Elizabeth Backhouse

At the start of WWII, Backhouse joined the Women's Auxiliary Australian Air Force[1] and was stationed near Melbourne.[3][5] There, she wrote her first three novels while off-duty.[3] In Our Hands (1942),[2] set in Perth, concerned "a group of interesting young moderns ... brought sharply up against the war"; it was considered to be "a forerunner of good things to come", "the characterisation in some cases excellent and the dialogue bright".[6] It was so popular that it went into a second edition.[7] Her second book, The Sky Has Its Clouds (1944),[2] was "a colourful novel involving the fortunes of an interesting group of people, with a ballerina in the leading role",[8] and covered the period from 1920 to the outbreak of war, moving from a small Australian country town to Europe. One reviewer found it "very entertaining",[9] another judged it "a well-constructed, fast-moving tale which holds the reader's interest from first page to last",[10] and another considered that with it, "Miss Backhouse has established a very definite place for herself in the community of Australian authors."[11]

Backhouse's third novel, Day Will Break (1945),[2] took as its setting France and England during the time of the French revolution. Reviews were mixed, with critics' opinions ranging from "skilfully written",[12] "ambitious ... strong enough to overcome [its] handicap[s]",[13] to "readable",[14] "too long",[15] "rather dull".[16] However, it "enjoy[ed] a great vogue",[7] and appeared in a second edition.
Backhouse published two books in 1946, one a children's story, Enone and Quentin, and the other a modern novel, Leaves in the Wind, set in Western Australia and featuring three young women and their mothers.[17][18] Enone and Quentin, "a fairy book full of romance and make-believe",[19] was warmly received, with one reviewer describing it as "sheer delight, with fantasy as free as a child's heart."[20] The same reviewer wrote that "it seems Miss Backhouse shudders away from suffering ... and cannot ask her readers to face anything but a happy ending", and that Leaves in the Wind, "a story of 3 illegitimate girls, is literally too good to be true."[20]

In mid 1946, Backhouse travelled to England,[21] where she lived for five years[3] and worked for film producer Alexander Korda,[1][5] writing scenarios.[2]

She returned to Australia in 1951,[1] and continued writing novels, demonstrating the versatility noted by reviewers[20] by "producing a series of strongly-imagined and fluently-written crime novels".[22] During the 1950s and 1960s, she published one novella and six novels in this genre.[2][23] The novella, A Wreath for the Party, appeared as a supplement to the Australian Women's Weekly in August 1954.[24] The novel Death Came Uninvited, published in 1957 by Robert Hale of London, is an expanded version of the same story. It is set in London, with Inspector Christopher Marsden detecting,[25] and was described as a "neatly devised work[] of homicide".[26] Several of the novels were set in Western Australia[23] - Death of a Clown (1962), for example, featured a circus troupe visiting Carnarvon, The Web of Shadows (1960)[27] and Death Climbs a Hill (1963) were set in the bush, and The Mists Came Down (1959) takes place on Rottnest Island.[23][28] Most featured two Western Australian police detectives, Detective-Inspector Prentis and Detective Sergeant Landles.[23] The hero of The Mists Came Down, Steve Gillman,[29] however, was an American private detective, "a thoughtful, intelligent hero in the English tradition, who solves a murder in a closed community with a measured calm that came to typify later Backhouse efforts."[23]

After Death Climbs a Hill, Backhouse published no further crime novels, but instead turned to writing for stage and screen. The Thin Line, a play about euthanasia, was professionally read at the Emerald Hill Theatre, Melbourne, in 1966,[30][31] and performed at the Playhouse Theatre, Perth, in 1968.[1] Mirage was performed at the Octagon Theatre, Crawley, Western Australia, in 1972,[32] and had a play reading by the Melbourne Theatre Company in 1986.[33] The Olive Tree (1975) was a 70 minute film for TV written and co-produced by Backhouse,[2][34] which screened in Australia and the US.[1] Set on a Western Australian cattle station,[34] it involved a "farmer .. united with his son after 20 years, when he decides to sell his property. The meeting is marked with emotional outbursts from both father and son."[35] Backhouse also wrote the scenario for a ballet, KAL,[1] which was performed by the West Australian Ballet in 1979 for the 150th anniversary of the founding of the state of Western Australia,[36] and a musical, Dickens’ Magic.[5]

Backhouse's final published works were family history and memoir. Against Time and Place (1990) relates the stories of four generations of her family, particularly the women,[1] in Yorkshire, England and then in Western Australia and other Australian states.[37] It "combines fact, legend and re-creations of dialogue",[37] and received largely positive reviews. One reviewer commented that Backhouse "tells the story with humour and a direct simplicity ... it's a joy to read".[38] Another reviewer found it "indigestible" when attempting to read it as a whole, but good for "dipping into .... a poignant composition of beautifully drawn tableaus and vignettes".[39] Extracts from Against Time and Place were published in several anthologies during the 1990s.[2] and it has been described as ranking "with such successes as Facey's A Fortunate Life and Sally Morgan's My Place."[1]