Elana Mann

Elana Mann (born November 26, 1982) is a contemporary artist who lives and works in Los Angeles, California. Elana Mann's artwork is constant with social activities and challenges politics related to gender, power, and nationality. Mann artwork is engaging as she believes her statement is understood by being active in her artwork. Many of Mann artworks are performances or objects used for the audience to interact with them. Elana Mann wants her audience to be engaged with the political issue she demonstrates within her artwork.

Elana Mann
Born (1982-11-26) November 26, 1982
NationalityAmerican
EducationWashington University in St. Louis
California Institute of the Arts
Known forPerformance art
Sculpture
Video

Life

Elana Mann is Jewish, and was raised in a family that was part of the Reconstructionist Judaism movement.[1] Mann's culture of Judaism impacted her growth into becoming an artist. At a young age, Mann learned that the world around her could change for greater equality and freedom. Mann wanted to be an artist who shaped evolution.

Elana Mann didn't start her art career until she entered Washington University in St. Louis as a sculpture artist. Mann received her B.F.A. with honors from Washington University in St. Louis and her M.F.A from California Institute of the Arts, Valencia, CA. Currently, she is a Visiting Lecturer at Scripps College and Pitzer College.[2][3]

Elana Mann starts to become an activist artist during her time attending university. During the weekend, Mann will do activism around mental and physical health. Mann had the desire to meld her art and activism within her community. Her first experience was after 9/11 when she created a memorial about the attacks.

Work

Much of Elana Mann's artwork is a combination of sculpture and music to engage the audience with her work. Mann's artwork is presented in museums, galleries, city parks, and buses from the U.S. Many of the galleries Mann participated in were two-person or group galleries. Most of Mann's work is performed with the sculpture instruments she created, like her work called Year of Wonders. Year of Wonders is one of Mann's many galleries she participates in activism involving the global pandemic.

At its root, Mann’s multidisciplinary artwork explores the possibility for one to rebel in contemporary society. Mann often utilizes a multidisciplinary approach to making art which has included performance, photography, event coordination, drawing, video, rioting, publishing, and sculpture. Many of her installations encourage public engagement and participatory performance among her audiences.

To make the video "Can't Afford the Freeway" (2007-2010), Mann recorded interviews with Captain Dylan Alexander Mack, an Iraq war veteran. These interviews would become the audio for a video where Mann recorded herself in several acrobatic and at times combative movements with her car.[4] In 2011, "Ass on the Street", a video in which the artist feels her way along a South Central fence in a black dress and donkey head she can't see out of was played on LA Metro Busses as part of Out the Window, a project initiative by the LA art production organization Freewaves.[5]

In 2013 the artist created 3 large sculptures for an exhibition at Side Street Projects in Pasadena. Mann was inspired by listening technology used between World War I and World War II.[6] Listening as a political act has been a consistent theme in Mann's work, and the following year she staged several conversations with civic and federal workers at Grand Park Los Angeles as part of a series of programing curated by Machine Project.[7]

In November 2016, Mann installed a public mural at Baik Art in Los Angeles called "Talk Through the Hand." The mural corresponded with her solo show at Commonwealth and Council, called "The Assonant Armory."[8]

Collaborative and Solo Exhibit

Exchange Rate 2008

Exchange rate: 2008, was organized by Elana Mann in response to the 2008 U.S. presidential election. Thirty-eight artists living in sixteen countries participated in the project. With the aid of the website exchangerate2008.com, participating artists produced, exchanged, and interpreted performance directions related to the election campaign. A book was published that documented the project.[9][10]

ARLA

ARLA was formed by Mann, vocal artist Juliana Snapper, filmmaker Vera Brunner-Sung, and choreographer Kristen Smiarowski. ARLA is a flexiable acronym for Audile Receptives Los Angeles or A Ripe Little Archive.[11] The group came together to study scores and techniques of listening developed by composer Pauline Oliveros. ARLA led workshops, listening sessions, discussion groups and did several performances most notably at Occupy LA and the Getty Museum. ARLA also published the People's Microphony Song Book, a book of performance scores that utilize the Peoples Microphone. When asked about how she felt about her scores being re-performed Pauline Oliveros said "I am happy that Elana Mann chose to use my Sonic Meditations for the People’s Microphony project. These pieces are meant for anyone that wants to perform them regardless of musical training.”[12][13]

Chann & Mann

Since 2005, Elana Mann and Audrey Chann, have collaborated under the moniker Chann & Mann. The duo formed during their studies at the California Institute of the Arts. They had their first retrospective "Chann & Mhann: A Historical Retrospective" at Elephant Art Space.[14] Chan & Mann reperformed Leslie Labowitz-Starus Myths of Rape at the 2012 LA Art Show.[15] Chan & Mann organized Shares & Stakeholders: The Feminist Art Project Day of Panels at the 2012 College Art Association Conference at the Museum of Contemporary Art. In 2013 Chan and Mann had a solo exhibition at the Ben Maltz Gallery at the Otis College of Art and Design called The glass ceiling is a glass hyman pierced by a glass dildo inside a larger glass vagina.[16]

Chats About Change

"Chats About Change: Critical Conversations on Art and Politics in Los Angeles” was a two-day event organized by artists Elana Mann and Robby Herbst. The program was hosted by Los Angeles Contemporary Exhibitions and the student union at Cal State L.A. A series of discussions amongst artist and activists, it included panels such as "navigating L.A.’s landscapes in ecologically conscious ways", “How Can I Participate?” and “Creative Dissonance,”.[17][18][19]

Sounds from the swamp

"Sounds from the Swamp" is a solo exhibit by Elana Mann to reposition "Clean up the Swamp" by President Trump. Sound of the Swamp is a music exhibit with a sculpture instrument built as a human hand. Mann wanted to express how the human voice is loud even if you try to shut them up. Sound from the Swamp was in 2020 at Lawndale Art Center in Houston, TX.

Years of Wonder

"Years of Wonder" is a solo exhibit by Elana Mann through 2020-2021. Years of Wonder is a book created by Geraldine Brooks that inspired Mann to create a visual and sonic scenery of the global pandemic. Mann wanted to describe the civil and social unrest and the complete division from the presidential election. Years of Wonder exhibit took place in Santa Monica, CA and San Antonio, TX.

Collaboration/Self-published books

Conversation Pieces (2006)

"Conversation Pieces" is a collaborative book with Adam Overton that consist of weeks of artwork at the California Institute of the Arts. The book publication was on February 13-17, 2006.

GIVE IT TO ME, DO IT TO ME, MAKE ME... (2007)

"Give it to Me, Do it for Me, Make Me" is a book that consists of sixteen of Elana Mann's performance scores. Mann's performance scores were all performed in the fall of 2006 in CalArts.

Exchange Rate: 2008 (2009)

"Exchange Rate" is a book of collaboration demonstrating thirty-eight artists from different countries showing their artwork in response to the 2008 U.S. presidential election. Exchange Rate is a book that includes all artwork and performances from different artists other than Elana Mann.

Can't Afford the Freeway: A reader (2010)

"Can't Afford the Freeway" is a book that holds the conversation between Elana Mann and Captain Dylan Alexander Mack. The book includes additional information about Elana Mann's work like collages, process notes, and drawings from the Can't Afford the Freeway video.

We Are the Art (2010)

"We Are the Art" is a collaborative book between Elana Mann and AVPA students. The students in AVPA worked with Elana Mann to learn about performance art, community outreach, and in-class experiments with art. At the end of the workshop, each student from AVPA demonstrated their original artwork to Mann.

The People's Microphony Songbook (2012)

"The People's Microphony Songbook" is a book inspired by resistance songs which is a technology that allows speakers to be assembled or gathered without using electric amplification. The book is being published to let the global world explore the People's Mic.

Grant/Selected Awards and Fellowships

Elana Mann has been the recipient of numerous awards including:

  • California Community Foundation’s 2009 Visual Arts Fellowship[20]
  • 2012 and 2013 ARC grant from CCI.[21]
  • Artist Community Engagement (ACE) Grant, Rema Hort Mann Foundation (2015)
  • Foundation for Contemporary Arts Emergency Grant (2017)
  • Ceramics Artist-In-Resident, Pitzer College Cultural Trailblazer, City of Los Angeles, Department of Cultural Affairs (2017-2018)
  • Stone and DeGuire Contemporary Art reward (2019)
  • International Artist-in-Residence, Artpace San Antonio City of Los Angeles (COLA) Individual Artist Fellowship (2020)
  • Sustainable Arts Foundation Award Future Art Award (2021)
  • Cali Catalyst Award, The Center for Cultural Innovation Ruth and Howard Chenven Foundation Grant (2022)
  • Community Engagement Grant (2023)

References

  1. "Landmarks from a younger vantage". Los Angeles Times.
  2. "Welcome to Elana Mann - Elana Mann". elanamann.com.
  3. "Academic Experience | Faculty Profile".
  4. "Can't Afford the Freeway".
  5. Catherine Wagley. "Top 10 Moments of the Year in L.A. Art". LA Weekly.
  6. Carren Jao (4 April 2013). "Elana Mann Tunes Noise Out to Let the Signal In". KCET.
  7. "The Machine Project Field Guide to Grand Park - machine project". machineproject.com.
  8. "Elana Mann". www.artforum.com. Retrieved 2019-02-18.
  9. Ediciones El País (29 October 2008). "Los 'netartistas' ofrecen su visión de las elecciones norteamericanas". EL PAÍS.
  10. "Login". getty.edu.
  11. "Radical Receptivities". ART21 Magazine. 4 January 2012.
  12. "Radical Listening and the People's Microphony: A Conversation with Elana Mann". Sounding Out!. 11 March 2013.
  13. Catherine Wagley. "Occupy L.A. and the Art World". LA Weekly.
  14. "Turning the Seven Year Itch into a Retrospective". Hyperallergic. 18 April 2012.
  15. "Myths of Rape (1977/2012) at the L.A. Art Show". Artweek.LA. Archived from the original on 2015-02-27. Retrieved 2015-02-26.
  16. "ARTPULSE MAGAZINE Putting the Words Back into the F-Word. An Interview with Audrey Chan and Elana Mann". artpulsemagazine.com.
  17. Catherine Wagley (15 January 2015). "Chats About Change: Critical Conversations on Art and Politics in Los Angeles". LA Weekly.
  18. Maxwell Williams (14 January 2015). "Chats About Change: The Intersection of Art and Activism". KCET.
  19. Michael Ano (5 February 2015). "Chats About Change: Critical Conversations on Art and Politics". KCET.
  20. "Elana Mann - California Community Foundation". calfund.org.
  21. ":: CCI :: ARC Grants ::". www.cciarts.org. Retrieved 2020-05-05.
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