Elaine Stritch

Elaine Stritch (February 2, 1925 – July 17, 2014) was an American actress, known for her work on Broadway and later, television. She made her professional stage debut in 1944 and appeared in numerous stage plays, musicals, feature films and television series. Stritch was inducted into the American Theater Hall of Fame in 1995.

Elaine Stritch
Portrait by Allan Warren, 1973
Born(1925-02-02)February 2, 1925
Detroit, Michigan, U.S.
DiedJuly 17, 2014(2014-07-17) (aged 89)
Birmingham, Michigan, U.S.
Occupations
  • Actress
  • singer
  • comedian
Years active1944–2014
Spouse
​
​
(m. 1973; died 1982)​

Stritch made her Broadway debut in the 1946 comedy Loco and went on to receive four Tony Award nominations: for the William Inge play Bus Stop (1956); the Noël Coward musical Sail Away (1962); the Stephen Sondheim musical Company (1970), which included her performance of the song "The Ladies Who Lunch"; and for the revival of the Edward Albee play A Delicate Balance (1996). Her one-woman show Elaine Stritch at Liberty won the 2002 Tony Award for Best Special Theatrical Event.

Stritch relocated to London in the 1970s and starred in several West End productions, including Tennessee Williams' Small Craft Warnings (1973) and Neil Simon's The Gingerbread Lady (1974). She also starred with Donald Sinden in the ITV sitcom Two's Company (1975–79), which earned her a 1979 BAFTA TV Award nomination. She won an Emmy Award in 1993 for her guest role on Law & Order and another for the 2004 television documentary of her one-woman show Elaine Stritch at Liberty. From 2007 to 2012, she had a recurring role as Colleen Donaghy on the NBC sitcom 30 Rock, a role that won her a third Emmy in 2007.

Early life

Stritch was born on February 2, 1925, in Detroit, Michigan,[1][2] the youngest daughter of Mildred (née Jobe), a homemaker, and George Joseph Stritch, an executive with B.F. Goodrich.[3] She had two older sisters, Georgene and Sally.[4] Her Catholic family was well-off.[5][6] Her father was of Irish descent, while her mother had Welsh ancestry. Cardinal Samuel Stritch, Archbishop of Chicago from 1940 to 1958, was one of her cousins.[7] She trained at the Dramatic Workshop of The New School for Social Research in New York City under Erwin Piscator,[8] alongside Marlon Brando, Bea Arthur, and Harry Belafonte.[9]

Career

Early stage career

Stritch made her stage debut in 1944. However, her Broadway debut was in Loco in 1946, directed by Jed Harris,[10] followed soon after by Made in Heaven (as a replacement) [11] and then Angel in the Wings (1947), a revue in which she performed comedy sketches and the song "Civilization".[12]

Stritch understudied Ethel Merman for Call Me Madam, and, at the same time, appeared in the 1952 revival of Pal Joey, singing "Zip".[12] Stritch later starred in the national tour of Call Me Madam, and appeared in a supporting role in the original Broadway production of William Inge's play Bus Stop. In 1958 she originated the leading role of Maggie Harris in the musical Goldilocks.

She starred in Noël Coward's Sail Away on Broadway in 1961. Stritch started in the show in a "relatively minor role and was only promoted over the title and given virtually all the best songs when it was reckoned that the leading lady...although excellent, was rather too operatic for a musical comedy".[13] During out-of-town tryouts in Boston, Coward was "unsure about the dramatic talents" of one of the leads, opera singer Jean Fenn.[14]

They were, after all, engaged for their voices and...it is madness to expect two singers to play subtle 'Noël Coward' love scenes with the right values and sing at the same time.[14]

Joe Layton suggested "What would happen if...we just eliminated [Fenn's] role and gave everything to Stritch? The show was very old-fashioned, and the thing that was working was Elaine Stritch. Every time she went on stage [she] was a sensation." The reconstructed 'Sail Away' opened on Broadway at the Broadhurst Theatre on October 3, 1961",[14] with Stritch giving what Howard Taubman of The New York Times said "must be the performance of her career."[15]

In 1966, she played Ruth Sherwood in the musical Wonderful Town at New York's City Center, and appeared in an Off Broadway revival of Private Lives in 1968.

She was the original performer cast in the role of Joanne in Stephen Sondheim's Company (1970) on Broadway. After over a decade of successful runs in shows in New York, Stritch moved in 1972 to London, where she starred in the West End production of Company. On tour and in stock, Stritch appeared in such musicals as No, No, Nanette, The King and I, I Married an Angel, and in Mame as both Vera Charles (opposite Janet Blair) and Mame Dennis.

Television

Strich's earliest television appearances were in The Growing Paynes (1949) and the Goodyear Television Playhouse (1953–55).[16] She also appeared on episodes of The Ed Sullivan Show in 1954.[17] She was the first and original Trixie Norton in a Honeymooners sketch with Jackie Gleason, Art Carney and Pert Kelton. The character was originally a burlesque dancer, but the role was rewritten and recast after just one episode with the more wholesome looking Joyce Randolph playing the character as a housewife.[8]

Stritch's other television credits included a number of dramatic programs in the 1950s and 1960s, including Studio One. In the 1960 television season, Stritch appeared in the role of writer Ruth Sherwood in the CBS sitcom My Sister Eileen, opposite Shirley Bonne[18] as her younger sister, Eileen Sherwood, an aspiring actress. The sisters, natives of Ohio, live in a brownstone apartment in Greenwich Village. The one-season series aired opposite Hawaiian Eye on ABC and Perry Como's Kraft Music Hall on NBC.

In 1975, Stritch starred in the British LWT comedy series Two's Company opposite Donald Sinden.[19] She played Dorothy McNab, an American writer living in London who was known for her lurid and sensationalist thriller novels. Sinden played Robert, her English butler, who disapproved of practically everything Dorothy did and the series derived its comedy from the inevitable culture clash between Robert's very British stiff-upper-lip attitude and Dorothy's devil-may-care New York view of life. Two's Company was exceptionally well received in Britain and ran for four series until 1979.[20] In 1979, both Stritch and Sinden were nominated for a BAFTA TV Award for Two's Company, in the category "Best Light Entertainment Performance", losing out to Ronnie Barker.

In 1980, Stritch starred in another series for LWT, Nobody's Perfect (the British version of Maude—not to be confused with the 1980 American series of the same name, which aired in the UK as Hart of the Yard) playing Bill Hooper alongside Richard Griffiths as her husband Sam. Unsatisfied with the Anglicised scripts, Stritch herself adapted the original American scripts for all but one of the fourteen episodes (Griffiths handled the remaining one).[21]

Stritch in 1996

Other British television appearances by Strich included Roald Dahl's Tales of the Unexpected. Although she appeared several times in different roles, perhaps her most memorable appearance was in the story "William and Mary", in which she played the wife of a man who has cheated death by having his brain preserved.[22] She appeared on BBC 1's children's series, Jackanory,[23] reading, among other stories, Charlie and the Chocolate Factory by Roald Dahl.

After returning to the United States, she appeared on The Edge of Night as vinegary nanny Mrs. DeGroot, then was cast as a regular on the short-lived The Ellen Burstyn Show in 1986. She appeared as the stern schoolteacher Mrs. McGee on three episodes of The Cosby Show (1989–90). She had a recurring role in Law & Order (1992, 1997) as Lanie Stieglitz.[24] Other roles included Judge Grace Lema on Oz (1998); and Martha Albright (mother of Jane Curtin's character) on two episodes of 3rd Rock From the Sun (1997, 2001), alongside her Broadway co-star George Grizzard, who played George Albright. On April 26, 2007, she began guest appearances on the NBC sitcom 30 Rock as Colleen, the fearsome mother of Alec Baldwin's lead character, Jack Donaghy.[25]

Stritch was reportedly considered for the role of Dorothy Zbornak on The Golden Girls but, as she related in her show Elaine Stritch at Liberty, she "blew her audition".[26] The role was cast with Beatrice Arthur. She was seen on One Life to Live (1993), replacing fellow stage legend Eileen Heckart as Wilma Bern. In 1996, she appeared on an episode of Late Show with David Letterman as a woman who believes host David Letterman is her pool boy.[27]

Film roles

Stritch appeared in more films in her later years than the early part of her career. In an interview in 1988, it was noted that "Making movies is challenging to Stritch since she considers herself a novice." She said: "I'm fascinated with it. And I want to do more of them." She was asked why she waited so long to make movies since she apparently enjoys it so much. "You do a movie for, like, three months and then you're finished. You do a part in a play and it's like going into a roomful of audiences for a year."[28]

Early in her career, she appeared in Three Violent People (1956) starring Charlton Heston, as the hotel proprietor pal of Anne Baxter,[29] and then co-starred opposite Rock Hudson and Jennifer Jones in the David O. Selznick remake of A Farewell to Arms (1957) as Hudson's nurse.[30] In The Perfect Furlough, she co-starred opposite Tony Curtis and Janet Leigh. She had a showy role as the lesbian proprietor of a bar in the cult film Who Killed Teddy Bear? (1965), which starred Sal Mineo.[31] She played a "tough-as-nails" nurse in the remake of The Spiral Staircase (1975)[32] and was praised for her performance in Providence (1977).[33]

When she returned to the United States in the mid-1980s from London, Woody Allen cast her as the former movie star mother in his drama September (1987). People magazine called her performance "acclaimed" and wrote "Though the movie has received mixed reviews, Stritch's roaring presence, like Godzilla in a stalled elevator, can't be ignored."[34] Allen later cast her in his comedy Small Time Crooks (2000) in which she played a "snobby socialite". Rex Reed wrote of her performance: "Elaine Stritch can still stop you in your tracks with a meaningless, drop-dead one-liner (which is all she gets here)."[35]

She joined the ensemble of Cocoon: The Return (1988) as an apartment manager who helps widowed Jack Gilford get over his wife's death. Among her co-stars were former Goldilocks co-star Don Ameche and Gwen Verdon.[28] She appeared in Out to Sea (1997) as Dyan Cannon's wise-cracking mother and "danced up a storm" with the other characters.[36] She played Winona Ryder's loving grandmother in the film Autumn in New York (2000).[37]

Stritch had a rare co-starring role in the comedy Screwed (2000), playing Miss Crock, who becomes the intended victim of a kidnapping by her disgruntled butler (Norm Macdonald).[38] She appeared in the comedy Monster in Law (2005) starring Jennifer Lopez and Jane Fonda, playing Fonda's mother-in-law.[39]

BBC Radio

In 1982, Stritch appeared on an edition of the long-running BBC Radio comedy series Just a Minute alongside Kenneth Williams, Clement Freud and Barry Cryer. The show was described by long-time chairman Nicholas Parsons as being among the most memorable because of the way Stritch stretched the show's rules. She described Kenneth Williams as capable of making "one word into a three-act play".[40]

Later stage work

After her husband, John Bay, died from brain cancer in 1982,[41] Stritch returned to America, and after a further lull in her career and struggles with alcoholism,[42] Stritch began performing again. She appeared in a one-night only concert of Company in 1993 and as Parthy in a Broadway revival of the musical Show Boat in 1994.

In 1996 she played Claire in a revival of Edward Albee's A Delicate Balance, with Variety writing: "Equally marvelous is Stritch, with a meatier role than her recent foray as Parthy in 'Show Boat.' To watch her succumb to the vast amounts of alcohol Claire ingests, folding and refolding her legs, slipping – no, oozing – onto the floor, her face crumpling like a paper bag, is to witness a different but equally winning kind of thespian expertise. It's a master class up there."[43]

Elaine Stritch at Liberty
Main article: Elaine Stritch at Liberty

Her one-woman show Elaine Stritch at Liberty, a summation of her life and career, premiered at New York's Public Theater, running from November 7 to December 30, 2001.[44] It then ran on Broadway at the Neil Simon Theatre from February 21 to May 27, 2002, and then, also in 2002, at London's Old Vic Theatre.[20][45] Newsweek noted:

Now we see how At Liberty, the amazing one-woman show Stritch is moving to Broadway from the Public Theater this week, acquired the credit, "Constructed by John Lahr. Reconstructed by Elaine Stritch". "The reconstruction means I had the last say", she says. "Damn right I did." ... In case you didn't notice, Stritch is not the kind of woman who goes in for the sappy self-indulgence that pollutes most one-person shows. In fact, At Liberty is in a class by itself, a biting, hilarious and even touching tour-de-force tour of Stritch's career and life. Almost every nook and cranny of "At Liberty" holds a surprise. Turns out she dated Marlon Brando, Gig Young and Ben Gazzara, though she dropped Ben when Rock Hudson showed an interest in her. "And we all know what a bum decision that turned out to be", she says. And then there were the shows. A British writer recently called Stritch "Broadway's last first lady", and when you see her performing her signature numbers from Company and Pal Joey and hear her tell tales of working with Merman, Coward, Gloria Swanson and the rest, it's hard to argue. Especially since she does it all dressed in a long white shirt and form-fitting black tights. It's both a metaphor for her soul-baring musical and a sartorial kiss-my-rear gesture to anyone who thinks there isn't some life left in the 76-year-old diva. "Somebody said to me the other day, 'Is this the last thing you're going to do?'", says Stritch. "In your dreams! I can't wait to get back into an Yves Saint Laurent costume that isn't mine – but [that] will be when the show is over.[46]

A Little Night Music

Stritch appeared in the Broadway revival of the Sondheim-Wheeler musical A Little Night Music from July 2010 to January 2011, succeeding Angela Lansbury in the role of Madame Armfeldt,[47][48] the mother who remembers her life as a courtesan in the song "Liaisons". The AP reviewer of the musical (with the two new leads) wrote "Devotees of Stritch, who earned her Sondheim stripes singing, memorably, 'The Ladies Who Lunch' in Company 40 years ago, will revel in how the actress, who earned a huge ovation before her very first line at a recent preview, brings her famously salty, acerbic style to the role of Madame Armfeldt."[49]

The theatre critic for The Toronto Star wrote:

Stritch offers a sophisticated gloss on her by now patented, plain-talking woman who reveals all the home truths everyone ever wanted (or didn't) to hear about themselves. When Stritch tears into her big set-piece, 'Liaisons', about all the affairs in her life, it's not just a witty catalogue of indiscretions but a deeply moving fast-forward through a life filled equally with love, loss, joy and regret.[50]

Cabaret

Stritch performed a cabaret act in New York City at the Cafe Carlyle in the Carlyle Hotel, where she was a resident from 2005 until she left New York in 2013. Her first show at the Carlyle was titled "At Home at the Carlyle". The New York Times reviewer wrote:

Amazingly, none of the 16 songs she performs have ever been in her repertory, and just as amazingly, you don't miss signature numbers... [L]etting them go has allowed her to venture into more sensitive emotional territory. Interpreting stark, talk-sing versions of Rodgers and Hart's "He Was Too Good to Me", "Fifty Percent" from the musical Ballroom, and Kurt Weill and Ogden Nash's "That's Him", she comes into her own as a dramatic ballad singer.[51]

Between musical numbers, Stritch told stories from the world of stage and screen, tales from her everyday life and personal glimpses of her private tragedies and triumphs. She performed at the Cafe Carlyle in early 2010 and in fall 2011 in At Home at the Carlyle: Elaine Stritch Singin' Sondheim...One Song at a Time.[52]

Personal life

Strich was married to the actor John Bay from 1973 until his death in 1982. He was part of the family that owns the Bay's English Muffins company, and Stritch sent English muffins as gifts to friends. Said John Kenley: "Every Christmas, she still sends me English muffins."[53][54] When she was based in London, Stritch and her husband lived at the Savoy Hotel.[8]

She was good friends with gossip columnist Liz Smith, with whom she shared a birthday (February 2).[55]

In March 2013, Stritch announced she was leaving New York and relocating to Birmingham, Michigan, close to where she grew up.[56]

Stritch was candid about her alcoholism.[57] She took her first drink at 14 and began using it as a crutch before performances to vanquish her stage fright and insecurities. Her drinking worsened after Bay's death, and she sought help after experiencing problems with the effects of alcoholism, including the onset of diabetes. Elaine Stritch at Liberty discusses the topic at length.[6]

Death

Stritch died in her sleep at the age of 89 at her home in Birmingham, Michigan, on July 17, 2014. She suffered from diabetes and had stomach cancer. At the time of her death, only three months after having had surgery for the disease, cancer was not cited as an immediate cause of her death.[58][59][60][61] She is buried at Memorial Park Cemetery in Skokie, Illinois.

Acting credits

Theatre

Sources: FilmReference.com;[3] Internet Broadway Database;[62] TCM[63]

Filmography

Television
  • Wagon Train (1960, guest star)
  • Two's Company (1975 - 1979) - Dorothy McNab
  • Tales of the Unexpected S2 E8 My Lady Love, My Dove (19 April 1980) - Pamela Beauchamp
  • Christmas Spirits (1981) - Julia Myerson
  • 3rd Rock from the Sun (1997 - 2001) - Martha Albright
  • 30 Rock (2007 - 2012) - Colleen Donaghy

Awards and honors
Main article: List of awards and nominations received by Elaine Stritch

The Tony Award for Best Special Theatrical Event was awarded to the producers of Elaine Stritch at Liberty. However, Stritch enthusiastically accepted the award at the 56th Tony Awards, later complaining that her acceptance speech was cut off by the strains of the orchestra, which left her feeling angry.[79]

The Primetime Emmy Award for Outstanding Variety, Music, or Comedy Special for The HBO special of Elaine Stritch at Liberty, was awarded to its producers.[80]

Stritch was inducted into the American Theater Hall of Fame in 1995.[81]

Stritch's voice and vocal delivery are spoofed in the Forbidden Broadway songs "The Ladies Who Screech"[82] and "Stritch", parodies of "The Ladies Who Lunch" and "Zip", songs she performed in the musicals Company and Pal Joey.

In 2009, a parody by Bats Langley entitled "How the Stritch Stole Christmas" (loosely based on "How the Grinch Stole Christmas") appeared on YouTube.[83]

On The Big Gay Sketch Show in 2007, she was spoofed (portrayed by Nicol Paone) as a Wal-Mart greeter who is still a theater gal at heart.[84] In a later episode, Stritch is spoofed as an airport security guard, who's still "on" and isn't able to tone down her over-the-top antics.[85] In yet another episode, "Stritch" is promoting her self-titled perfume "Stritchy" in dramatic fashion when she is confronted by the real-life Elaine Stritch, who makes a cameo appearance.[86]

References
  1. Tallmer, Jerry. Interview Archived December 13, 2007, at the Wayback Machine The Villager, May 26 – June 1, 2004
  2. "Born in 1925 per 1930 United States census". Search.ancestry.com. Retrieved July 17, 2014.
  3. "Elaine Stritch profile at FilmReference.com". filmreference.comyear=. Retrieved February 28, 2017.
  4. 1940 United States FederalCensus
  5. Celia Wren (May 3, 2002). "Elaine Stritch at Liberty". Commonweal. Archived from the original on December 23, 2008. Retrieved January 8, 2009.
  6. BBC Four Music. "Elaine Stritch at Liberty". BBC Four. Archived from the original on January 4, 2009. Retrieved January 8, 2009.
  7. "People: The Way Things Are". Content.time.com. February 23, 1948. Retrieved October 28, 2019.
  8. "Elaine Stritch Biography" tcm.com, accessed August 31, 2009
  9. Porter, Darwin. (2005). Brando unzipped, pp. 5, 12, 18. Blood Moon Productions, Ltd.; ISBN 0-9748118-2-3
  10. "'Loco' Listing", IBDb.com; accessed May 22, 2012
  11. "'Made in Heaven' Listing", IBDb.com; accessed May 22, 2012.
  12. Elaine Stritch profile Archived April 18, 2012, at the Wayback Machine, pbs.org, accessed May 22, 2012.
  13. Sheridan Morley "Chapter:Pomp and Circumstance", Noël Coward, Haus Publishing, 2005; ISBN 1-904341-88-8, p. 126
  14. Hoare, Philip. "Sail Away", Noel Coward: A Biography, University of Chicago Press, 1998, ISBN 0-226-34512-2, p. 472
  15. Bruce Weber & Robert Berkvist. "'Elaine Stritch, Broadway’s Enduring Dame, Dies at 89" New York Times, July 17, 2014
  16. "Actress Elaine Stritch dies at 89". CBS News. July 17, 2014. Retrieved July 18, 2014.
  17. "Elaine Stritch and Ed Sullivan, 1954". Daily News. July 17, 2014. Retrieved July 18, 2014.
  18. Barnes, Mike (July 17, 2014). "Broadway Legend Elaine Stritch Dies at 89". The Hollywood Reporter. Retrieved July 18, 2014.
  19. Brockes, Emma (July 16, 2008). "'I'm a do-it-myself kind of broad': Two decades of sobriety have been good to Elaine Stritch. The stage legend and Emmy award-winner talks to Emma Brockes about booze, Brando and Broadway". The Guardian. Retrieved July 18, 2014.
  20. Walker, Tim. "Donald Sinden's sadness at Elaine Stritch's death" The Telegraph, July 19, 2014, retrieved February 28, 2017
  21. Lewisohn, Mark (October 2, 2003). Radio Times Guide To TV Comedy. BBC. ISBN 0-563-48755-0.
  22. Longsdorf, Amy (October 4, 2004). "Mixpicks: DVD: Tales of the Unexpected: Set One". The Record. p. F3.
  23. Marshall, Ray (July 6, 2005). "Reading stars". Evening Chronicle. p. 22.
  24. "Elaine Stritch Films" imdb.com, retrieved February 28, 2017
  25. "Elaine Stritch Talks About Her Guest Stint on '30 Rock'". Buddytv.com. December 12, 2008. Archived from the original on April 2, 2015. Retrieved July 17, 2014.
  26. Bloom, Ken; Vlastnik, Frank; Lithgow, John (2007). Sitcoms: The 101 Greatest TV Comedies of All Time. Black Dog Publishing; ISBN 1-57912-752-5, pp. 136–37
  27. Evans, Bradford. "Here’s Elaine Stritch Yelling at Her Pool Boy David Letterman in a Classic Clip" Vulture, July 17, 2014, retrieved February 19, 2022
  28. Willistein, Paul."Stage Star Elaine Stritch Wrapped Up In A New Career" Archived April 24, 2013, at the Wayback Machine, mcall.com, December 3, 1988.
  29. "'Three Violent People' Listing" Internet Movie Database, accessed May 21, 2012
  30. Crowther, Bosley. "Review. A Farewell to Arms (1957)", The New York Times, January 25, 1958
  31. Anderson, Melissa. "'Who Killed Teddy Bear', A Fascinating Chronicle of Wagner-era Times Square" Archived November 11, 2011, at the Wayback Machine Village Voice, January 19, 2010
  32. Pfeiffer, Lee."Review" cinemaretro.com, accessed May 21, 2012
  33. Canby, Vincent. "Movie Review 'Providence' (1977). Movie House, Yes, The Movie, No:Fake Feathers The New York Times, January 26, 1977.
  34. Stark, John. "Alone in the September of Her Years, Elaine Stritch Beats Booze to Score a Comeback in a Woody Allen Drama" People, January 11, 1988
  35. Reed, Rex. "Small-Time Woody, Expert Tracey", New York Observer, May 22, 2000, ARTS&ENTERTAINMENT; On The Town With Rex Reed
  36. "Martha Coolidge Biography" Archived July 12, 2012, at archive.today officialmarthacoolidge.com, accessed May 21, 2012
  37. Holden, Stephen. "Film Review; May-December Romance? Or Simply Hot and Cold?" The New York Times, August 12, 2000, retrieved February 28, 2017
  38. Leydon, Joe. " 'Screwed' Review" Variety, May 15, 2000, retrieved February 28, 2017
  39. Travers, Peters. Monster-in-Law Archived March 1, 2017, at the Wayback Machine Rolling Stone, May 5, 2005, retrieved February 28, 2017
  40. Eyre, Hermione."Kenneth Williams: Michael Sheen carries on his camping" The Independent (London), March 5, 2006
  41. York, Peter."Elaine Stritch: Drama queen", The Independent (London), September 29, 2002
  42. Blando, Bill (January 4, 2002). "Elaine Stritch, at 75, proclaims 'I'm Still Here': Show-stopper will take act uptown". The Patriot-News. p. E3.
  43. Gerard, Jeremy. "A Delicate Balance", Daily Variety, April 22, 1996 (no page number)
  44. Sommers, Michael. "It's curtains for 'Kate' and Elaine'", The Star-Ledger (Newark, New Jersey), December 28, 2001, p. 4
  45. Veronica Horwell. "Elaine Stritch: everybody rise for Broadway's greatest dame | Stage". The Guardian. Retrieved February 28, 2017.
  46. Marc Peyser (February 11, 2002). "A Stritch in Time". Newsweek. Retrieved January 8, 2009.
  47. Gans, Andrew."Starry, Starry Night: Peters and Stritch Return to Broadway in Sondheim Revival" Archived July 15, 2010, at the Wayback Machine. Playbill, July 13, 2010.
  48. McBride, Walter."Photo Coverage: Bernadette Peters and Elaine Stritch Open in A Little Night Music". Broadwayworld.com, July 14, 2010
  49. Noveck, Jocelyn. "Legends class up revival of 'A Little Night Music' " Dallas News, August 8, 2010
  50. Ouzounian, Richard. "Bernadette Peters and Elaine Stritch: Making beautiful music in Manhattan", The Toronto Star, August 20, 2010.
  51. Holden, Stephen (September 15, 2005). "Elaine Stritch, at 80, Tries Something New". The New York Times. Retrieved July 17, 2014.
  52. Hetrick, Adam. "'Happy Birthday, Steve': Elaine Stritch Singin' Sondheim Returns to the Carlyle March 22" Archived May 26, 2010, at the Wayback Machine Playbill.com, March 22, 2010
  53. Brown, Tony. "John Kenley turns 100 on February 20, 2006", February 19, 2009
  54. Musto, Michael."NY Mirror" Archived October 18, 2012, at the Wayback Machine, The Village Voice, January 3, 2006.
  55. "Audio Podcast: Elaine Stritch and Liz Smith at The Center, January 26, 2009 (longtime friendship referred to at 16 min. 38 sec.)". Odeo.com. Archived from the original on March 2, 2009. Retrieved July 17, 2014.
  56. Healy, Patrick (March 13, 2013). "71 Years in New York City Is Enough for Elaine Stritch". The New York Times. Retrieved July 16, 2014.
  57. King, Susan (July 17, 2014). "Remembering Elaine Stritch – formidable, fun and candid". Los Angeles Times. Retrieved July 18, 2014.
  58. "Elaine Stritch believed cancer was in remission", Express, July 19, 2014, accessed February 28, 2017
  59. Reuters via amny, amnewyork, Friday-Sunday, July 18–20, 2014 edition, page 7.
  60. Berkvist, Robert; Weber, Bruce (July 17, 2014). "Elaine Stritch, Tart-Tongued Broadway Actress and Singer, Is Dead at 89". The New York Times. Retrieved July 17, 2014.
  61. Staff (July 17, 2014). "Elaine Stritch, Acerbic Tony and Emmy Winner, Dies at 89". Variety. Retrieved July 17, 2014.
  62. "Elaine Stritch Broadway and Special Events" ibdb.com, retrieved February 28, 2017
  63. "Elaine Stritch Overview Film and Television" tcm.com, retrieved February 28, 2017
  64. Barajas, Joshua (July 17, 2014). "Broadway and cabaret actress Elaine Stritch dead at 89". PBS Newshour. Retrieved July 19, 2014.
  65. Bledsoe, Wayne (July 17, 2014). "Broadway, acting great Elaine Stritch dies". Knoxville News Sentinel. Retrieved July 19, 2014.
  66. Suskin, Steven (May 29, 2003). Broadway Yearbook 2001–2002 : A Relevant and Irreverent Record. Oxford University Press. p. 166. ISBN 0195347943.
  67. "Cast Alumni-S" muny.org, retrieved February 28, 2017
  68. Filichia, Peter."Remembering Claibe Richardson and 'The Grass Harp'" theatermania.com, January 12, 2003
  69. Hurren, Kenneth. "Theatre. A Stritch in time" Spectator (archives), November 2, 2974, retrieved March 1, 2017
  70. Lawson, Carol J. "Broadway" The New York Times, February 10, 1984
  71. Rich, Frank. "Stage View; Sondheim's 'Follies' Evokes Old Broadway". The New York Times, September 15, 1985
  72. "Happy Birthday, Mr. Abbott!" theatredb.com, retrieved February 28, 2017
  73. Holden, Stephen. "Pop and Jazz in Review" The New York Times, October 31, 1991
  74. Campbell, Karen. "Life With Author Lillian Hellman Was Hardly a `Cakewalk'" csmonitor.com, June 19, 1993
  75. Isherwood, Charles. "Review: ‘Sail Away’ " Variety, November 14, 1999
  76. Hetrick, Adam. "Stritch, Epstein, Casella and Turturro Play 'Endgame' at BAM Beginning April 25" Playbill, April 25, 2008, retrieved February 28, 2017
  77. Gans, Andrew. "Elaine Stritch to Star in Paper Mill's 'Full Monty' " Playbill, April 15, 2009, retrieved February 28, 2017
  78. Gans, Andrew."Bernadette Peters and Elaine Stritch Extend Run in Broadway's 'A Little Night Music' " Playbill, October 5, 2010, retrieved March 1, 2017
  79. Simonson, Robert. "Elaine Stritch Upset by Shortened Acceptance Speech" Playbill, June 03, 2002, retrieved December 03, 2019
  80. The Broadway League. "Elaine Stritch | IBDB: The official source for Broadway Information". IBDB. Retrieved July 17, 2014.
  81. Viagas, Robert. "Theatre Hall of Fame 1996" Playbill, January 30, 1996, retrieved February 28, 2017
  82. Rich, Frank (September 16, 1988). "Skewering With a Smile, in 'Forbidden Broadway'". The New York Times. Retrieved July 18, 2014.
  83. "How Elaine Stritch Stole Christmas". Advocate. December 23, 2009. Retrieved July 18, 2014.
  84. Catlin, Roger (April 24, 2007). "Equal Opportunity Clunkers on 'Sketch Show'". Hartford Courant. p. D2.
  85. "Episode 8, Season 2". The Big Gay Sketch Show. September 16, 2013. Retrieved July 18, 2014.
  86. Avery, Dan (July 17, 2014). "The Time Elaine Stritch Appeared On 'The Big Gay Sketch Show'". NewNowNext. Logo TV. Retrieved July 18, 2014.
Wikimedia Commons has media related to Elaine Stritch.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.