Elizabeth Wilson (author)

In her early life, Elizabeth Wilson's family was employed in modest positions running the British Empire. Elizabeth Wilson was educated at St Paul's Girls' School, London, St Anne's College, Oxford and the London School of Economics where she trained as a psychiatric social worker. She worked as a social worker for 10 years, but was eventually repelled by the conservative ethos and morality surrounding psychoanalysis. She then moved on to a career in academia.

Elizabeth Wilson and her partner Angela [Weir] Mason were both active women's liberation movement figures in the UK. They were members of the Communist Party 1974-1990 and were campaigners for YBA Wife [Why Be a Wife?] - the Women's Liberation Movement Campaign for Legal and Financial Independence, Rights of Women, the National Abortion Campaign, and the women's refuge movement - Women's Aid. In 1984, Wilson became a co-parent when Angela [Weir] Mason gave birth to their daughter. Together with Angela [Weir] Mason she wrote ‘Hidden Agendas: Theory, Politics, and Experience in the Women's Movement', published in 1986.[2]

Wilson was a prominent member of the campaign group Feminists Against Censorship. Wilson wrote for 'underground' papers of the late 1960s and early 1970s, eg., Frendz, Come Together and Red Rag. She was a founder member of the editorial group of Feminist Review 1979–1985 and a member of the editorial board of the New Left Review 1990–1992. From 1987 to 2001 Elizabeth taught cultural studies at the University of North London (now London Metropolitan University). From 1990–1993 she was a member of the Executive Committee of Liberty (the National Council for Civil Liberties). Later in life, Elizabeth joined the Green Party. She also wrote for the Guardian, London, the New Statesman and New Left Review as well as broadcasting extensively for television and radio.[2]

Her books, Adorned in Dreams: Fashion and Modernity,  The Sphinx in the City: Urban Life the Control of Disorder and Women, Bohemians: The Glamorous Outcasts, Cultural Passions and Love Game: A History of Tennis from Victorian Pastime to Global Phenomenon may appear to cover a wide range of topics. They are united however by a single theme:  the importance of the aesthetic in modern life. Wilson is interested in fashion as the way in which individuals and groups can use clothing to make statements, individual and collective, to assert or to challenge authority. Her texts describe how garments are beautiful as objects in their own right while also forming a history of objects that is, in the end, the history of civilization.[3]

For the most part, Elizabeth Wilson’s fiction writing is a series of linked crime novels set in the late 1940s and 1950s exploring the changed world of Britain and specifically London after 1945. Titles include: The Twilight Hour, War Damage, The Girl in Berlin, and She Died Young.

Schooling

• St Paul’s Girls’ School, London W6 (scholar)
• St Anne’s College Oxford
• London School of Economics and Political Science
• Birkbeck College, University of London
• BA Oxon English Class II
• Certificate of Social Administration LSE
• Diploma of Mental Health (distinction) LSE
• BA French and German Class I

Employment

• 1996 – 2001 Professor of Cultural Studies, London Metropolitan University
• 2001 – Professor Emeritus Cultural Studies London Metropolitan University
• 2004 – 2013 Visiting Professor London College of Fashion, University of the Arts, London
• 1996 – 2001 Senior Lecturer and Principal Lecturer in social policy and Professor of Cultural Studies, University of North London (now London Metropolitan )

Visiting lectureships and professorships

• Stanford University 1985
• Goldsmiths College 2003-2006
• Stockholm University 2007 – 2010

Voluntary activity

• 1998 – 2005 Member Isaac and Tamara Deutscher Memorial Prize Board member
• 2008 – 2010 Volunteer English National Operas
• 2010 – LEA Governor Haverstock School, London Borough of Camden
• 2012 – Trustee, London Library

In an article for the journal Historical Materialism, Stefan Kipfer and Kanishka Goonewardena write the following about her non-fiction book The Sphinx in the City: Urban Life, the Control of Disorder and Women,

"Elizabeth Wilson’s socialist-feminist approach to the city covers terrain similar to Berman’s urban Marxism. Also strongly inflected by Walter Benjamin and Jane Jacobs, her The Sphinx in the City is an impressively wide-ranging survey of the gendered and sexualised contradictions of urban modernity. Explicating these contradictions takes Wilson on an intellectual journey from Victorian London and Haussmann’s Paris to turn-of-the- century Vienna, Berlin, Prague, Chicago and New York, and mid-century New York City. More than Berman, however, Wilson makes it clear that Euro-American metropolitan life has been infused with imperial culture and is co-defined by the world-wide experience of planning colonial and Third World cities such as Delhi, Lusaka and São Paulo. The ambiguous promise the urban experience represents for socialist feminism must thus take into account the world-wide, uneven character of modern urbanisation."[4]

Elizabeth Wilson's fiction has been well received. Her third novel, The Twilight Hour had reviews in Time Out London, Bookslut, The Independent, Tangled Web UK, and BookReview.com.[5]

• http://www.elizabethwilson.net/
• https://www.theguardian.com/profile/elizabeth-wilson
• https://newleftreview.org/issues/i148/articles/angela-weir-elizabeth-wilson-the-british-women-s-movement