Elisabeth Farnese

Elisabeth was born at the Palazzo della Pilotta in Parma, the daughter of Odoardo Farnese and Dorothea Sophie of Neuburg.[1] Her mother later married her uncle Francesco Farnese, Duke of Parma.

Elisabeth was raised in seclusion in an apartment in the Palace in Parma. She had a difficult relationship with her mother, but was reportedly deeply devoted to her uncle-stepfather. She could speak and write Latin, French, and German and was schooled in rhetoric, philosophy, geography and history, but, reportedly, she found no interest in her studies and lacked intellectual interests.[2] She was a better student within dance, studied painting under Pietro Antonio Avanzini and enjoyed music and embroidery. She survived a virulent attack of smallpox.[3]

Because of the lack of male heirs of her father, her uncle-stepfather, and her youngest uncle, who all succeeded one another, preparations were made for the succession of the Duchy of Parma through the female line (her). She consequently received many marriage proposals. Victor Amadeus, Prince of Piedmont and Francesco d'Este, Hereditary Prince of Modena both asked for her hand but negotiations eventually failed, as well as Prince Pico della Mirandola. The Duchy of Parma would later be inherited by her first son, Infante Carlos. After his accession to the Spanish throne, the title passed on to her third son, Infante Felipe. It was he who founded the modern day House of Bourbon-Parma.

On 16 September 1714 she was married by proxy at Parma to Philip V of Spain. The marriage was arranged by the ambassador of Parma, Cardinal Alberoni, with the concurrence of the Princesse des Ursins, the Camarera mayor de Palacio of the King of Spain.[4] Elisabeth was a natural choice for Philip V because of the traditional Spanish interests in Italian provinces, and she was the heir of the Parmesan throne.

The Parmese ambassador convinced the all-powerful Princess des Ursins to give her crucial consent to the marriage by convincing her that Elisabeth was a simple-minded person, accustomed to nothing but needlework and embroidery and easy to control and dominate as a replacement for the previous, cooperative queen consort.[5] In parallel, Alberoni informed Elisabeth that the king "wishes to be governed" by others and that she would be an unhappy queen unless she swiftly took control, and that she would also be liked by the Spaniards if she removed the influence of the French party headed by the Princess des Ursins.[5]

Elisabeth left Parma in September and traveled to Spain by land in a retinue led by Marquis Schotta and Ippolita Ludovisi, Princess of Piombino. Originally intended to travel by sea, she became ill in Genoa, and the plans were therefore altered. On her way to Spain, she met the Prince of Monaco and the French ambassador, who forwarded her gifts from the King of France. Elisabeth spent several days in Bayonne in November as guest of her maternal aunt, the Queen Dowager Maria Anna of Spain. At the Franco-Spanish border, she was met by Alberoni, who spent several days warning her against des Ursins.[5] Upon entrance to Spain, she refused to part with her Italian retinue in exchange for a Spanish one, as had originally been planned.[6]

On 23 December at Jadraque, Elisabeth met the Princesse des Ursins, who as her newly appointed Mistress of the Robes wished to present herself before Elisabeth met Philip V at Guadalajara. The princess had sent out spies who reported that Elisabeth was in fact not at all a timid person who would be easy to control. Elisabeth received des Ursins and asked to speak with her privately. Shortly after, the party could hear the sounds of a violent argument, after which des Ursins was arrested, fired, and immediately escorted over the border to France. There have been many different versions of this incident, and different suggestions as to how it occurred. Alberoni informed the king that Elisabeth had acted with his best interests at hand, and when Philip met Elisabeth at Guadalajara 24 December, he quickly fell in love with her at first sight, just as he had with his former spouse.[5]

Elisabeth with her eldest son Charles.

Elisabeth enjoyed hunting and wore male riding attire while doing so. She was described as an excellent shot and rider, and often hunted with the king. She spent extravagantly, on both herself and her confidants. Her circle of confidants consisted, except her nurse Laura Pescatori, of her Italian doctor Cervi and Marquis Scotti, who were also a part of her Italian retinue. Her favorites among her ladies-in-waiting was first her Flemish attendant La Pellegrina, who acted as the go-between for her and minister Patino, and the Duchess of Saint-Pierre; after the former had married and the latter departed for France in 1727, she favored the Marchioness Las Nieves, who had the task to act as the queen's informant and who by 1736 was said to be the one who should be courted for supplicants to the queen.[7] She respected her chief lady-in-waiting, Countess de Altamira, who managed her ladies-in-waiting very strictly.

The queen collected Italian works from the 16th and 17th centuries, including masterpieces by Correggio, Guido Reni, Francesco Salviati and Flemish works by such celebrated artists as Anthony van Dyck, and the Bruegel family.[8]

Initially, Queen Elisabeth was popular because her dismissal of des Ursins made her seem as the savior of Spain from French dominance, but her complete dominance of the monarch soon made her as unpopular as des Ursins. Elisabeth was also unpopular among the Spanish nobility for the decline of formal Spanish etiquette court life, and pamphlets of the "Spanish party" typically accused her of keeping the king in slavery, benefiting foreigners and trying to murder her step-sons.[5]

Coat of Arms as Queen Consort of Spain

Foreign policy

Queen Elisabeth was uninterested in domestic policy and preferred foreign policy, where her goal was to enforce the Spanish presence in the Italian states, combined with her ambition for her own sons, who were initially not expected to succeed in Spain because of her step-sons.[9] Elisabeth's influence was exerted altogether in support of Alberoni's policy, one chief aim of which was to recover the ancient Italian possessions of Spain, and which actually resulted in the seizure of Sardinia and Sicily. So vigorously did she enter into this policy that when the French forces advanced to the Pyrenees, she placed herself at the head of one division of the Spanish army.[4] In April 1719, the queen accompanied the king on his campaign to the front upon the French invasion; dressed in a habit of blue and silver, she continuously reviewed and encouraged her troops on horseback.[11]

Her ambition, however, was grievously disappointed. The Triple Alliance thwarted her plans when British troops raided Vigo, and by 1720 the allies made the banishment of Alberoni a condition of peace. Sicily and Sardinia also had to be evacuated.[4]

Philip V and Elisabeth in 1739

During the later years of Philip V, when he was nearly senile, Elisabeth directed the whole policy of Spain so as to secure thrones in Italy for her sons. In 1731 she had the satisfaction of seeing her favored scheme realized with the recognition by the powers in the Treaty of Vienna of her son Don Carlos (afterwards Charles III of Spain) as the Duke of Parma, and after the 1738 Treaty of Vienna his accession to the thrones of Naples and Sicily. Her second son, Philip, became Duke of Parma in 1748.[4]

On 9 July 1746, the reign of Elisabeth ended with the death of Philip V and the succession of her stepson Ferdinand. As Ferdinand, like his father, left the government business to his spouse, Maria Barbara, the French ambassador remarked that: "it is rather Barbara who succeeds Elisabeth than Ferdinand succeeding Philip."[5]

Coat of Arms as Queen Dowager

As queen dowager, Elisabeth initially did not agree to surrender the reins of power. She settled with a court of supporters in a rented mansion in Madrid, and demanded to be kept informed of government policy and openly criticized the new monarchs. By mid 1747, Queen Barbara was encouraged to deal with her by Portugal and José de Carvajal y Lancáster, and on 23 July 1747, Elisabeth was exiled with her court to the palace of La Granja, where she spent the rest of her step-son's reign exiled from the royal court and any influence on politics.[8] She hosted grand receptions where she welcomed foreign diplomats and encouraged the criticism of the opposition toward her step-son.[5]

The last time Elisabeth Farnese was involved in politics was after the death of her step-son Ferdinand VI in 1759. After his death, the Spanish throne went to her own son, then absent as the King of Naples. Elisabeth was then made interim regent of Spain from the death of Ferdinand VI in 1759 until the arrival of her son Charles III in 1760.[9]

In the time between her husband's death in 1746 and her own in 1766, she witnessed many events: the accession to the Spanish throne of her stepson, Ferdinand VI and Barbara of Portugal, whom she hated; and the accession to the throne of Parma of her beloved second son, Philip. In 1752 she built the Royal Palace of Riofrío as her dowager residence.

She later spent much of her time at the palaces of La Granja and Aranjuez. She was a patron of the Royal Glass Factory at La Granja. She died at Aranjuez in 1766 at the age of 73. She was buried next to her husband in the Colegiata of San Ildefonso. Her extensive art collection was divided among her three sons.[8]

1. Charles III of Spain (20 January 1716 – 14 December 1788), spouse of Maria Amalia of Saxony.
2. Francisco (21 March 1717 – 21 April 1717).
3. Mariana Victoria (31 March 1718 – 15 January 1781), Queen of Portugal by marriage to King Joseph.
4. Philip (15 March 1720 – 18 July 1765), Duke of Parma and founder of the line of House of Bourbon-Parma, spouse of Louise Élisabeth of France.
5. Maria Theresa Rafaela (11 June 1726 – 22 July 1746), spouse of Louis, Dauphin of France.
6. Luis (25 July 1727 – 7 August 1785), known as the Cardinal-Infante. Was Archbishop of Toledo, Primate of Spain and cardinal since 1735. In 1754, renounced his ecclesiastical titles and became Count of Chinchón. In 1776, he married morganatically María Teresa de Vallabriga and had issue, but without royal titles.
7. Maria Antonietta Ferdinanda (17 November 1729 – 19 September 1785), spouse of Victor Amadeus III of Sardinia.

• Armstrong, Edward (1892). Elisabeth Farnese, the Termagant of Spain. Longmans, Green, and Co.
• Sanchez, Magdalena S. (2017). Early Modern Dynastic Marriages and Cultural Transfer. Taylor & Francis.
• Petrie, Charles: King Charles III of Spain New York, John Day Company, 1971
• Harcourt-Smith, Simon: Cardinal of Spain: the Life and Strange Career of Giulio Alberoni New York, Knopf, 1955
• Mémoires pour servir à l'histoire d'Espagne sous le régne de Philippe V by the Marquis de St Philippe, translated by Maudave (Paris, 1756)
• Memoirs of Elizabeth Farnese (London, 1746)
• The Spanish original of the Comentarios del marqués de San Felipe was published in the Biblioteca de Autores Españoles
• This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Farnese, Elizabeth". Encyclopædia Britannica. Vol. 10 (11th ed.). Cambridge University Press. p. 185.

Styles of Elisabeth, Queen of Spain as consort
Reference style	Her Catholic Majesty
Spoken style	Your Catholic Majesty