Edward L. Montoro

Edward L. Montoro (born January 2, 1936) was an American film producer and distributor known for releasing exploitation films and B-movies during the 1970s and 1980s through his company Film Ventures International.[1] Montoro became notorious for producing and promoting films such as Beyond the Door (1974) and Grizzly (1976) which were highly derivative of the 1970s blockbuster hits The Exorcist and Jaws, respectively.

Edward L. Montoro
Born(1936-01-02)January 2, 1936
Cleveland, Ohio, U.S.
Disappeared1984
StatusMissing for 39 years, 9 months and 25 days
Occupation(s)Film producer, film distributor, screenwriter

Biography

Montoro formed Film Ventures International (FVI), a small-scale independent movie production and distribution company, in 1968 in Atlanta, Georgia. His first effort was the softcore comedy Getting into Heaven starring Uschi Digard, which he wrote, produced, and directed with a budget of $13,000. The film grossed almost 20 times its cost.[2] Montoro expanded FVI and began churning out successful B-movies, among them acquisitions of foreign films from Italy including the spaghetti Western Boot Hill in 1969.

Grizzly[3] was one of the first films Montoro financed and distributed himself. Produced on a $750,000 budget, the animal horror thriller became the most successful independent motion picture of 1976, earning more than $39 million worldwide.[4] Montoro followed this success producing and releasing such films as Day of the Animals (1977) starring Christopher George and Leslie Nielsen; The Dark (1979) starring William Devane; The Visitor (1979) starring Glenn Ford; Kill and Kill Again (1981); Pieces (1982); The Pod People (1983); Mortuary (1983), starring Bill Paxton; Vigilante (1983) starring Robert Forster; and Mutant (1984) starring Bo Hopkins.

In 1980, after acquiring the Italian film Great White, another film regarded as a Jaws rip-off, Montoro was sued by Universal Pictures because it was too derivative of the Steven Spielberg-directed hit. Great White had a large advertising budget of $4 million and achieved commercial success during its first week at the theaters. Nevertheless, Universal Pictures won the lawsuit and the film was immediately pulled from theatrical release.

Disappearance

In 1984, Film Ventures International was on the verge of collapse due to financial issues including the release failure of Great White, the poor box-office performance of Montoro's final film Mutant, and his pending divorce settlement. Montoro eventually embezzled over $1 million from the FVI bank accounts and vanished, never to be seen again. Film Ventures International officially closed in 1985. Montoro's whereabouts remain unknown, though it is believed he fled to Mexico in early 1987 under a false name. It is not even known if he is still alive.[5]

See also

References
  1. "Edward L. Montoro – About This Person". Movies & TV Dept. The New York Times. Baseline & All Movie Guide. 2012. Archived from the original on November 4, 2012.
  2. "The Unknown Movies, Readers' FVI Questions". badmovieplanet.com. Archived from the original on June 12, 2002. Retrieved June 27, 2007.
  3. Canby, Vincent (2012). "Movie Review: William Girdler's Not-Quite-So-Toothsome 'Grizzly'". Movies & TV Dept. The New York Times. Baseline & All Movie Guide. Archived from the original on November 4, 2012.
  4. "William Girdler, Hollywood Films". williamgirdler.com. Retrieved June 22, 2007.
  5. "The Unknown Movies, FVI: What You Didn't Know". badmovieplanet.com. Archived from the original on April 18, 2002. Retrieved June 22, 2007.
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