East European Film Bulletin

East European Film Bulletin is a not-for-profit[1][2] online journal[3][4][5][6][7] dedicated to the criticism[8][9] of films related to Central, Eastern[10][11] and South-Eastern Europe,[12] published 10 times a year.[13]

East European Film Bulletin
LanguageEnglish
Edited byKonstanty Kuzma
Moritz Pfeifer
Publication details
History2011
Frequency10/year
yes
Standard abbreviations
ISO 4East Eur. Film Bull.
Indexing
ISSN1775-3635

History

On 1 January 2011, in Paris, France,[14][15] East European Film Bulletin was launched online.[16][14] Co-founders and co-editors-in-chief are Konstanty Kuzma and Moritz Pfeifer.[17][18][19][14][20][21]

ISSN 1775-3635[15]

See also

References
  1. "Etablissement EAST EUROPEAN FILM BULLETIN (EEFB) à PARIS 20 (75020) sur SOCIETE.COM (53748427100011)". SOCIETE.com. SOCIETE SAS. Retrieved 27 September 2022.
  2. "PRIVACY POLICY". East European Film Bulletin. Retrieved 27 September 2022.
  3. "FIPRESCI Jury 2018". ZAGREBDOX International documentary film festival. Archived from the original on 27 November 2020. Retrieved 27 September 2022.
  4. Pavlova, Yoana (3 March 2021). Hough, Quinn V. (ed.). "Dad Made Dirty Movies Interview: Filmmaker Jordan Todorov Discusses the Doc". Vague Visages. Retrieved 27 September 2022.
  5. "Dr. László Strausz". Department of Film Studies. Eötvös Loránd University. Retrieved 27 September 2022.
  6. Ignashev, Diane Nemec (3 December 2020). "On Cinematic Ekphrasis: Aleksandr Sokurov's Otets i syn Redux". Film Criticism. 44 (1). doi:10.3998/fc.13761232.0044.112. S2CID 230620395. Retrieved 27 September 2022.
  7. Volintiru, Clara (2012-11-01). "The Institutionalisation of the Romanian Party System". Sfera Politicii. Bucharest: 134–145. Archived from the original on 27 September 2022. Retrieved 27 September 2022 – via ProQuest.open access
  8. Vuković, Vesi (2022). "Women in the Wave: Representation of Female Characters in Yugoslav New Film and Black Wave". Faculty of Social Sciences Department of Communication Studies Visual and Digital Cultures Research Center. Antwerp: University of Antwerp. Retrieved 27 September 2022. Thesis submitted for the degree of doctor of Film Studies and Visual Culture at the University of Antwerp to be defended byopen access
  9. "A Letter to Dad". Department of Art & Art History. Stanford University. Retrieved 27 September 2022.
  10. Mazierska, Ewa (27 October 2016). Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure. Edinburgh University Press. ISBN 978-1-4744-0515-7. Retrieved 27 September 2022.
  11. Praisler, Michaela; Gheorghiu, Oana-Celia (14 May 2021). The Odyssey of Communism: Visual Narratives, Memory and Culture. Cambridge Scholars Publishing. p. 107. ISBN 978-1-5275-6959-1. Retrieved 27 September 2022.
  12. "ABOUT". East European Film Bulletin. Retrieved 27 September 2022.
  13. "CONTACT US". East European Film Bulletin. Retrieved 27 September 2022.
  14. Howard, Cerise (29 July 2021). "A celebration of the first decade of the East European Film Bulletin". Studies in Eastern European Cinema: 1–3. doi:10.1080/2040350X.2021.1953240. S2CID 238795137. Retrieved 27 September 2022.closed access
  15. "East European Film bulletin". Ghent University Library. Ghent University. Retrieved 27 September 2022.
  16. "Vol. 1 (January 2011)". East European Film Bulletin. Retrieved 27 September 2022.
  17. "Moritz Pfeifer". Senses of Cinema. Retrieved 27 September 2022.
  18. Hudson, David (May 31, 2011). "Wrapping Cannes 2011. Un Certain Regard". Notebook. Mubi (streaming service). Retrieved 27 September 2022.
  19. "Cinema in Eastern Europe". International Federation of Film Critics. Retrieved 27 September 2022.
  20. "TEAM". East European Film Bulletin. Retrieved 27 September 2022.
  21. "Moritz Pfeifer". parisberlinmag.com (in French). Retrieved 27 September 2022.


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