Erie Federal Courthouse

The first United States courthouse in Erie had been constructed at this location in 1888 under the supervision of Mifflin E. Bell., also in the service of the Western District of Pennsylvania. This building also served as a post office. It was demolished to make way for the existing 1938 courthouse.[3]

The first United States courthouse in Erie, completed in 1887, as it appeared in 1901. The building was demolished to make way for the current courthouse.

The 1938 courthouse was designed by Rudolph Stanley-Brown, a Cleveland architect who was the grandson of President James A. Garfield. Built during the Great Depression with funds from New Deal programs, its construction provided local jobs. The building was listed in the National Register of Historic Places in 1993. However, the Erie Public Library, completed in 1899 and incorporated into the United States Courthouse complex in the 1980s, is the oldest building in the complex. The Library was designed by the firm of Alden & Harlow of Pittsburgh, and was individually listed in the National Register of Historic Places in 1979.[2]

The 1947 Baker Building was originally a clothing store. Isaac Baker and Son established its first store in the 1850s at another downtown location. When fire destroyed an earlier building, the proprietor hired Erie architect Walter Monahan and consulting architect George Mayer of Cleveland to design a new building. Construction of the building occurred during the period 1943-1946 by the Henry Shenk Company, a prominent Erie general contractor. Shenk had constructed the adjacent Erie Library, over 40 years earlier, and his company was quite large when it began constructing the Baker Building. Work was stopped on the building shortly after it began, because of the constrictions imposed by World War II; however, it resumed in 1945 and was substantially completed in 1946. The Baker Building was also determined eligible for listing in the National Register of Historic Places.[2]

The new portions are the Courthouse Annex and the Connector, which unite the annex, library, and courthouse. Both are clearly modern. The design and restoration was completed in 2004 by DPK&A Architects and Kingsland Scott Bauer Associates.[2]

The Erie Public Library building

The Erie Public Library combines elements of the Beaux Arts Classicism and Second Renaissance Revival styles of architecture. Both were commonly used at the end of the nineteenth century to convey the importance of public buildings.

The 1937 courthouse building

The 1938 courthouse was designed in the Stripped Classical style, which was commonly used for Federal buildings constructed during the Great Depression. The building has the monumental scale and form of earlier classically inspired Federal architecture, but lavish ornamentation commonly found on buildings from previous eras is stripped away. The building is clad in Indiana limestone with polished black granite accenting the building base and entrance area. Carved soapstone panels with a Greek key motif are on the second level. On the interior, the vestibules, lobbies, and corridors are clad with blue terra-cotta wainscot. Ceramic tile floors are bordered with another Greek key pattern. Two original courtrooms remain and are elaborately finished with paneled wood wainscot. Two related sculptures entitled "American Youth" flank the courtrooms. Completed by sculptor Henry Kreis shortly after the building was completed, the minimal forms are compatible with the architectural style of the courthouse.[2]

Intersection facing of the Baker Building

The Baker Building is a two-story Moderne style building, situated on the northeast corner of State and Seventh Streets. The Baker Building is one of the best surviving examples of the Art Moderne style of architecture found in Erie. It displays all of the character-defining features of the style, including rounded corners, curved glass-block panels, a metal canopy, and a flat roof. The façade is clad in buff-colored brick and is smooth and devoid of ornamentation, also common characteristics. Because of these significant architectural features, the Baker Building was integrated into the plan for the complex as a U.S. Post Office, although a portion of the rear was demolished.[2]

Its massing is horizontal and rectangular, with a juxtaposed rounded corner facing the intersection. This is the focus of the building and it contains the sign "BAKER'S" at the top of the parapet, and the recessed entrance doors at street level. The corner of the building is supported on two black marble columns that contain flanking, recessed, curved display windows. The curving, horizontal lines of the corner are further reinforced with a cantilevered, brush-chrome canopy that starts on the east elevation and sweeps around to the north elevation. The center of the second floor at the rounded corner is articulated with a large, square, glass block opening that is backlit with vertical fluorescent lights. Elsewhere, the exterior of the building is devoid of ornamentation, except for several additional glass block openings on the second floor.[2]

The plan of the shop utilizes strategically placed curved partitions to draw the shopper's eye deep into the store. Mezzanines, balconies, and two-story spaces are also positioned to break up the uniformity of the space and provide transition from a room on one level to other rooms on other levels. In addition, balcony railings are long and curving, and subtly evoke a nautical image.[2]

The front (west) portion of the shop contains a rounded, two story entrance space that contains a second floor balcony from to gaze down, while upstairs. Directly behind this space is a retail area that contains, on its east end, a multilevel stairway designed to permits shoppers to climb a full flight up to the second floor above, or half a flight down or up to the retail areas in the rear of the store. Support spaces for tailoring, fitting, offices, and air handling were situated around the perimeter of the store.[2] Aside from a small sign on the top of the cantilevered canopy, very little has changed in the building. The curving entrance on the corner, accentuated with the glass block, and the curved, multilevel spaces inside the building, were only been minimally altered during the nearly five decades of commercial use. These features are distinctive, and combine to illustrate the Moderne style in its complete form.[2]

The Moderne style of commercial architecture was not prominent in Erie, and no other examples known to survive display the level of completeness and intactness exhibited by the Baker Building.[2]