Enrique Gómez Carrillo

Ever since his arrival in Europe, Gómez Carrillo sent his critical and opinion articles to El Liberal, a prestigious Spanish newspaper.

Among the journalists in Europe there were very few that could match him, so that he came to be known as "Prince of the Chroniclers". His massive work production is not known in its entirety because he worked for a lot of different news outlets throughout his life; the most famous were:

1. Buenos Aires, Argentina: La Nación and La Razón
2. La Habana, Cuba: Diario de La Marina
3. Madrid, Spain: El Liberal -with two thousand six hundred sixty seven articles from 1899 to 1920-, Blanco y Negro, La Esfera, Pluma y Lápiz, Electra, El Imparcial and ABC -with five hundrerd seventy articles from 1921 to 1927-.

Among his major contributions were:

1. A report about Tsarist Russia in 1905. During a trip to Saint Petersburg along with Alfredo Vincenti, director of El Liberal, he got to know first hand the tremendous reality of Tsar Nicholas II, the orthodox clergy, the student and worker movements, and the officials and nobles repression. After appearing in El Liberal, his news reports were reprinted in his book La Rusia Actual, -The current Russia with an introduction by Alfredo Vicenti. This book was the strongest denounce against the injustices in Russia written in Spanish. Given that it was not written by a politician or a government, it was regarded as an objective and unbiased analysis.[9]
2. Egypt, Japan and China, also in 1905. After the victory of the Japanese Empire over the Russians, Gómez Carrillo convinced the director of the newspapers for whom he worked to allow him to visit the Far East. The voyage's goal was to inform the readers of El Liberal and La Nación about what was going on in Japan after its victory, the consequence of the war and what was the path of this powerful empire, but his notes not only talk about politics and the social customs of those countries; they also talk about the erotic customs and traditions of those places. His work appeared in two books:
   • De Marsella a Tokio, sensaciones de Egipto, la India, la China y el Japón (From Marseille to Tokio, sensations of Egypt, Indian, China and Japan) published in 1906 with an introduction written by Rubén Darío.[10]
   • El Alma Japonesa (The Japanese soul) published in 1907 and dedicated to the President of Guatemala, Manuel Estrada Cabrera for making "the worship of public instruction a modern religion".[11] When this book was translated into French, the government of France granted him the Cross of the Legion of Honor "due to his long, persevering and magnificent propaganda work about the French literary works and culture".
3. Holy Land: after a trip by the Holy Land in 1913, Gómez Carrillo wrote his book Jerusalén y la Tierra Santa (Jerusalem and the Holy Land), which was very well received by the literary critics, but blasted by the religious groups. However, despite the religious criticism, the book was a best-seller in both Spain and Latin America. He was excommunicated by several bishops in both continents, but it was Rubén Darío who summarizes best who triumphed in the end: "it is the firmest, most heartfelt and most thought after of all of his work... if this devil of a man wanted, even after the excommunication, a cardinal would write introductions for his books!"[12]
4. World War I: during the first three years of World War I, he worked as press correspondent of El Liberal, and thanks to his detailed chronicles, which came from his courage of getting close to enemy lines, the Spanish readers got to know the horrors of the front. A summary of his articles is found in his books: Crónica de la Guerra (War Chronicles, 1915), Reflejos de la Tragedia (Reflections of the Tragedy, 1915), En las Trincheras (Inside the trenches, 1916), and En el Corazón de la Tragedia (At the heart of the tragedy, 1916),[13] among others.

For his war contributions, the French government granted him the high dignity of Commentator of the Legion of Honor. He was also a skilled interviewer, and his most famous one was with pope Benedict XV during the war; the Pope accepted to be interviewed by Gómez Carrillo in spite of being a well-known playboy and a heretic writer.[14] In 1916 was appointed as El Liberal director, but could work in that position for a year due to his multiple travels as press correspondent.

In 1907 he began published the magazine El Nuevo Mercurio (The new Mercury, which had first class contributions from the best Latin American writers: besides Gómez Carrillo, it had material from Catulle Mendès, Jean Moréas, Rubén Darío, José María Vargas Vila, Miguel de Unamuno, Manuel Ugarte, Amado Nervo, and others. Unfortunately, and despite the quality of its material, the magazine had to close because it did not appeal to the readers.[15]

Raquel Meller, Spanish singer and actress.
Gómez Carrillo's second wife (1919-1920).
Julio Romero de Torres painting.

Given his intellectual and physical strengths, Gómez Carrillo was very popular with women, having a long list of affairs with artists, writers, and French socialites.[16] However, there were a handful of ladies that were able -at least for a short while- keep him for themselves:

• Alice Freville: French socialite, «charming, smart and very literate»[8] with whom Gómez Carrillo lived a torrid romance when he arrived to Paris for the first time and then when he went to Madrid.[17] Even though they split in 1902, he used to visit her when he was stressed out and he always looked after her, until her death.
• Aurora Cáceres: Peruvian feminist writer, daughter of the former President of Perú general Andrés Avelino Cáceres. They got married on June 6, 1906, but his constant mood swings and the unfamiliar Parisian ambiance, the marriage did not last and they split in April 1907. She later described her life with the writer in her book Mi vida con Enrique Gómez Carrillo -My life with Enrique Gómez Carrillo-.[18] In the book one can feel that she was aloof and that disliked the continuous parties and tourist trips who rather stayed reading at home. She was such a loner, that she like to have two single beds instead of a couples one.

• Raquel Meller: in 1917, Gómez Carrillo met the Spanish flamenco singer, who married him in 1919 after he wooed her in his writings. But then, his condition showed the life of excess he had led: his constant drinking binges and infidelities caused a lot of tension in the marriage. But everything collapsed when Raquel learned that he was wasting away her hard earned money. After a public ugly argument about their finances, they divorced in 1920.[19]

Consuelo Suncín
Gómez Carrillo's third wife (1926-1927).

• Consuelo Suncín: French-Salvadorian writer, who studied Literature and Law in México. She travelled to Paris along to her protector, José Vasconcelos. Once in Paris, she fell in love with Gómez Carrillo and married him in 1926, becoming his widow just eleven months later, when he died of a stroke.[20][3]

Mata Hari, famous exotic dancer and German spy during World War I.
At the time, Gómez Carrillo was falsely accused of being the one who betrayed her and gave her to the French authorities.

Mata Hari was a famous exotic dancer, who was accused of espionage and then shot by French authorities due to her ties to the German secret services during World War I. Later on, admiral Wilhelm Canaris, German secret service director, told in his autobiography that it was him who betrayed Mata Hari given that her services were not needed anymore. At the time, a rumor that Gómez Carrillo and his wife Raquel Meller were the ones that told the French on Mata Hari -even though at the time Gómez Carrillo had not met Raquel yet-; Gómez Carrillo took advantage of the scandal to increase his fame and prestige, and even wrote a book on it: El Misterio de la Vida y de la Muerte de Mata Hari -The mystery of Mata Hari's life and death-.[21]

Maurice Maeterlinck described Gómez Carrillo as a "true Renaissance man", living his life to the extreme as a relentless dueler, syphilitic, traveller and correspondent.[3] He died on November 29, 1927, and is buried in Paris's Père Lachaise Cemetery; years later, when Consuelo died, she was buried alongside him; upon his death, she inherited his two homes in Paris and Cimiez, near Nice.[3]

Original draft of the monument to Gómez Carrillo.[22]

On 9 July 1941, by initiative Nicaraguan write Juan Manuel Mendoza, who wrote Gómez Carrillo's biography, a Committee pro Enrique Gómez Carrillo Monument was created, and it was in charge of Natalia Górriz de Morales. Among those who worked with the committee were Miguel Ángel Asturias and Federico Hernández de León, who put at the committee's service the Diario del Aire broadcasts, and Nuestro Diario newspaper, respectively.[23] Finally, during Dr. Juan José Arévalo presidency, in 1947 the monument was opened to the public in Concordia square, which was renamed as Enrique Gómez Carrillo Park.[24]

In 1960 a tomb for those famous Guatemalan intellectuals that had died overseas was built in the Guatemala City General Cemetery[25] Unfortunately, due to the coup d'état of 1963 that deposed general Miguel Ydígoras Fuentes, President of Guatemala and sponsor of this idea, the project was abandoned; only Antonio José de Irisarri -who died in New York City in 1868 and whose remains were taken back to Guatemala in 1968- and poet Domingo Estrada -who died in Paris in 1901- are buried in the tomb. In the case of Gómez Carrillo, due to the impossibility of getting his remains, his name was inscribed on a plaque in bronze letters. By the end of the 20th century, all the bronze letters had been stolen, the plaque covered with graffiti and the whole place is totally abandoned.[25]

Guatemala is probably the country where Gómez Carrillo is least known, and where the few that do know about his work, are those who criticize it the most.[24] Official cultura curriculum has ignored him, neglecting both his persona and his work. Luis Cardoza y Aragón, has been the direct culprit of this; in both of his memoirs Cardoza y Aragón wrote complete chapters about Gómez Carrillo where he attacks the writer mercilessly.[24] Cardozas criticism, however, cannot completely hide his resentment and envy toward the writer who visited him in Paris in his youth, and to whom he dedicated his very first poems book.[24]

It is until the 21st century that a collection about representative writers in the American continent has published a chapter explaining the deliberate neglect around Gómez Carrillo's memory in his home country. The chapter state that: "ever since Darío died in 1916 there has been a lot of books about modernism. Generally, they ignore Gómez Carrillo. This musketeer winner in life, has not escaped the destiny of those who indulge in their excesses. Besides, he lacked something critical to accomplish immediate celebrity: loved relatives and a protector government.» Further along, the chapter says: «[...] in Guatemala, asking about Gómez Carrillo, no body had any information. His own brother, language professor, carries along completely oblivious to his brother's glory [...] and the bookstores do no have any of his works [...] it is easier to find them in Buenos Aires and in Madrid, for sure.[24]

In Spain, in the 2010s, there has been a renewed interest in Gómez Carrillo's works; some of his best books have been reprinted and starting in 2014 -with the centennial of World War I- there have been printings of several books with the articles that he wrote about the war for El Liberal of Madrid and La Nación of Buenos Aires.[24]