Dilman Dila

Dilman was born in Tororo, Uganda, on 31 December 1977. He grew up with his family on Bazaar Street, which harboured a multitude of cultures and nationalities. It is exposure at an early childhood to different stories from different tribes that gave him a strong foundation in storytelling.[18] He attained primary education at Rock View Primary School, and secondary education at St. Peter's College, Tororo, before proceeding to Makerere University, where he did a BA in Social Sciences, majoring in Political Science (International Relations) and Economics.

Upon completing his university degree, he worked for human rights organisations, and for non-government developmental agencies for eight years, an experience that not only made him a social activist, but provided him with material for his writing and filmmaking.[19]

He was introduced into storytelling at an early age by the folktales that he used to hear from his parents, and from fellow children, in the town he grew up in, Tororo.[18] He started writing when he was 15 years old.[20] His first works appeared in print in The Sunday Vision in 2001,[21] and have since featured in several e-zines and book anthologies. These include The African Roar anthology in 2013,[22] Storymoja, and Gowanus Books.[23]

He writes speculative fiction, especially in the genres of horror, science fiction, and fantasy. The story that won a shortlist with the Commonwealth Short Story Prize, "A Killing in the Sun", is a ghost tale.[4][21] He published his first science fiction story, Lights on Water, in The Short Anthology.[24] In 2014, he launched his first collection of speculative short stories, during the Storymoja Festival, in Nairobi, Kenya.

In 2013, he was shortlisted for the prestigious Commonwealth Short Story Prize[25][26] and longlisted for the Short Story Day Africa Prize.[27]

In 2013, he facilitated a short-story surgery workshop, together with Alexander Ikawah, in collaboration with Commonwealth Writers,[28] at the Storymoja Hay Festival.[29][30] and in 2014 he was a mentor in the Writivism project.[31] He returned to the Storymoja Festival, where he was a festival guest in 2014, conducting a masterclass with Prajwal Parajuly.

In 2013, the San Diego State University included his short story "Homecoming", in its syllabus for an English course.[32]

Dilman Dila is a self-taught film maker.[20] He however greatly benefited from the Maisha Film Lab, where he learned the craft from experienced mentors from Indian Cinema, and from Hollywood.[33] He attended five different labs with Maisha, spanning a period from 2006 until 2008, in the areas of screenwriting and directing, for both fiction and documentary. The other trainings he attained include the Durban Talent Campus 2008,[34][35] MNet Screenwriters Workshop in 2009,[36] European Social Documentary International in 2012,[37] and Berlinale Talents in 2014.[38]

Many regard his first short film, What Happened in Room 13 (2007), featuring the famous comedians Ugandan Richard Tuwangye, Anne Kansiime, Veronica Namanda, Hanningtong Bujingo, and Gerald Rutaro, as a masterpiece from Uganda's young industry. The Young Ones Who Won't Stay Behind (2008) was his first collaboration with the world-famous film maker Mira Nair. Dila spent two years in Nepal, after receiving funding from Voluntary Service Overseas (VSO), to work with local organisations on film making for social change. While there, he made several documentaries. Untouchable Love (2011) was selected for IDFA's Docs for Sale, 2011,[39] where it picked a UK-based distributor. With The Sound of One Leg Dancing (2011), he won The Jury Award at the Nepal International Indigenous Film Festival in 2012.[40] The Dancing Poet (2012) made its debut at the We Speak, Here online festival in 2014.[41] The two years in Nepal helped him to hone his craft, before he felt that the next stories he wanted to package and send out into the world were explicitly African in makeup, even if they came from a shared perspective that informed his earlier work.[42]

His first narrative feature, The Felistas Fable (2013)[43] won two nominations at the Africa Movie Academy Awards for Best First Feature by a Director, and for Best Make-up Artist[44][45] It was also nominated for the African Magic Viewers Choice Awards 2014 for Best Make-up Artist.[16]

• "Where’s the African Chick-Lit?"
• "Kwani? at Storymoja Hay Festival – Panel Discussion : Reservoir of Public Memory & Kwani? Sunday Salon"
• "Biographies and Credits "
• "Now I Write Humorous And Light Stories"
• "After the Silence Cast and Crew "
• "Festivalfonden stöder haitisk filmskola"
• "The First Issue Of The Short Anthology Uses Joe Coleman’s Photographs As The Basis For A Series Of Short Stories"
• "Africa: Maisha film lab accepting applications for 2008 labs"
• "Mentors"
• "This Has Been a Good Year"