Eddie Bonnemère

Edward Valentine Bonnemère, known professionally as Eddie Bonnemère (February 15, 1921 – March 19, 1996), was an African-American jazz pianist as well as a Catholic church musician and composer. His "Missa Hodierna" became in 1965 the first Jazz Mass ever used in a Catholic church in the United States.[1]

Eddie Bonnemère
Born(1921-02-15)February 15, 1921
Harlem
DiedMarch 19, 1996(1996-03-19) (aged 75)
New York City
GenresJazz
Instrument(s)Piano
LabelsRoost Records, Fortress

Career

Bonnemère already played as a church pianist in Harlem during his school days. After military service in World War II[2] He played with Claude Hopkins, and then received his master's degree from New York University.

In 1953 he led a combo with Ray Barretto in the Savoy Ballroom.[3] In 1955, he had a Mambo band.[4] He joined in 1956 the Detroit club Baker's Keyboard Lounge[5] and released on the label Royal Roost the 10-inch album Ti-Pi-Tin / Five O'Clock Whistle. He followed in 1959 when his trio recorded the LP Piano Bon-Bons and 1960's The Sound of Memory.[6] In 1964 (with the participation of Kenny Burrell) his album Jazz Orient-ed was released on Prestige Records.[7]

In the mid-1960s, Bonnemère was one of the protagonists of an Africanization of the Catholic Mass spearheaded by Fr Clarence Rivers, as part of the Black Catholic Movement.[8] In 1965 he wrote—influenced by Mary Lou Williams—the Missa Hodierna for jazz ensemble and choir, which was first presented in 1966 during a service in Harlem's St. Charles Borromeo Church, making history as one of the first US Jazz Masses ever.[1][9] This Mass was also performed in the Town Hall together with Howard McGhee's instrumental composition Bless You.[10]

In later years he worked as a church musician[11] and composed the Missa Laetare and other liturgical works.[12] He was also musical director of the Church of St. Thomas the Apostle in Manhattan, whose choir recorded his Mass for Every Season in 1969.[13]

He died in 1996.

Discography
  • Missa Laetare (Mass of Joy) (Fortress, 1969)
  • Mass for Every Season (Community of St. Thomas)
  • O Happy the People (Fortress)

References
  1. Rubinstein, Leslie (1987-04-19). "JAZZ FOR CHURCH SERVICES MAKES MEASURED PROGRESS". The New York Times. ISSN 0362-4331. Retrieved 2021-07-15.
  2. Bill Lee, William F. Lee: People in Jazz: Jazz Keyboard Improvisors of the 19th & 20th Centuries. Alfred Publishing Company, 1984
  3. Leonard Feather, Ira Gitler: The Biographical Encyclopedia of Jazz. Oxford University Press, New York 1999, S. 41.
  4. Jet, 17. März 1955, S. 63
  5. Concert database
  6. Roost Records Diskographie
  7. Prestige Records Discography
  8. Gayraud S. Wilmore: African American Religious Studies: An Interdisciplinary Anthology, S. 233.
  9. Linda Dahl: Morning Glory: A Biography of Mary Lou Williams, S. 291, vgl. auch New York Magazine, 30. März 1970
  10. vgl. Helen Dance Has Jazz a Place in the Church? Saturday Review 15 July 1967
  11. James Abbington: Readings in African American Church Music and Worship, S. 211
  12. Robert W. Hovda: Strong, Loving and Wise: Presiding in Liturgy, S. 31
  13. Donald Boccardi: The History of American Catholic Hymnals: Since Vatican II, S. 39
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.