E. Jane Gay

E. Jane Gay (July 27, 1830 – March 15, 1919) was an American woman who devoted her life to social reform and photography. She is notable for her photographs of the Nez Perce, which she took during a federal expedition led by American ethnologist and anthropologist Alice Cunningham Fletcher.

E. Jane Gay
Greyscale image of Emma Jane Gay (known as E. Jane Gay), with her camera and tripod. The woman is wearing a long dress and a bowler hat, and the background depicts walls covered in ivy.
E. Jane Gay with her camera, c. 1889–1897
Born
Elizabeth Jane Gay

July 27, 1830
Nashua, New Hampshire
Died (aged 88)
Winscombe, Somerset, England
NationalityAmerican
Other namesE. Jane Gay
OccupationPhotography
Known forSocial reform; images of the Nez Perce

Early life

Elizabeth Jane Gay was born in 1830 in Nashua, New Hampshire, to Ziba Gay (1796–1864) and Mary (Kennedy) Gay (1798–1873).[1][2] She received her education at the Brooklyn Female Academy in New York, where she first befriended Alice Cunningham Fletcher.[3]: 114  Gay's education at the Academy included the sciences, religion, and homemaking.[3]: 115 

Career

Gay's first job was as a teacher. In 1856 she accompanied her friend Catherin Melville to Macon, Georgia, to open a school for girls.[1] The school closed in 1860, which prompted Melville and Gay to move to Washington, D.C. to serve as administrators for a school for deaf young children.[4]

From 1861 through 1865, Gay worked as a nurse with Dorothea Dix during the Civil War.[1] After the war, Gay served as a tutor for President Andrew Johnson's grandchildren, then worked as a clerk in a dead letter office.[1] When this job ended in 1883, Gay had a brief period of unemployment.

In 1888, Gay reconnected with Alice Cunningham Fletcher, and they renewed their friendship. She taught herself photography during this time.[1] In 1889, the United States Department of the Interior appointed Fletcher as a special agent to lead an expedition to Nebraska and Idaho, with the intent to apportion tribal lands among the Winnebagos and the Nez Perce as part of the Dawes Severalty Act of 1887.[1]

Gay accompanied Fletcher on this journey as a cook, maid, and secretary.[3]: 111–150  Gay had failed to earn a permit from the federal government to serve as the "official" expedition photographer, but during the expedition she took over 400 photographs of the Nez Perce.[5][6] In 1909, she worked with her niece to publish the letters written during that expedition, along with half of the photographs, in a two-volume book titled Choup-nit-ki: With the Nez Percés.[5]

Photography

Gay's photographs of the Nez Perce have only recently earned critical acclaim. On the surface, the black and white photographs paint a positive image of "civilized" Nez Perce in Western attire, working on farms or ranches, living in cabins and engaging in manual labor. Domesticity appears to be celebrated in these photographs. On the surface, these photographs showed the "success" of the government land appropriation program. Contemporary scholars, however, have noted themes of nationalism, colonialism, and racism in Gay's work.[7][5] Several photographs feature the white, large Fletcher standing tall while the Nez Perce subjects work in the background or in subservient poses. Gay had also captured the heteronormative gendering of labor, in addition to the racial distribution of labor, in the photographs.[5]

Personal life

Gay neither married nor had children, but had close ties with her niece and namesake Emma Jane Gay. After the Western expedition she had embarked upon with Fletcher, Gay returned to Washington, D.C., where she and Alice Fletcher shared a house until Gay and Emma traveled to England for an extended stay. With Emma's help, Jane Gay created a scrapbook of edited letters recounting her years in Idaho, illustrated with some of the photographs she had taken, and additional artwork by Emma. Emma, who had studied bookbinding, bound the scrapbook into two volumes and built a wooden case for the work, which was titled "Choup-nit-ki: With the Nez Percés." The unpublished work was later donated to the Schlesinger Library by Jane Gay Dodge.[5] Gay decided to remain in Somerset, England, where she lived with her beloved companion Dr. Caroline Sturge.[8] After World War One, Sturge used some of her inheritance to have a cottage built in Winscombe, Somerset, where she and Gay could live out their final years; Gay died in this cottage, called "Kamiah", on March 15, 1919.[9][10]

In multiple texts Gay is referred to as Fletcher's "companion", living in "domestic partnership" or "Boston Marriage" with her.[6][3]: 111–150  [5] The roles that Gay played during the expedition—as well as the fact that she never married a man and had intimate relationships with other women over the course of her lifetime—have led scholars to believe that she was a lesbian.[3]: 111–150  [4] Due to this fact, art historians identify Gay as the first American lesbian photographer.[8][11]

References
  1. "Open Collections Program: Women Working, E. Jane Gay (1830–1919)". Harvard University Library Open Collections Program: Women Working, 1830–1919. 2018. Retrieved February 17, 2018.
  2. "JANE GAY DODGE, 1881–1963, Social Networks and Archival Context". Social Networks and Archival Context (SNAC). n.d. Retrieved February 17, 2018.
  3. Simonsen, Jane E. (2006). Making Home Work: Domesticity and Native American Assimilation in the American West, 1860–1919. The University of North Carolina Press.
  4. Sears, James T. (2001). Rebels, Rubyfruit, and Rhinestones: Queering Space in the Stonewall South. Rutgers University Press. p. 341. ISBN 978-0-8135-2964-6.
  5. Harding, Wendy (Summer 2015). "Migratory Subjectivity in E. Jane Gay's Choup-nit-ki, With the Nez Percés". European Journal of American Studies. 10 (2). doi:10.4000/ejas.11038.
  6. Simonsen, Jane E. (Summer 2002). "The Cook, the Photographer, and Her Majesty, the Allotting Agent: Unsettling Domestic Spaces in E. Jane Gay's With the Nez Perces". Arizona Quarterly: A Journal of American Literature, Culture, and Theory. 58 (2): 53–87. doi:10.1353/arq.2002.0019. S2CID 161914293.
  7. Tonkovich, Nicole (2014). "Parallax, Transit, Transmotion: Reading Race in the Allotment Photographs of E. Jane Gay". MELUS: Multiethnic Literature of the United States. 39 (2): 66–92. doi:10.1093/melus/mlu012 – via Oxford Academic.
  8. Summers, Claude (2004). The Queer Encyclopedia of the Visual Arts. Simon and Schuster. ISBN 978-1-57344-874-1.
  9. Gay, E. Jane (1987). Hoxie, Frederick E.; Mark, Joan T. (eds.). With the Nez Perces: Alice Fletcher in the Field, 1889–92. University of Nebraska Press. pp. xxxvi. ISBN 978-0-8032-7024-4.
  10. "Died: Gay". Evening Star. April 3, 1919. p. 7. Retrieved January 10, 2020 – via Newspapers.com.
  11. Bernard, Marie Lyn (February 27, 2012). "Artists Attack! Ten Lesbian Photographers You Should Know (About)". Autostraddle. Retrieved February 17, 2018.
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