Elna Sherman

Daisy Elna Sherman (12 October 1888 - September 1964)[1] was a composer,[2] musicologist, and teacher with a special interest in Thomas Hardy.[3]

Sherman was born in Massachusetts[4] to Alice M. “Daisy” Fairchild and Sidney Algernon Sherman. Her mother Alice was a music teacher[5] who also composed at least one song.[6] Sherman earned two degrees at the Institute of Musical Art[7][8] and also studied with Helen Hopekirk[9] and in London.[7]

Sherman taught at the Institute of Musical Art[7] and Boston University College of Music.[10] In 1936, Sherman was able to interview Hardy’s second wife, Florence Dugdale, who told her that Hardy had always wanted to be a musician.[11]

Sherman belonged to The American Composers Alliance of New York, the Musical Association in London, and the Society of Women Musicians.[7] Her works were published by Associated Music Publishers,[8] Oxford University Press,[3] and E. C. Schirmer.[12] Her publications include:

Articles

Chamber music
  • For an Oriental Bazaar (three recorders)[15]
  • Sonata Lyrica (clarinet and piano; originally for viola and piano)[16]
  • St. Francis and the Birds (three recorders, cello and harpsichord)[17]
  • Ten Anglo-American Folksongs and Ballads (two recorders)[12]
  • Three Dance Movements (five recorders; by Antony Holborne and Robert Parsons; edited by Elna Sherman)[18]
  • Wessex Tune Book vol 1 & 2 (descant and piano; compiled by James Hook; arranged by Elna Sherman)[19]

Piano

Voice
  • “Evening Song, opus 36”[21]
  • “Yuletide in a Younger World”[21]

References
  1. Sherman, Elna. "www.ancestry.com". Ancestry.com. Retrieved 2022-05-26.
  2. Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Don A. Hennessee (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
  3. Sherman, E. (1940-04-01). "Thomas Hardy: lyricist, symphonist". Music and Letters. 21 (2): 143–171. doi:10.1093/ml/XXI.2.143. ISSN 0027-4224.
  4. Heinrich, Adel (1991). Organ and harpsichord music by women composers : an annotated catalog. New York: Greenwood Press. ISBN 978-0-313-38790-6. OCLC 650307517.
  5. Sherman, Alice (9 Feb 1945). "The Boston Globe". Newspapers.com. p. 22. Retrieved 2022-05-26.
  6. Thrasher, Herbert Chandler (1942). 250 Years of Music in Providence, Rhode Island, 1636-1886. Rhode Island Federation of music clubs.
  7. Music Clubs Magazine. National Federation of Music Clubs. 1939.
  8. The Juilliard Review. Juilliard School of Music. 1956.
  9. Roberts, Hannah. A stylistic and performance analysis of selected solo piano compositions by Helen Hopekirk. OCLC 1315756736.
  10. Statistical Report. The Trustees. 1950.
  11. Sonneck, Oscar George Theodore (1979). The Musical quarterly.
  12. "Sherman, Elna - Ten Anglo-American Folk-Songs and Ballads for 2 recorders". www.boosey.com. Retrieved 2022-05-26.
  13. Yeo, Douglas (May 2011). "A Good Old Note: The Serpent in Thomas Hardy's World and Works". The Hardy Review. 13 (1): 32–48. doi:10.1179/193489011x12995782188211. ISSN 1934-8908.
  14. Germer, Mark (1990). American Musicological Society: Index to the Papers, Bulletin, and Journal 1936-1987. The AMS.
  15. Cohen, Aaron I. (1987). International Encyclopedia of Women Composers. Books & Music (USA). ISBN 978-0-9617485-2-4.
  16. Heim, Norman M. (1995). The Clarinet Sonata in Outline. Norcat Music Press. ISBN 978-0-9630793-2-9.
  17. Clavier: A Magazine for Pianists & Organists. Instrumentalist Company. 1980.
  18. The American Recorder. American Recorder Society. 1962.
  19. Making Music. 1964.
  20. Catalog of Copyright Entries: Musical compositions. Library of Congress, Copyright Office. 1925.
  21. Stewart-Green, Miriam (1980). Women composers : a checklist of works for the solo voice. Boston, Mass.: G.K. Hall. ISBN 0-8161-8498-4. OCLC 6815939.
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