Eli Schechtman

Eli Schechtman was born in the shtetl of Vas'kovychi Korestensky[3] district near Zhytomyr in the Ukraine. He was the seventh of eight children in his family. He received traditional Jewish education at a cheder. Eli Sсhechtman's mother died when he was eight years old, and his father took care of the children. Eli was forced to leave for Zhytomyr to study in a yeshiva at the age of thirteen.

In 1926, Eli Schechtman went to Odesa – a large intellectual center of Jewish life of that time – where he studied literature at the Odesa Jewish Pedagogical Institute from 1929 to 1932.[4]

Marriage

In 1929 Schechtman met Sheindl (Zhenia) Magazinnik, an actress in a Jewish theater[5] got married and in 1932 moved to Kharkiv, and later in 1936 to Kyiv. In 1934 Schechtman joined the Union of Soviet Writers as an active member, where his acceptance was sanctioned by Maxim Gorky, who was the chairman of the Union. During the 1930s Schechtman wrote three novels, all of which were published in Yiddish. He also translated the works of Ukrainian novelists to Yiddish.

Schechtman family from left to right: Sheindl, Eli, Lara, Lea

.

Last years in the Soviet Union

Upon his release from the Soviet prison, Eli Schechtman began working on one of his major novels, Erev, despite the fact that at that time in the USSR there was not a single magazine, nor a single newspaper or publishing house in Yiddish.[8] This epic novel, the first Yiddish novel in the USSR, written and published after Stalin's death, became the central work of his literary career. A number of critics praised it as one of the best, or even the best, achievement of post-Holocaust Yiddish prose.[9]

The first page of Erev manuscript

Israel

In 1972 Eli Schechtman and with his wife emigrated to Israel. In 1973 he became the first author to receive an award from the Prime Minister of Israel, Golda Meir, "for literary work in Yiddish." In 1975 a Hebrew translation of the first four parts of Erev were published.

Eli settled in Jerusalem and began to struggle with the attitude to Yiddish - the language of most Holocaust victims - as to a foreign language in the Jewish state. In the 1980s and 1990s, he became even more critical to the historical and cultural approach of the Israeli establishment to the European diaspora[10] and its culture. Although Schechtman was honored by several Israeli literary awards, he was dispirited by the status of the Yiddish language in Israel[11] and generally remained suspended from the circle of local Yiddish writers. In 1991, Eli Schechtman, protesting the situation of Yiddish in Israel, refused to get involved[12] in a two-volume Anthology of Yiddish poets and writers (who had ever lived in Israel), whose purpose was to give a complete picture of the Yiddish literature in the country.

Schechtman's literary heritage was eulogized by the writer and literary critic Itche Goldberg in Yidishe Kultur.[13] His full literary heritage is kept in the library of the United States Holocaust Memorial Museum in Washington.

Eli Schechtman's grave

Eli Schechtman died on January 1, 1996, and is buried next to his wife at a cemetery in Kiryat Bialik, Israel.

Schechtman began writing at the age of twelve. His earliest publication was in 1928: the two poems from the cycle "In shpil fun shneyen" ("In the Play of Snows") were published in Di royte velt (The Red World).

His collection of stories, Oyfn sheydveg (At the Crossroads; 1930), and especially his novel Farakerte mezhes (Plowed Stripes, 1932–1936, reprinted in 1941), established him as a prose writer. A prose stylist, he continued the tradition of such writers as Dovid Bergelson and Der Nister. Most of his literary characters are residents of Polesie, a wooded and marshy land between the Ukraine and Belarus. A collection of his short stories – Polesyer velder (Polesie Forests) – was published in 1940.

Upon his release from the Soviet prison, Schechtman began working on one of his major novels, Erev. This was the first novel published in the new and solely Yiddish magazine Sovetish Heymland, which appeared in the USSR in 1961, more than 20 years after the outbreak of WW2 and the defeat of Jewish culture.

The first four books of the novel were serialized Sovetish Heymland and the first two books were published in a single volume by the Moscow publishing house Sovetsky Pisatel in 1965. It was translated into French by Rachel Ertel under the name à la vielle de... in 1964. Into English it was translated under the original name Erev in 1967, by Joseph Singer. On the cover of this book, Eli Shekhtman is compared with Feodor Dostoevsky and Anton Chekhov.[14][15] In 1975, the first four books of Erev were translated into Hebrew by Zvi Arad[16] and published under the title Beterem.

In 1978, Schechtman suspended work on the novel Erev and began the writing of a large-scale autobiographical novel Ringen oyf der Neshome (The Rings on the Soul). The first and second books of the novel were published in 1981. The novel was translated into Hebrew and was printed twice: the first book was published in 1981, the second one – in 1983, and both books together – in the Classic series in 1992. The third and fourth books of the novel were published in 1988. Alma Shin[17] translated the entire novel into Russian. The first and second books of the novel were published in 2001 under the title "Rings on the Soul" (in Russian Кольца на душе). The third and fourth books were printed in 2012 under the title "Plowing the Abyss" (in Russian Вспахать бездну).[18]

In 1983, Eli Schechtman finished and published his monumental novel Erev, consisting of seven books, which the author called "The Menorah of My Life." The full novel was translated into Russian by Alma Shin and published in Israel in 2005. It was translated into French by Rachel Ertel and published in Paris in 2018. "Eli Chekhtman's novel could accompany the magnificent collection of the photographer Roman Vishniac with the title A Vanished World, which has preserved the memory of these Jewish communities in Eastern Europe, destroyed by the Shoah."[19]

In 1988 Eli Schechtman began working on his last novel Byim shkie aker (The Last Sunset) which was published in 1994. The novel was translated into Russian by Alma Shin in 2008 and translated into French by Rachel Ertel in 2015. Gilles Rozier in his article "Le Yiddish d'une guerre à l'autre" compares Eli Shekhtman with his contemporaries Vasily Grossman and Varlam Shalamov.[20] Before his death Eli Schechtman completed several short stories (published posthumously) as a collection, entitled Tristia. Several stories from Tristia were translated into Russian by Alma Shin and were published in 2000 under the name Sonatas.

• 1973, Prime Minister of Israel "for literary work in Yiddish"[21]
• 1976, the Chaim Zhitlowsky Prize[22]
• 1977, the Eliezer Pines Prize
• 1978, Itzik Manger Prize
• 1994, the Fernando Jeno Award for literature in Spanish, Hebrew, and Yiddish[23]
• the Congress of Jewish Culture Award

• Oyfn Sheydweg (At the Crossroads; 1930)
• Faraḳerṭe Mezshes (Plowed Stripes, 1932)
• Zorani Mezhi (Ukrainian, Faraḳerṭe mezshes; translated by Z. Ioffe, 1937)
• Geḳlibene dertseylungen by Mykhailo Kotsiubynsky (Kiyeṿ: Melukhe-farlag di natsyonale minderhayṭn in USSR, translated by Eli Schechtman, 1940).
• Polesier Welder (Polesye Forests, 1940)

• Baim Shkie Aker (בײַם שקיעה-אַקער) (1994) (The last sunset, Yiddishe Kultur ISBN 1-882963-00-8) portrays the tragic story of a Ukrainian Jewish family destined to experience the atrocities of Stalinism and the Holocaust.
• Последний закат (2008; «Byim shkie aker»; translated by Alma Shin; Haifa ISBN 965-90910-0-1)
• La Charre de feu (2015; «Byim shkie aker»; translated by Rachel Ertel; Buchet-Chastel; Paris, ISBN 978-2-283-033328-9).

• Eli Shekhtman
• Itshe Goldberg, "Eli Shekhtman, 1908–1996", Yidishe kultur 11–12, (1996)
• Estraikh, Gennady. 2010. Shekhtman, Eli. YIVO Encyclopedia of Jews in Eastern Europe
• Gennady Estraikh, Yiddish in the Cold War, Oxford, 2008, ISBN 9781906540050
• Simkhovitch, S. (2006 [Mar. 17]): "Eli Shekhtman – tsu zayn tsenten yortsayt", Forverts, pp. 16–17.
• Misha Lev, Remembering Eli Schechtman Archived 2019-01-29 at the Wayback Machine
• M. Kapeliovitch,Eli Schechtman: Sunrise of "The Last Sunset" Archived 2019-01-29 at the Wayback Machine
• Yiddish and the Creation of Soviet Jewish Culture: 1918–1930
• Jewish Virtual Library: The 1970s and After
• M. Kapeliovitch,
• USHMM

• Erev (in Yiddish) at the Internet Archive
• Baym shake-aker (in Yiddish) at the Internet Archive
• Vol 1:Ringen Oyf der neshome(in Yiddish) at the Internet Archive
• Vol 2:Ringen Oyf der neshome(in Yiddish) at the Internet Archive
• Кольца на душе, Vol 1,Part 1 (in Russian, performs Alma Shin) on YouTube
• Кольца на душе, Vol 1,Part 2 (in Russian, performs Alma Shin) on YouTube
• Winter sonata (in Russian, performs Alma Shin) on soundcloud
• Shechtman, Eli; Zilberberg, Peretz (1995), Di harbst sonata : The autumn sonata, Jewish Public Library, retrieved 1 December 2020