Don and Dewey

Both Harris and Terry were born in Los Angeles and grew up in Pasadena, California.[3] As children, Terry learned piano and sang in a choir, while Harris learned classical violin. They met in 1949 when Terry heard Harris practicing guitar, and at high school formed a doo-wop vocal group, the Squires, with their friends. The group performed together and made several recordings in the mid-1950s for small local record labels, including Dig This Record.[4][5]

The group split up in 1956, but Harris and Terry continued to perform together, and made their first recordings as a duo for the Shade label. By this time, Harris played electric violin, and Terry played piano and bass. They were signed by Art Rupe's Specialty Records label and for the next two years produced rock and roll.[4] Both Don and Dewey played guitar, with Dewey often doubling on keyboards. When not playing guitar or bass, Don occasionally played the electric violin, a skill for which he subsequently became well known under the name of "Sugarcane" Harris. Drummer Earl Palmer played frequently on their sessions.

Although Don and Dewey did not have any hits of their own, several of the songs that they wrote and/or recorded would appear on the charts later, performed by other artists. "I'm Leaving It Up to You" became a #1 hit for Dale & Grace in 1963. "Farmer John" was a hit by The Premiers, reaching #19 in 1964, a year after The Searchers released their own version. "Koko Joe" (written by the then-Specialty Records producer Sonny Bono), "Justine" and "Big Boy Pete" were staples for The Righteous Brothers for many years. "Big Boy Pete" became a minor hit in 1960 for The Olympics, reaching #50 and a #4 hit for The Kingsmen when recorded with new lyrics as "The Jolly Green Giant" in 1965.

In 1959 Don and Dewey and producer Bono left Specialty Records for Rush Records, where they recorded a few songs but split up shortly afterward.

In 1964 Art Rupe recorded both Don and Dewey and Little Richard (another Specialty Records act) but there would be no further hits for either act, following their collaborative "Bama Lama, Bama Loo "/"Annie's Back"; by 1965 they went their separate ways. Their working relationship also yielded a successful (mostly overseas) comeback album for Richard and a tour of Europe. The BBC captured the act in Paris on June 6, 1964. Don and Dewey began to perform together again occasionally in the mid-1970s, and continued to do so until Harris's death.[5]

In the late 1960s, Harris featured on recordings with Johnny Otis of The Johnny Otis Show, and John Mayall's Bluesbreakers. In 1970, as Sugar Cane Harris, he re-emerged to a wider rock audience, playing violin on the Hot Rats solo album by Frank Zappa, with Captain Beefheart (vocals) on "Willie The Pimp" and on the lengthy instrumental jam, "The Gumbo Variations".[6] and in later years, went on to play on several more solo Zappa, and The Mothers of Invention albums. He died in 1999.

Terry continued to perform and record with blues musicians until his death in 2003.[5]

"Don and Dewey" is also an instrumental by the band It's a Beautiful Day. It features on track 1 of their 1970 album Marrying Maiden. The band featured a violin, which might have been the inspiration to write this piece. This tune by IABD pays homage to Don & Dewey as the main riff borrows directly from the tune Stretchin' Out, the B side on the single credited to 'Don & Dewy', Soul Motion (Rush R-1002). Deep Purple also used this riff in their instrumental Wring That Neck (Hard Road in the U.S.).[7]

• Marv Goldberg's article on Don & Dewey
• Don & Dewey @ rockabilly.nl
• Don & Dewey discography