime that year, Brooks got an offer to record for herself. Due to the band supposedly not having the experience or considered to be up to the task, they didn't get to play on the recording.[18] According to Michel Ruppli's book on the Verve discography, a recording session took place in New York on November 17 of that year. Four songs were recorded with Harvey Brooks (no relation to Diane) who was producing at the time. They were "I Just Don't Know What To Do With Myself", "In My Heart", "Sometimes I Wonder" and "Into Something Good". The following year on March 15, two more tracks, "Picture Me Gone" and "Say Something Nice To Me" were recorded. It's possible that some of these tracks did not see a release.[8] "In My Heart" bw "I Just Don't Know What To Do With Myself" was released on Verve Folkways 5036 around November 1966 while "Picture Me Gone" bw "Sometimes I Wonder" was supposed to be released on Verve Forecast 5055 in 1967.[20][21]

In May and June 1967 the group appeared in New York at The Scene club with The Free Spirits and Tiny Tim. The Soul Searchers were on the same bill as The Doors on various nights, with the poster saying "APPEARING WITH THE DOORS NIGHTLY for a Completely Flipped Out Evening: DIANNE BROOKS / ERIC MERCURY and The SOUL SEARCHERS".[22][23]

At some stage Brooks had left the band after falling in love with a hairdresser, leaving Mercury to be the front man.[24]

Revolution Records was run by Mort Ross and Doug Riley with Terry Brown as their recording engineer.[25] The intention of Revolution Records wasn't to start off as a record company as they did. They wanted to build a recording facility with equipment superior to what other Canadian studios at the time. But with the studio having been built and ready for business later in August 1969, they recorded some demos with Brooks in the meantime. They were originally intended to be just demos. The studio owners were very impressed with what they had heard, and considered them to be "So good they had to be released". This is how Revolver Records came into being when it did.[26]

By March 1969, she was already signed to Revolution.[25] Also that month, her single "Walkin' on My Mind" had been released by Revolution's subsidiary, Revolver Records.[27] It was also being released in the United States on Ray Charles' Tangerine label.[28] Revolution's Mort Ross had travelled to New York to set up the distribution deal with Charles' label for the current record, which also involved any future releases from Brooks. A distribution deal was also set up for England with Morgan Records handling that task. For Canadian distribution, the Compo Company was chosen.[29] By April 21 the song had entered the RPM Weekly Canadian Content Chart at #10.[30] By May 2 it made it to #4 on the RPM chart. However it only got to #67 nationally.[31]

The group Motherlode was doing gigs on Friday and Saturday nights in London, Ontario. They did a demo session with Brooks as a backing vocalist. However it was decided that she wasn't needed. Also around that period, Motherlode came up with their When I Die album.[32][33]

In late September 1969, her second single with Revolution, "Show Him (He's Not Alone)" which was written by Doug Riley was released on Revolver REVS 003. The single which was backed with "Show Me" was produced by Mort Ross.[34] She also had written a song "Memories of a Broken Promise" which Motherlode had recorded and released as the follow-up to their hit "When I Die". By the end of November the song was charting in both Canada and the US.[33] The song would get to #99 on the CASH BOX Top 100 Singles chart.[35] By November 22, the song was at #4 on the RPM Canadian Content Chart and at #55 on the Canadian National chart.[36] It would eventually be one the BMI Canada Certificate of Honour winners of 1969.[37]

An article in the November 29 issue of RPM indicated that her album was soon due to make its appearance.[33] Motherlode did some instrumental backing on her Some Other Kind of Soul album. William Smith and Steve Kennedy also wrote "The Boys Are On the Case".[8]

Her other activities during 1969 until the end of the year involved performing with Doug Riley at Friar's Cub and then appearing at the Savarin Tavern with Rob McConnell's Boss Brass.[31]

By June 27, 1970, Some Other Kind of Soul was at #87 on the RPM100 album chart.[38]

Along with Emmylou Harris and Anne Murray, she provided backing vocals to Canadian folk singer Bob Carpenter's album, Silent Passage which was released in 1975.[39] In 1976, her Back Stairs Of My Life album was released. It also included the song "Down the Backstairs of My Life". It was written by Eric Mercury and William Smith. Smith was also one of the backing musicians, playing keyboards. The album also included the songs "Kinky Love" and "Brown Skin Rose".[40][41] They were released on a single with "Kinky Love" as the A side. The single managed to get into the Canadian Top 40. It also got some airplay in the US.[42] Also in 1976, she and William Smith contributed to the music on Richie Havens' The End of the Beginning album with her along with Smith and others providing background vocals.[43] Sharing background vocal duties with Patti Brooks and Brenda Russell, she was one of the hand picked singers to sing on Dusty Springfield's tenth studio album It Begins Again which was released in 1978.[44]

According to the Cash Box article dated April 18, 1981, her single was one of the new releases the Town House record label which was formed by Las Vegas-based real estate developer William Levitt.[45] The single, "Go Away" bw "Drums" was produced by Nat Kipner.[46][47]

On October 1, 1996, the Toronto Blues Society announced that she was to share the stage in November that year with artists that included Blues Talent Search winner Robin Banks, rock diva Lee Aaron, Chris Armstrong, Juno nominee Georgette Fry, Melanie Jean, Andrea Koziol, and Jani Lauzon.[48]