Donald Wolfit

Wolfit was born at New Balderton, near Newark-on-Trent, Nottinghamshire, and attended the Magnus Grammar School. He made his stage début in 1920 and first appeared in the West End in 1924, playing in The Wandering Jew.[2] He was married three times. His first wife was the actress Chris Castor, and their daughter Margaret Wolfit (1929–2008) was also an actor.[3] He had two children by his second marriage - Harriet Graham, actor and writer, and Adam Wolfit, a photographer. An active Freemason, he became Master of Green Room Lodge in 1965.[4]

Wolfit was made a Commander of the Order of the British Empire in 1950 for his services to the theatre, and knighted in 1957.[2]

He played some major supporting roles at the Old Vic Theatre in 1930,[2] appearing in Richard of Bordeaux with John Gielgud, and finally gained prominence at the Shakespeare Memorial Theatre in 1936 as Hamlet, whereupon he tried to persuade the management to finance him on a tour of the provinces. They declined the invitation, so he withdrew his savings and in 1937 started his own touring company,[5] which he would lead for many years, prompting Hermione Gingold's bon mot: "Olivier is a tour-de-force, and Wolfit is forced to tour."[2]

Wolfit died on 17 February 1968, at the age of 65 in Hammersmith, London, of cardiovascular disease. His final two films, Decline and Fall... of a Birdwatcher and The Charge of the Light Brigade, were released posthumously. According to Roger Moore, legend had it that on his deathbed, Donald Wolfit said, “Dying is easy, comedy is hard” (however this tale has also been told of Edmund Gwenn, Donald Crisp, and Edmund Kean, and most of Moore's anecdotes are unsourced).[8]

Ronald Harwood, who at one time was Wolfit's dresser, based his play The Dresser (later turned into cinema and TV films) on his relationship with Wolfit. Harwood also wrote Wolfit's biography. Peter O'Toole, who worked with Wolfit on several films and plays over the course of his career, considered Wolfit his most important mentor.

Wolfit was also an important influence on the early acting career of Pamella Carrington Coutte (1925-1959) from the age of 18, he was introduced to her by Noel Coward whom both men could see a very valuable asset to his company as Coutte apart from becoming one of the best Shakespearean actresses in that era, she was the only bilingual actress who was very fluent in 11 languages. This enabled Wolfit to introduce Shakespeare to other countries as Coutte had the experience to interpret and teach actors to the required languages that were needed.

Harold Pinter worked for the Donald Wolfit Company alongside Coutte at the King's Theatre, Hammersmith, in 1953–54, performing eight roles with him.[9]

Wolfit long maintained a bitter hostility to John Gielgud, fuelled by Wolfit's resentment of Gielgud's public school background and family connections in the theatre. The actor Leslie French contrasted the two men: "John was a very gentle person, very caring, with a lovely sense of humour. Donald was a joke, a terrible actor with no sense of humour, who believed he was the greatest in the world. Once John and I took a call in front of the curtain; Donald collapsed in tears because he wasn't called."[10]

Wolfit's last appearance on stage was in a musical, as the domineering Mr Barrett in Robert and Elizabeth (1966–67).

Donald Wolfit’s acting career declined after Pamella Coutte’s death in 1959 where he struggled losing not only a great actress but a soulmate friend to he whom was very close. He died in 1968.

The papers of Donald Wolfit, and those of his first wife Chris Castor, are archived at the Harry Ransom Center at the University of Texas at Austin as part of their extensive British performing arts holdings. The papers include Wolfit's promptbooks, management records, tour schedules, production papers, scene and costume designs, extensive correspondence, and more. The Ransom Center also holds a small selection of costumes and personal effects from Wolfit and his company, including Wolfit's certification as a Commander of the Order of the British Empire, and Rosalind Iden's gown worn as Beatrice in the company's production of Much Ado About Nothing.[11][12]

• Billington, Michael (2007). Harold Pinter. London: Faber and Faber. ISBN 978-0571234769.
• Croall, Jonathan (2012). John Gielgud: Matinee Idol to Movie Star. London: Bloomsbury Methuen Drama. ISBN 978-1408179451.
• Harwood, Ronald (1971). Sir Donald Wolfit, CBE: His Life and Work in the Unfashionable Theatre. London: Secker and Warburg. ISBN 978-0436191213.
• O'Connor, Garry (2002). Paul Scofield: An Actor for All Seasons. New York: Applause Theatre & Cinema Books. ISBN 978-1557834997.

• Donald Wolfit Papers and the Chris Castor Papers at the Harry Ransom Center
• John Mayes Family Papers at the Harry Ransom Center
• Donald Wolfit at the Internet Broadway Database
• Donald Wolfit at IMDb
• Amazon.com link to Wolfit biography
• Donald Wolfit at Find a Grave