Dimitri Voudouris

• L22P08M02 [2002–2005] Scene 1–3: Field recording of demonstration, Dance Theatre, poetry, Visual Design, computer assisted processing.
• ANAMNΗΣΙΣ [2007– 2008] [ΜΕΡΟΣ Α-Γ]: 50 Piccolo Flutes,20 Trumpets,20 Children baring banners and remote control toys,3 Actors, Mixed choir with short-wave receivers,3 Megaphones,3 Inflatable Balls,16 Dancers on Roller-skates and Stalls, Birds,8 Microphones,3 Transparent Screens with Projectors and Animation, Audience, Computer music, Sound Projection.

• LEXICOPHONY.1 [2003–2004] Computer music for disabled contemporary dance performance.
• GESTICULAR [Cena 1–11] [2006–2007]: [Cena 2,4,8,10,11] originally commissioned by Projet Insitu for contemporary dance TAXIDERMIE – as part of the specific project 4M [Maputo] with funding from the French Institute of South Africa – Contrabass, Grand piano, Violin, Xylophone, Mbira, Field recordings, Computer assisted processing.
• UVIVI [2008] Computer Music for Contemporary Dance Theatre.[biomechanical study:2]
• ΞΩΡΑΑΚ [2010-2012]:

[2010] – Παρ.1,2 – Dancers, objects, audience, mobiles, triggers, sound projectionist, lighting Technician, choreographer, electronic music for 6 speaker diffusion system.

[2011] – Παρ.3,4 – music ensemble – [small metal objects, stones, wood, whirlies, balloons, wind machines, paper, sticks, short-wave receivers, bowed saws, narrators (with voice manipulation), public speakers (with megaphones), xylophone]- amplified, an audience with mobiles, conductor and sound projectionist, sound engineer, lighting technician, choreographer and electronic music with 8 channel speaker diffusion."

[2011] – Παρ.5 [ Version 1 ] – Amplified harpsichord.

[2012] – Παρ.5,6 – Παρ.5.2 – Harpsichord [amplified], midi harpsichord, whistles and electronic music, dancers, sound engineer, sound projectionist, light technician, for 14 x channel diffusion system. Παρ.6 – Electronic music for 6 x channel diffusion system, dancers, sound engineer, choreographer, sound projectionist, light technician.

[2012] – Παρ.5 [ Version 1e ] – Amplified harpsichord and electronics.

• Sιηκ – [2013–2014] – electro-acoustic music, giant puppet figures with optional [ animation, shadow theatre and mechanised toys ], mobile scenery.[biomechanical study:11]

Hydrophonics

• Ω375.3 – [2012–2014] – [sound analysis: pipe corrosion affecting liquid volumetric flow rate in 375,3 meter closed pipe system] – computer assisted processing.[bio-kinetic study:1a]
• η(154m) - [2013-2016] - [sound analysis: computerized transcription of data, investigating corrosion in a 154 meter galvanized pipe] - computer assisted processing and bowed electric double bass.[bio-kinetic study:1b]
• μΠυ (64 - 85 YGN),(0P88-300 LT),(310 - 09 STT) - [2019 – 2022] - Data to audio detection techniques of microplastics in freshwater

Vehicular traffic and related congestion

• [O]-Rd:2 -[2008–2010] – Calculating elastic behaviour of complex microscopic systems: Examining unidirectional vehicular motion Piano and Digital Audio Tape.[biomechanical study:3]
• [W]-Rd:1e [2009–2010]- Calculating behaviour of complex microscopic systems: Examining mobility of unidirectional vehicular motion in a two-lane system – Computer generated music.[biomechanical study:4]
• C-[N1]-H:1e [2011–2012]- Behaviour of complex macroscopic systems: examining kinetic flow disturbances occurring in vehicular motion during phantom traffic jam formations in a three-lane unidirectional system – Computer generated music.[biomechanical study:7]
• SBI -[ N1 ]:H [Sections 1–21] [2011 – 2013] – [ Free flowing traffic congestion ] tracking regular and irregular behaviour of vehicles travelling in a four-lane unidirectional system – Two amplified Harps
• cong[s/m]-l2 - [2013-2015] - Dynamic sound analysis, computerised transcription of data from various single and multi-lane traffic congestions in a unidirectional system – Grand piano and [C++] granular synthesis. [biomechanical study:12]
• cong(m)l:a (19z..,24y..,13.3i..) - [2017] - “....from chaos to discernible order....” - Amplified grand piano and computer as(an assistant composer)
• cong(m)l:a (05g..,31v..,08p..) - [2018] - “....from chaos to discernible order....” - Amplified grand piano and computer as(an assistant composer)
• cong(m)-l:a(02p..,07d..,13k..) - [ 2018 - 2021] - from chaos to discernible order - Dynamic sound analysis, a computerized transcription of data from various multi-lane traffic congestions in a unidirectional system. for MIDI keyboard programming realised by the computer

Weaving

• Panta Rhei - [2021] - 14524GF Violin and computer-assisted electronics, 1736GF solo violin (commissioned by NewMusicSA on composers 60th birthday)

• Σ(n7) - [2022-2023] - Signal processing networks: 7
• Σ(sg2) - [2023] - Sound transmission through segmented partition.

• PRAXIS [2003–2004] Orthodox Christian Male Choir, Magnetic Tape and computer-assisted processing.
• ONTA [2003–2005] Voice and electronics with computer-assisted processing.
• 1.ΘΦ4 [2007] Four artificial female voices.[biomechanical study:1]
• VOZ DA REVOLUÇÃO [2007–2009][CONSTRUÇÃO.. 1-(1.1–1.7),CONSTRUÇÃO.. 2] Opera in 8 Scenes : TTS Choir- Soprano, Mezzo-Soprano, 2 Tenors, Baritone Live Act- 2 Sopranos, 2 Tenors, Mixed Choir [25 Children and Women],30 Gymnasts, journalist, Economist, 4 Chess Players, 50 Children, 10 Construction Builders, 20 Youths, 30 Actors, Audience, 5 Slide Projectionists, 7 Projectionists, 2 Poets, 5 Public Speakers with Megaphones, 10 Remote Control Toy Operators, 5 Heavy Duty Vehicles with Drivers, 3 Percussionists, 2 Sound Projectionists, 2 Lighting Technicians:- Text to Speech Synthesis, Prepared Natural Voice Environment, Computer Assisted Processing.
• mftrah [2011–2013] Text to speech and singing (TTSS) synthesis – 4 female, 3 male, 2 children voices with pseudo environments mimicking (TTSS)- created with the use of Computer-assisted processing and modelling.[biomechanical study:9]
• Onirophoreas (Phase 1.1 - 1.6) [ 2018 - 2019 ] (text to speech) Artificial speech, singing synthesis with environments / natural voices with environments / African hand drum, bells, shakers, rain stick / computer-assisted processing
• otémórfik (Recollective Cognitive Retrieval series 1) sections: (1-32) [2021 - 2022] Voice Text (five artificial voices) Mbrola, Praat, modular and C++ granular synthesis with computer-assisted processings

• ΑΛΘ = Φ [2005–2008] TTS[text to speech synthesis]with computer assisted processing for a 24 speaker interactive robotic ensemble for ΘΩΡΑΞ a designed space for live performance.

• MUSUNUNGURI −1/ chikamu – .1 [2009] Speech synthesis with Computer assisted processing for an interactive game installation MUCHETO a designed space for live performance.

• KODERING

P1 – [ kode 1 – kode 16 ] – [2010–2011], P2 – [ kode 17 – kode 32 ] – [2010–2011], P3 – [ kode 33 – kode 48 ] – [2011–2012], P4 – [ kode 49 – kode 61 ] – [2012]

for amplified Grand piano, video projection, monitor or amplified Grand piano, audience, monitor or 4 x Grand pianos.- kode 1 – kode 21 was commissioned by DOMUS, concept Mareli Stolp [biomechanical study:6]

• JHB626GP [2006] Short compositions of field recordings for the video work of Ismail Farouk exhibited at the Venice Architecture Biennale 2006.