Eyvindur P. Eiríksson

For many years, Eyvindur's main profession was teaching on different levels. From 1961 to 1972, he taught at elementary and secondary schools in Reykjavík, Kópavogur and Ísafjörður. From 1972 to 1979, he taught in various capacities at the Iceland College of Education, Tækniskóli Íslands and evening courses, and in 1977–1979 at the University of Iceland.[1][3] He was a lecturer at the University of Helsinki in 1979–1980 and taught Icelandic at the University of Copenhagen in 1980–1986.[1]

In 1978 and 1979, Eyvindur was responsible for RÚV's radio programme Daglegt mál (lit. 'Daily speech'). While he lived in Finland he acted as a radio news correspondent for RÚV. In 1979 he took part in making two television programmes about the Icelandic language.[3]

Eyvindur has continued to do some teaching, but writing became his main focus around 1987[3] and his principal occupation after he returned to Iceland in 1990.[4] He has written around 40 works of literature, including poetry collections, novels and plays.[4] According to the literary scholar Bjarki Valtýsson, Eyvindur's poetry is characterised by warmth and intimacy, resulting from his tendency to not take himself too seriously despite having a clear message.[5] Eyvindur's first book of poetry, Hvenær? (lit. 'When?'), came out in 1974. It uses dark humour to address modern alienation and consumerism, as well as more topical subjects such as the Vietnam War and the American military base in Keflavík, without becoming politically programmatic. Similar themes of how mankind has become too detached from its roots in nature, treated with humour and irony, appear in the poetry collections Hvaðan – Þaðan (1978, lit. 'Whence – thence'), Viltu (1989, lit. 'Would you') and Vertu (1998, lit. 'Be'). In the later collections the imagery is more concise and the poems draw influence from folktales and Old Norse poems such as Hávamál and Völuspá.[5] For his poetry collection Óreiðum augum: heiðin ljóð (2001, lit. 'Eyes without anger: pagan poems'), his friend Hilmar Örn Hilmarsson set the poems to music and the book was published with a CD.[6] The poems in this collection concern nature and contrast its beauty with the ego of modern man, which they associate with decline and alienation.[5]

Eyvindur's first published novel, Múkkinn (lit. 'The fulmar'), came out in 1988.[3] It is set aboard an Icelandic fishing trawler, with no clear protagonist among the cast of characters, and depicts a raw, unromantic struggle for survival.[5] Eyvindur received the Halldór Laxness Literary Prize and was nominated for the Icelandic Literary Prize in 1997 for his second novel, Landið handan fjarskans (lit. 'The land beyond far away').[3][7] Set at the turn of the 19th century, it contains strong criticism of warfare and follows an Icelander who changes his name and identity multiple times as circumstances place him in different roles and countries. In the sequel Þar sem blómið vex og vatnið fellur (1999, lit. 'Where the flower grows and the water falls'), the protagonist is back in Iceland and is confronted with powers that inhibit nature. All three novels concern the relationship between man and nature in different ways.[5] The novel Glass: saga af glæpum og glöpum (lit. 'Glass: a story of crime and folly') criticises capitalism and contemporary Western Europe through a dystopian story where pollution and starvation are rampant, Reykjavík is covered by glass and the Icelandic language is being replaced by English. Eyvindur tried to find a publisher for the novel for ten years before he self-published it in 2007.[8]

Two books for children and teenagers, Á háskaslóð (1993, lit. 'On the path to danger') and Meðan skútan skríður (1995, lit. 'Whilst the small ship sails'), are about an eccentric teacher and his two sons. The books address family ties and environmental issues as the main characters go on a sailing vacation in the Baltic Sea.[5]

Eyvindur has been a member of the Icelandic Language Committee as the Writer's Union's representative.[3] In 2015, his 80th birthday was celebrated with public events at the Nordic House and the bar Sólon in Reykjavík, where scholars gave presentations about his works and career and musicians performed his poetry.[4]