Doris Eaton Travis

After The Blue Bird, in 1912, the three Eaton sisters and their younger brother Joe began appearing in various plays and melodramas for the Poli Stock Company. They quickly gained reputations as professional, reliable, and versatile actors, and were rarely out of work.[3]

In 1915, all three sisters appeared in a new production of The Blue Bird for Poli. Doris and Mary were given the starring roles of Mytyl and Tyltyl. The siblings were subsequently invited to reprise their roles for a New York and road tour of the play, produced by the Shubert Brothers. When the show closed, Doris and her brother Charles, who had followed his four siblings into show business, resumed their work with Poli and appeared together in their first Broadway show, Mother Carey's Chickens at the Cort Theatre. The entire Eaton family relocated to New York City, where the children pursued their careers in various stage projects.[3][4]

Eaton, as a member of The Ziegfeld Follies revue

By 1918, Pearl Eaton had become a dancer and assistant to the director with the Ziegfeld Follies. The Follies were a series of elaborate musical revues on Broadway in New York City from 1907 through 1931. Inspired by the Folies Bergère of Paris, the Follies were conceived and produced by Florenz Ziegfeld.[5] When Travis accompanied Pearl to a rehearsal, dance supervisor Ned Wayburn spotted her and hired her for a role in the summer touring company of the 1918 Follies.[6][7]

The day she finished the eighth grade, Travis began rehearsals to become a Ziegfeld Girl in the Follies.[8] To circumvent child labor laws and the attention of the Gerry Society, she performed under the stage names "Doris Levant" (her young niece's name) and "Lucille Levant". As soon as she turned sixteen, she began using her real name again. Wayburn was one of only a few people who were aware of her true age, and arranged for her mother to accompany her on the Follies tour as a paid member of the company.[3][7]

Travis would associate with Ziegfeld for several years, appearing in the 1918, 1919, and 1920 editions of the Ziegfeld Follies and the 1919 Midnight Frolics.[4] She was the understudy to star Marilyn Miller. Travis was not the only member of the Eaton family to prosper in the show: by 1922, siblings Mary, Pearl, Doris, Joe, and ten-year-old Charles had all performed in one edition of the Follies or another. Her last appearance with the Follies was in the 1920 edition.[3][6]

Travis made her motion picture debut at the age of 17 in the 1921 romantic drama At the Stage Door, opposite silent film star Billie Dove. Her career flourished in the 1920s and early 1930s. She appeared in a number of additional silent films, including Tell Your Children with director Donald Crisp in England and Egypt; performed in five different Broadway shows and danced in the Hollywood Music Box Revue and the Gorham Follies in Los Angeles and the Hollywood Club in New York.[3][6]

While in the Hollywood Music Box Revue, Travis debuted two important songs, both composed by Nacio Herb Brown: "Singin' in the Rain" and "The Doll Dance". Travis was the lyricist for the latter song, but did not receive due credit. In 1929 she also appeared in The Very Idea, which has been shown on cable. At the age of 18, she married Joe Gorham, producer of the Gorham Follies. The union lasted for six months, ending when Gorham died of a heart attack.[3][6]

Travis performed in her final Broadway show, Merrily We Roll Along, at the Music Box Theatre, in 1935.[4] Her career, along with those of her siblings, declined in the 1930s. She returned to work in stock theatrical productions on Long Island and had a brief, unsuccessful foray into vaudeville with her brother Charles.[3]

In 1936, she was hired by the Arthur Murray Dance Studios in New York as a tap dance instructor. She remained with the Arthur Murray company for thirty-two years, advancing from teaching to owning her own school. She eventually established and owned a total of eighteen Arthur Murray studios across Michigan. She also authored a column of dance advice and commentary for the Detroit News entitled "On Your Toes" and hosted a local television program for seven years.[3][7][9]

One of her pupils, inventor and engineer Paul Travis, became her husband after an 11-year courtship. They wed on March 19, 1949[10] and their marriage lasted over fifty years, until Paul's death in 2000. They had no children.[3][9] After retiring from the dance studio business in 1968, Travis and her husband moved to Norman, Oklahoma, and established a ranch. The initial 220-acre (89 ha) plot grew to 880 acres (356 ha), and many of the quarter-horses bred and raised on the ranch had success in racing. The ranch operated largely as a boarding facility, managed by Travis, until 2008.[6][9]