Elizabeth Polack

Elizabeth Polack was an English playwright of the 1830s, notable for being the first Jewish woman melodramatist in England.[1]

Elizabeth Polack
OccupationPlaywright
LanguageEnglish
SubjectMelodrama
Years active1830—1838
Notable workEsther, the Royal Jewess (1835); St. Clair of the Isles (1838)
RelativesMaria Polack

 Literature portal

Life and works

Mrs Gomersal as Queen Esther
Mrs Gomersal as Queen Esther in King Anasuerus (London: J.K. Green, 1837) (NYPL)

Few historical records survive which detail Elizabeth Polack's life. Although neither the year nor place of her birth, nor her death, are now known, evidence of her activity as a playwright in London between 1830 and 1838 remains. Contemporary records credit her with five plays, only two of which, Esther, the Royal Jewess; or The Death of Haman and St. Clair of the Isles; or The Outlaw of Barra, have survived. Alberti; or the Mines of Idria was performed at the Royal Pavilion on 10 May 1834 is believed to be by Polack. At the time,this play was incorrectly advertised as Alberti, or, the Mines of India in some publications.[2] Esther, with a story taken from the Old Testament, a version of the tradtitonal Jewish Purimshpil and considered in its time to be a type of an "Exotic East" melodrama, was successfully produced in 1835 at London's Royal Pavilion Theatre, Whitechapel in the East End[3] (the Pavilion was later a centre for Yiddish theatre in London).[4] Her St. Clair, however, based on an 1803 novel by Elizabeth Helme, met, when it debuted at the [Royal] Victoria Theatre in 1838,[5] with a modest reception. It is apparently the source of the melodramatic cliché, "Foiled again!"[3]

Polack's presumed aunt (or perhaps mother), Maria Polack, was one of the first Anglo-Jewish novelists.[1] Polack may have also been related to Joel Samuel Polack, author of two well-received travel books about New Zealand. Joel's biographer writes that he lived with his sister in Piccadilly when he first returned to England; that sister may have been Elizabeth.[6] Such a family background would have offered support to her writing career, even from her position within a marginalized community.[1]

Plays by Elizabeth Polack

  • Alberti; or The Mines of Idria (no copy known to exist)[7]
  • Angeline; or The Golden Chain (no copy known to exist)
  • Woman's Revenge (1832; attributed by some sources to John Howard Payne)
  • Esther, the Royal Jewess; or The Death of Haman (1835)
  • St. Clair of the Isles; or The Outlaw of Barra (1838)

Notes & references

Notes

  1. Weltman, p. 204.
  2. "Royal Pavilion Theatre". Morning Advertiser. 12 May 1834. p. 3.
  3. Conway, p. 104
  4. "We Understand". Waterford Chronicle. 26 December 1835. p. 3.
  5. Brown et al.
  6. Franceschina, 1997.
  7. "Royal Pavilion Theatre". Morning Advertiser. 12 May 1834. p. 3.

References

Further reading

  • Bennett, Susan. "Genre trouble: Joanna Baillie, Elizabeth Polack — tragic subjects, melodramatic subjects." Women and playwriting in nineteenth-century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge, U.K.; New York: Cambridge University Press, 1999, pp. 215—232. (Open access, Internet Archive)
  • Carruthers, Jo. "Melodrama and the ‘art of government’: Jewish emancipation and Elizabeth Polack’s Esther, the Royal Jewess; or The Death of Haman!" Literature & History Volume 29, Issue 2 (November 2020):144–163. https://orcid.org/0000-0002-9125-4297 https://doi.org/10.1177/0306197320945947 (PDF/EPUB)
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.