People Can Fly

Before People Can Fly, Adrian Chmielarz had founded Metropolis Software with Grzegorz Miechowski, his friend since high school, in 1992. They successfully published a number of titles in Europe, including Teenagent. Due to a personal conflict with Miechowski, Chmielarz opted to leave Metropolis in 2002.[3] He considered leaving the video game industry due to the strain on his friendship with Miechowski but, after a few months, decided to try a new venture. He contacted previous acquaintances Andrzej Poznański and Michał Kosieradzki, and together they founded People Can Fly in February 2002 with the aim to bring Polish game development to a much wider audience.[3][4] Chmielarz said that, at the time, most games developed in Poland had some success locally, but were not given much attention from the rest of the world, a sentiment shared by many other Polish developers that he had talked to.[3] Chmielarz, Kosieradzki and Poznański served as the creative lead, lead artist and principal artist respectively.[5] Expanding to about twenty developers, some of whom left established jobs at other studios to join People Can Fly, the studio developed its first title, Painkiller, which was released in 2004 to critical success.[3]

Stemming from the success of Painkiller, People Can Fly struck a partnership with THQ to produce Come Midnight. Using THQ's multi-million dollar financing, the studio expanded to 70 people. The team worked on the game for about a year and a half, developing a proprietary game engine for it, before THQ cancelled the project in 2006 and withheld the remaining payment of approximately US$300,000.[3] With only about one month of operating capital left, Chmielarz contacted Epic Games and requested an evaluation copy of their Unreal Engine, intending for the studio to make a quick demo that they could pitch to other publishers for further funding. Epic Games' vice-president, Mark Rein, having known People Can Fly's work, personally handled the agreement. The studio created a demo within a month, and Rein was impressed with the quality of it and the speed at which it was created. He, therefore, arranged for the studio to work on a port of Epic Games' Gears of War to personal computers (PCs), saving the studio.[3][6] Epic Games also acquired a majority stake in the studio in August 2007.[7]

Epic's interest in People Can Fly led to the two companies collaborating on Bulletstorm and Gears of War: Judgment, with People Can Fly reaching about 120 staff members around this time.[3] During the development of Gears of War: Judgement, Epic Games began to discuss the full acquisition of People Can Fly, which they completed in August 2012.[8] Chmielarz, Kosieradzki and Poznański subsequently announced their departure from the studio, founding another studio, The Astronauts, shortly thereafter. Chmielarz stated the reason for their departures was due to the nature of how Epic Games was approaching game development, partially influenced by Tencent's prior investment in the company to help them develop games as a service. Chmielarz felt this approach would be limiting for them to develop narrative-driven games. He said of Epic Games' approach: "It's not about being right or wrong. Hopefully, my vision of the future and their vision of the future are both valid, because it's actually possible. They're not in opposition to each other."[3] Chmielarz was able to bring a number of other People Can Fly developers over to The Astronauts, which went on to develop the ideas that they had for Come Midnight into The Vanishing of Ethan Carter.[3] Both Chmielarz and Rein described the founding trio's departure as amicable.[3][9]

In November 2013, People Can Fly was rebranded Epic Games Poland, falling in line with Epic Games' other worldwide studios.[4] On 24 June 2015, the studio announced that it split from Epic Games to become an independent company again, reverting to its former name and logo.[10] According to Sebastian Wojciechowski, the chief executive officer of People Can Fly following the split, the studio had been working on others' intellectual property (IP) since the release of Gears of War: Judgement and wanted to return to making their own IP. While the exact details of the split were not made public, Wojciechowski described it as a "real management buyout".[11] The company retained the rights to the Bulletstorm franchise and revealed an unannounced project made using Unreal Engine 4.[10] People Can Fly continued working with Epic Games on their projects Fortnite and Spyjinx alongside developing their own IP.[12]

People Can Fly opened a development studio in Newcastle upon Tyne in September 2017, which included a number of former Ubisoft developers, among others. They opened a second Poland studio in Rzeszów in May 2018, bringing on many former CI Games developers following layoffs at that studio. This brought the total number of People Can Fly employees to about 160, up from around 40 in 2015. This accompanied news that People Can Fly was working with Square Enix on a AAA shooter.[11][12][13] A fourth studio, People Can Fly New York, was opened in June 2019, bringing People Can Fly's total employee count to around 200.[14] In July 2020, the studio announced that a AAA action-adventure game was in production at its New York studio for PC, next-generation consoles, and streaming platforms. By this time, People Can Fly had reached 250 employees.[15] The studio became a public company on the Warsaw Stock Exchange in December 2020.[16] In April 2021, People Can Fly acquired Chicago-based Phosphor Studios (rebranded as PCF Chicago) and Game On in Montreal, raising its headcount to over 350.[16][17] Wojciechowski stated that People Can Fly was eyeing acquisitions primarily in the United States and United Kingdom because Polish studios would cost more than they are worth.[18] People Can Fly announced on 13 December 2021 that they have acquired Polish-based Incuvo Studios, bringing its head count to 490 around the world.[19]

• Official website