Elizabeth Sackler

Elizabeth Ann Sackler (born February 19, 1948) is a public historian, arts activist, and the daughter of Arthur M. Sackler; as such, she is a member of the Sackler family. She is the founder of the American Indian Ritual Object Repatriation Foundation and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

Elizabeth Sackler
Elizabeth A. Sackler in 2012
Sackler in 2012
Born
Elizabeth Ann Sackler

(1948-02-19) February 19, 1948
NationalityAmerican
Other namesElizabeth A. Sackler
EducationNew Lincoln School
Alma materUnion Institute & University
OccupationNon-profit executive
Years active2000–present
Children2, including Michael Sackler-Berner
Parent
FamilySackler

Early life and education

In 1966, Sackler graduated from New Lincoln School, an experimental private high school in New York City, where she became involved in activism.[1] In 1997, Sackler received her PhD with a concentration in public history from Union Institute & University.[2][3]

Career

Early work

In 1992, Sackler became frustrated with Sotheby's refusal to repatriate Native American ceremonial masks, so she purchased them and returned them to their tribes of origin. This led her to become interested in art and social justice issues for American Indians, which led her to become the founding president of the American Indian Ritual Object Repatriation Foundation.[4] She is also President of The Arthur M. Sackler Foundation and the Elizabeth A. Sackler Foundation.

Brooklyn Museum

In 2007, she founded the Elizabeth A. Sackler Center for Feminist Art, the first museum center devoted to female artists and feminist art, located at the Brooklyn Museum.[5] A centerpiece of the center's collection is Judy Chicago's installation of her work, The Dinner Party, which is located at the Brooklyn Museum.[6][7] Sackler and Chicago had been friends since the 1970s.[8]

In June 2014, Sackler became the first woman to be elected Chairman by the Brooklyn Museum Board of Trustees,[9][10] a position she held until June 2016.[11] She has served as a member of the Board of Trustees of the Brooklyn Museum since 2000.[12] More recently, Sackler's work has focused on issues related to women in prison, including the program series States of Denial: The Illegal Incarceration of Women, Children, and People of Color as well as the exhibition Women of York: Shared Dining, both at the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art.[13]

Family

Sackler was born in New York City to Arthur M. Sackler, psychiatrist, entrepreneur and philanthropist and Else Jorgensen, from Denmark.[14] Sackler is a mother of two children.

Controversy

In October 2017, Esquire[15] and The New Yorker[16] published critical articles outlining connections among Purdue Pharma, the larger Sackler family and Oxycontin's role in the opioid crisis. In response, Elizabeth Sackler claimed that neither she, nor her children, "benefited in any way" from the sale of Oxycontin or ever held shares in Purdue Pharma.[17] Articles confirmed that her father's option in a different pharmaceutical company, Purdue Frederick, were sold shortly after his death in 1987, to Purdue Pharma owners Mortimer and Raymond Sackler, years before the advent of Oxycontin. Online outlet Hyperallergic reviewed legal documents confirming her statement [18] and later articles in the New York Times,[19] Associated Press,[20] and other outlets published clarifications and corrections all confirming her branch of the family's separation from Purdue Pharma and all Oxycontin profits. Elizabeth Sackler said she admired Nan Goldin and all activists seeking to hold Purdue accountable for "morally abhorrent" behavior.[19]

In response, Goldin noted that Elizabeth's father, Arthur, earned his fortune in significant part through marketing of tranquilizers, including Valium, that were widely abused.[21] "We have heard repeatedly from Arthur's widow, Dame Jillian Sackler, and Elizabeth that because Arthur died before the existence of Oxycontin, they didn't benefit from it. But he was the architect of the advertising model used so effectively to push the drug. He also turned Valium into the first million-dollar drug," Goldin said in 2018.[22] "The whole Sackler clan is evil," she added.

Goldin's claims regarding the connection between Arthur Sackler's legacy and the opioid crisis in the United States have been echoed by some researchers and academics. Former New York Times journalist Barry Meier wrote in his book Pain Killer that Arthur Sackler "helped pioneer some of the most controversial and troubling practices in medicine: the showering of favors on doctors, the lavish spending on consultants and experts ready to back a drugmaker's claims, the funding of supposedly independent commercial interest groups, the creation of publications to serve as industry mouthpieces, and the outright exploitation of scientific research for marketing purposes."[23] Psychiatrist Allen Frances told The New Yorker in 2017 that "[m]ost of the questionable practices that propelled the pharmaceutical industry into the scourge it is today can be attributed to Arthur Sackler."[24][25]

Honors and awards

  • 1994: Native American Film and Video Celebration, Lincoln Center (New York, NY), Honorary Award, Executive Producer Life Spirit
  • 1998: The Union Institute (Cincinnati, OH), Sussman Award for Academic Excellence
  • 1999: Yurok Tribal Council (Eureka, CA), Honor
  • 2002: Brooklyn Museum (Brooklyn, NY), Community Committee's Women in the Arts Award
  • 2003: Women's eNews (New York, NY), 21 Leaders of the 21st Century Award
  • 2004: Women's Caucus for Art (Seattle, WA), President's Award
  • 2005: Drums Along The Hudson (New York, NY), Native American of the Year
  • 2006: ArtTable Award, Distinguished Service to the Visual Arts
  • 2007: Moore College of Art, Visionary Woman Award.[26]
  • 2015: Studio Arts College International (SACI), Honorary MFA degree[27]

Memberships and leadership

  • National Council on Public History, Member
  • Metropolitan Museum of Art, Fellow for Life
  • Institute of American Indian Arts Museum (Santa Fe, NM), Founder's Circle
  • 1987–present: The Arthur M. Sackler Foundation (New York, NY), CEO
  • 1992–present: American Indian Ritual Object Repatriation Foundation (New York, NY), Founder and President
  • 1995–1999: Smithsonian Institution (Washington, D.C.), Founding President, Friends of the Freer and Sackler Galleries
  • 2000–present: National Museum of Women in the Arts (Washington, D.C.), National Advisory Board[28]
  • 2000–2018: Brooklyn Museum (Brooklyn, NY), Board of Trustees, Collections Committee, Executive Committee
    • 2014–2016: Chairman, Board of Trustees.[29][30]
  • 2001–present: Elizabeth A. Sackler Foundation (New York, NY), President
  • 2001–2006: New Mexico Statuary Hall Foundation, Office of Indian Affairs (Santa Fe, NM), Board Member for the National Statuary Hall Collection, Washington, D.C.

See also

Works and publications

  • Sackler, Elizabeth A. (2006). "Chapter 6. Calling for a Code of Ethics in the Indian Art Market". In King, Elaine A.; Levin, Gail (eds.). Ethics and the Visual Arts. New York: Allworth Press. pp. 89–104. ISBN 978-1-581-15600-3. OCLC 859537911.

References

  1. Maloney, Alli (January 8, 2016). "Art and activism: The compass points of Elizabeth Sackler's storied career". Women in the World, The New York Times.
  2. Sackler, Elizabeth A. (1997). Repatriation: The Reculturalization of the Indigenous Peoples of America: A Shero's Journey and the Creation of the American Indian Ritual Object Repatriation Foundation (Thesis). Brattleboro, VT: Union Institute. OCLC 43869349.
  3. "Art Advocate to Speak at Union Institute & University's Los Angeles Commencement". Union Institute & University News. August 7, 2008.
  4. "Elizabeth Sackler". The American Indian Ritual Object Repatriation Foundation. 2008. Archived from the original on April 26, 2009. Retrieved March 9, 2018.
  5. Pogrebin, Robin (June 26, 2014). "Elizabeth A. Sackler to Lead Brooklyn Museum Board". ArtsBeat. Retrieved March 9, 2018.
  6. Selbach, Victoria (May 2, 2017). "Interview with Elizabeth A. Sackler". PoetsArtists. Bloomington, IL: GOSS183 Publishing House. 45. Archived from the original on January 23, 2018. Retrieved July 18, 2017.
  7. Lovelace, Carey (Fall 2004). "A Feast of Feminist Art". Ms. Magazine. Archived from the original on August 26, 2017. Retrieved July 18, 2017.
  8. "Art and activism: The compass points of Elizabeth Sackler's storied career". Women in the World. January 8, 2016. Retrieved March 9, 2018.
  9. Pogrebin, Robin (June 26, 2014). "Elizabeth A. Sackler to Lead Brooklyn Museum Board". The New York Times.
  10. Cascone, Sarah (December 17, 2014). "Elizabeth Sackler Wants Matrons of the Arts - artnet News". Artnet.
  11. Ghorashi, Hannah (June 10, 2016). "Brooklyn Museum Elects Barbara M. Vogelstein As Board Chair". ARTnews.
  12. Cascone, Sarah (June 27, 2014). "Elizabeth Sackler Named Brooklyn Museum's First Chairwoman". Artnet.
  13. "The Brooklyn Museum's Elizabeth Sackler on Mass Incarceration and the Role of Activist Art". Hyperallergic. July 29, 2016. Retrieved March 9, 2018.
  14. "Elizabeth Sackler - New York, New York Passenger and Crew Lists, 1909". FamilySearch. September 21, 1956.
  15. "The Secretive Family Making Billions From the Opioid Crisis". Esquire. October 16, 2017. Retrieved March 9, 2018.
  16. Keefe, Patrick Radden (October 23, 2017). "The Family That Built an Empire of Pain". The New Yorker. ISSN 0028-792X. Retrieved March 9, 2018.
  17. Walters, Joanna (January 22, 2018). "'I don't know how they live with themselves' – artist Nan Goldin takes on the billionaire family behind OxyContin". the Guardian. Retrieved March 11, 2018.
  18. "Our Incomplete List of Cultural Institutions and Initiatives Funded by the Sackler Family". Hyperallergic. January 11, 2018. Retrieved March 18, 2018.
  19. Moynihan, Colin (March 10, 2018). "Opioid Protest at Met Museum Targets Donors Connected to OxyContin". The New York Times. ISSN 0362-4331. Retrieved March 18, 2018.
  20. "Correction: Museum-Opioid Protest story". AP News. Retrieved March 18, 2018.
  21. "'Direct Action Is Our Only Hope': Opioid Crisis Activist Nan Goldin on Why People Need to Go Offline to Fight for Their Beliefs". artnet. September 4, 2018. Retrieved June 16, 2021.
  22. "'Direct Action Is Our Only Hope': Opioid Crisis Activist Nan Goldin on Why People Need to Go Offline to Fight for Their Beliefs". artnet. September 4, 2018. Retrieved June 16, 2021.
  23. Meier, Barry (2018). Pain Killer: An Empire of Deceit and the Origin of America's Opioid Epidemic. p. 52. ISBN 978-0525511090
  24. Keefe, Patrick Radden (October 23, 2017). "The Family That Built an Empire of Pain". The New Yorker. ISSN 0028-792X. Retrieved June 16, 2021.
  25. "The Secretive Family Making Billions From the Opioid Crisis". Esquire. October 16, 2017. Retrieved June 16, 2021.
  26. "Visionary Woman Awards". Moore College of Art & Design. Archived from the original on December 8, 2018. Retrieved April 3, 2020.
  27. Beckinsale, Mary (June 26, 2015). "SACI MFA in Studio Art Commencement - April 2015 (Part 5/9 - Mary Beckinsale and Elizabeth Sackler)" (Video). SACI Florence.
  28. "Brooklyn Museum: About the Benefactor". www.brooklynmuseum.org. Retrieved March 3, 2022.
  29. "Elizabeth A. Sackler elected first woman Board Chair of Brooklyn Museum". artdaily. June 28, 2014. Retrieved April 3, 2020.
  30. "Brooklyn Museum Elects Barbara M. Vogelstein to Chair its Board of Trustees". Artforum. June 10, 2016. Retrieved April 3, 2020.
  31. Anon 2018
External video
video icon Elizabeth Sackler, !Women Art Revolution, Stanford University, February 6, 2007, Brooklyn, New York
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