Emil von Sauer

Sauer was born in the Free and Hanseatic City of Hamburg on 8 October 1862 as Emil Georg Conrad Sauer. He studied with Nikolai Rubinstein at the Moscow Conservatory between 1879 and 1881. On an 1884 visit to Italy he met the Countess von Sayn-Wittgenstein, who recommended him to her former paramour, Franz Liszt. He went on to study with Liszt for two years, but did not for some time consider himself a Liszt pupil. In an 1895 interview, he even denied it: "It is not correct to regard me as a pupil of Liszt, though I stayed with him for a few months. He was then very old, and could not teach me much. My chief teacher has been, undoubtedly, Nicholas Rubinstein."[2] In his later years, however, Sauer realized the influence of Liszt on himself and on music in general.[4]

From 1882, Sauer made frequent and successful tours as a virtuoso pianist; his performing career lasted until 1940. He premiered in London in 1894 and New York in 1899.[5] In 1901 he was appointed head of the Meisterschule für Klavierspiel at the Vienna Academy. Sauer left this post in April 1907 but returned to it in 1915.[6] Some of his pupils continued on to successful concert or other significant music careers; See: List of music students by teacher: R to S#Emil von Sauer.

In 1917, Sauer was raised to the peerage by the Austrian-Hungarian Monarchy, which added the nobiliary particle "von" to his name. He was also awarded the Gold Medal of the Royal Philharmonic Society of London.

Emil von Sauer was married twice. Angelica Morales (von Sauer), his second wife, carried on his legacy in teaching. Sauer had two sons with Morales—Julio and Franz.

He died in Vienna, Austria on 27 April 1942, aged 79.

Emil von Sauer, November 25, 1905 recording for Welte-Mignon in Leipzig. Left: Karl Bockisch

Regardless of his own opinion initially, Sauer was considered to have emphasized the original Liszt approach to piano as well as a strong Romantic approach to a musical technique which demanded total command of the keyboard in what was known as the Liszt School of piano. Unlike his fellow pupil Moriz Rosenthal, who could overwhelm the keyboard with orchestral force, von Sauer was said to caress the piano in a suave, polished manner. His recordings show him as a smooth pianist who was inclined toward relaxed tempos and the exactitude of detail over temperament.[7] While his playing may have sometimes lacked breadth, it was always elegant and beautifully finished.[6]

Along with editing the complete piano works of Johannes Brahms and a number of academic works by Pischna, Plaidy and Kullak, Sauer wrote piano concertos, piano sonatas, concert études, piano pieces, and lieder. His compositions have been considered of minor importance.[6] Nevertheless, six CDs of his piano music were recorded by Oleg Marshev.

• Two piano concertos
• Two piano sonatas
• Études de Concert
• Suite moderne

• Anderson, Robert Kinloch, ed. Stanley Sadie, "Sauer, Emil von," The New Grove Dictionary of Music and Musicians, First Edition (London: Macmillan, 1980), 20 vols. ISBN 0-333-23111-2.
• Crocus, Anita, “Emil von Sauer, Liszt’s Forgotten Protégé,” biography: ISBN 978-1-64388-964-1, July 12, 2022.
• Heliotes, Steven, Notes for Hyperion CDA66790, Scharwenka: Piano Concerto No. 4; Sauer: Piano Concerto No. 1; Stephen Hough, pianist; City of Birmingham Symphony Orchestra conducted by Lawrence Foster (London: Hyperion records, 1995).
• Renfroe, Anita Boyle, Emil von Sauer; A catalogue of his piano works. Louisville, KY, Southern Baptist Theological Seminary, Diss., 1981 Microfiche.
• Schonberg, Harold C., The Great Pianists (New York: Simon & Schuster, 1987, 1963). ISBN 978-0-671-64200-6.

• Review of recordings of his works for solo piano Contains biographical information and information about each piece
• Free scores by Emil von Sauer at the International Music Score Library Project (IMSLP)

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