Earle Wilton Richardson

Earle Wilton Richardson, (1912–1935) was an African-American artist made famous mainly for an oil painting of his dating from 1934 titled Employment of Negroes in Agriculture.[1]

Earle Wilton Richardson
Born1912
New York, New York
DiedDecember 1935(1935-12-00) (aged 22–23)
New York, New York
NationalityAmerican
EducationNational Academy of Design
Known forPainting

This now iconic picture (size 48 × 32 inches) depicts two male and two female Black cotton workers, one of them a child, in an unidentified Southern state loading cotton into bales. Like many other artworks at the time, the painting was commissioned and financed under the New Deal. Richardson committed suicide the following year. He was born and lived in New York City, NY.

"Richardson and fellow artist Malvin Gray Johnson planned to say more about the history and promise of black people in their mural series Negro Achievement, slated to be installed in the New York Public Library’s 135th Street Branch, but neither young man lived long enough to complete the project."[2]

"After Johnson's sudden illness and death in November 1934, Richardson continued to work on their mural project. But within a year he too was dead; ill with fever and heart-broken over the death of Johnson, who had been his lover, Richardson leapt from his fourth-floor apartment window and died of his injuries in December 1935."[3]

Works
  • Profile of a Negro Girl, 1932
  • Benjamin Banneker, 1934
  • Columbus Soldiers—Estavanico, 1934
  • Employment of Negroes in Agriculture, 1934

Bibliography
  • Alejandro Anreus, Diana L. Linden, Jonathan Weinberg (Editors), The Social and the Real: Political Art of the 1930s in the Western Hemisphere, Penn State Press, 2005, ISBN 978-0-271-02691-6

References
  1. "1934: The Art of the New Deal, Smithsonian Magazine". Archived from the original on 2012-03-20. Retrieved 2009-08-02.
  2. Earle Richardson: Employment of Negroes in Agriculture, 1934
  3. Alejandro Anreus, Diana L. Linden, Jonathan Weinberg (Editors), The Social and the Real: Political Art of the 1930s in the Western Hemisphere, Penn State Press, 2005, ISBN 978-0-271-02691-6, p. 136
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