Fairwater, Double Bay

The purchaser of the leasehold allotment was James White of Cranbrook. White (1828–1890) was a member of the pioneering Hunter Valley family of pastoralists. After a short period as a member of the New South Wales Legislative Assembly between 1864 and 1868, in 1873 White bought Cranbrook (which was built for Robert Tooth in 1859), directly opposite Fairwater.[1] In March 1882, Francis Edward Joseph purchased the leasehold title from James White for the sum of A£500 (plus the annual rental of A£52). Joseph (1858–?) was the only son of Samuel Aaron Joseph (1824–1898), MLA and MLC. Joseph is generally referred to as a stockbroker by profession. Joseph adopted his wife's family name (Carnegy) in 1915 on inheriting the feudal barony of Lour in Angus, Scotland.[1]

Fairwater was constructed for Joseph in 1882 to a design by arguably the most original architect to practice in Australia in the last quarter of the nineteenth century – John Horbury Hunt (1838–1904). Hunt was a Canadian born architect who arrived in Sydney in 1863. Closely affiliated with the Bishop of Armidale and Grafton, and the White family of pastoralists, Hunt's work is particularly evident in New England and the Hunter Valley.[1]

The Josephs resided at the house, which was called Fairwater from c. 1884, for the period 1883 and 1887. During 1888 to 1889 the property was leased to Thomas Forster Knox (1849–1919), son of Sir Edward Knox, the founder of the Colonial Sugar Refining Co., and later chairman of this company. The Josephs returned to occupy the house in 1890 and continued to reside there for most of that decade up to 1897 when the house was again tenanted, initially in 1897 by Thomas Buckland (the son of the merchant, pastoralist, and banker – Thomas Buckland), and then by the Royal Navy for the years 1899 and 1901.[1]

The Fairfax family ownership of Fairwater commenced in late 1900 with the assignment of the leasehold of 2 acres and 13 perches to James Oswald Fairfax. The purchase price of the leasehold title was A£5,350. James Oswald Fairfax (1863–1928) was the third son of the proprietor of the Sydney Morning Herald, Sir James Reading Fairfax (1834–1919), and grandson of the founder of that newspaper – John Fairfax (1804–1877). In March 1909 J. O. Fairfax bought out the leasehold title to the 2 acres 13 perches from the Cooper family.[1] Following the acquisition of freehold title Fairfax engaged the Sydney architect John Williamson Manson of Manson and Pickering to further remodel the Hunt house, with alterations being undertaken sometime after 1910. Manson (c. 1863-1922) was Scottish born and trained in Glasgow in the office of Alexander Thomson (1817–1875). He arrived in Sydney in the mid-1880s. George A. Taylor's (the publisher of Building) obituary of Manson stated that "he was one of the greatest architects of our time".[1]

After the death of Sir James Oswald Fairfax in 1928, the title to the property was transferred in 1930 to his widow, Lady (Mabel Alice Emmeline) Fairfax (1871–1965), son, Warwick Oswald Fairfax (1901–1987), and brother and power of attorney, Geoffrey Evan Fairfax (1861–1930).[1] Following the death of Lady Fairfax in 1965, the title to the property was transferred to Warwick Oswald Fairfax in August 1966. Warwick and his family moved permanently into Fairwater in late 1968. Warwick Oswald Fairfax (1901–1987) joined staff of the Sydney Morning Herald in 1927, and was appointed director in 1927. Following the death of his father in 1928, Warwick was appointed managing director and chairman of directors in 1930. Following the incorporation of John Fairfax Limited. in 1956 he was appointed chairman, a position he retained until 1977. He was knighted in 1967.[1]

Following the death of Sir Warwick in 1987, the house was lived in by his widow, Lady Mary Fairfax.[3] Also in 1987 their son, Warwick Fairfax privatised the publicly-listed media company, only for it to collapse (in a major stockmarket downturn) three years later.[1][2] Lady Mary Fairfax (née Marie Wein, 1922–2017) established the Australian Opera Auditions in 1964, in cooperation with the Metropolitan Opera in New York. This was the first of a string of charitable organisations connected with the arts which she joined or initiated. She had lived at Fairwater since 1968, where she conducted a salon where guests were able to admire the art works of Rodin, Epstein, Dobell and Degas. Among those she entertained were dancer Rudolf Nureyev, politician Pierre Trudeau, actor Phyllis Diller, entertainer Liberace, actor Glenda Jackson, Emilio Pucci and Imelda Marcos, first lady of the Philippines. The Sydney Swans were launched at Fairwater. In 1973 it was the scene of a ball for 1000 to celebrate the opening of Sydney Opera House. Another famous party at the house was the Concourse of Canine Elegance. Lady Fairfax was appointed an Officer of the Order of the British Empire (OBE) in 1976, a Member of the Order of Australia (AM) in 1988, and a Companion of the Order of Australia (AC) in 2005, for "service to the community of wide ranging social and economic benefit through support and philanthropy for ongoing medical research initiatives, improved health care opportunities, nurturing artistic talent in young performers, and preservation of diverse cultural heritage".[4] Lady Fairfax was still active socially in the late 1990s.[5] Lady Fairfax had stated publicly that she planned to bequeath Fairwater to the people of NSW when she died. Her death came on 18 September 2017, aged 95.[2] For nearly 60 years, Lady Fairfax had an impact on the social, artistic, philanthropic, political and cultural life of not just Sydney, but the entire country. Since she became media scion Warwick Fairfax's third wife in 1959, Lady Fairfax had assumed the position of First Lady of a John Fairfax & Sons, which published prestigious newspapers including the Sydney Morning Herald, The Age and Australian Financial Review, as well as a vast network of magazines, radio and television stations.[6][1]

Under the publicly-released terms of Lady Fairfax's will, all live-in staff members employed by Lady Mary at the time of her death can continue to live-in at Fairwater.[7]

In September 2018, Fairwater was sold for about $100 million to Mike Cannon-Brookes and his wife Annie Cannon-Brookes, making it the most expensive house in Australia.[8]

The retaining walls are of rubble construction with no mortar in the bedding joints. The stone is sandstone, probably local.[1] The front (carriage) drive is surfaced in asphalt with brick edging. The brick edging is contemporary with the retaining walls.[1]

The grounds could not be considered particularly interesting examples of a formal garden style. It does however retain a large area, with extensive lawns towards the harbour and a number of mature and fine specimens of native and exotic trees such as a Bunya Pine (Araucaria bidwillii), Port Jackson figs (Ficus rubiginosa), silky oaks (Grevillea robusta), camphor laurels (Cinnamomum camphora) and jacarandas (J.mimosifolia), which are indicative of earlier phases of occupation from, conceivably, the 1870s.[1][3][10] The property contains a particularly fine specimen of twin-trunked Bunya pine and an unusually large Southern/evergreen magnolia of note in the lower rear garden to the beach. The front garden and driveway is a private glen of trees of massive proportions and scale. This area is dominated by the camphor laurels in the central turning area to the residence, while the upper area to the front property boundary is dominated by large Port Jackson figs with massive coalesced aerial roots and extensive buttressing. The canopies of these trees extend to the carriageway. The intertwined and entangled canopies of all these trees form a closed and wild woodland garden of great aesthetic appeal. In addition, this canopy is topped by two very tall emergent silky oaks which are amongst the largest in the municipality. These trees are native to the subtropical rainforests of northern NSW and south-eastern Queensland. Another specimen of this species of similar age and structure is located in the neighbouring property of 574 New South Head Road.[1] All these trees are notable as typical of plantings in the 19th and early 20th centuries. Their size and scale lend themselves to grand landscape schemes appropriate for early large estates. The lush green foliage of these trees continues a general theme throughout the harbourside suburbs and their position and size make them visually significant from the harbour, local environs and particularly on the approaches along New South Head Road. Moreover, the large neighbouring estate of Elaine 550 New South Head Road and especially the neighbouring Council Chambers/Blackburn Gardens (former 'Redleaf') property have important collections of historic species and they visually support this planting theme.[11][1]

The 1991 Woollahra Significant Tree Register lists the following trees located on Fairwater:[1][12]

• 1 Bunya Pine (Araucaria bidwillii)
• 3 Camphor Laurels (Cinnamommum camphora)
• 2 Port Jackson Figs (Ficus rubiginosa)
• 2 Silky Oaks (Grevillea robusta)
• 1 Magnolia grandiflora.

The stable is of brick construction with a timber-framed gable roof. The bricks used in the construction, being a dark red, are different in colour to that found in the main house.[1]

The residence is a double storey structure of brick construction with a timber-framed roof originally constructed in 1882 with additions c. 1901, and in particular from 1910s. The exterior appearance is characterised by the use of a brick, which is pale yellow in colour. The roof is covered in slate tiles. Additions made c. 1910–11 often include the use of sandstone (i.e. in the verandah and carriage porch) which is very reddish in colour.[1]

The windows throughout are timber framed, being either single or double hung sashes, with some casement windows. Most windows are fitted with a set of timber louvred shutters. The window glazing, in addition to the predominant use of clear glazing, also includes diamond patterned leadlight, and stained glass.[1]

The roof is a series of timbered gables with battened ends and pebble dash finish. These gables are the work of Manson and Pickering, architects, c. 1910–11 and are in the Federation Arts and Crafts style embellishing Hunt's simple form by a series of projecting bay windows, and balconies. The south elevation fronting New South Head Road includes a rusticated large sandstone carriage porch, and the north elevation fronting Double Bay has a wide verandah with a colonnade of sandstone columns in the Doric order. Manson and Pickering added both of these features in c. 1910–11.[1]

The interior of the house is characterised both by the need to provide service and living wings, and the fact that the house is principally a conglomeration of the work of two architects – John Horbury Hunt and Manson and Pickering. The lower floor is a suite of living and service rooms, and the upper for the living and bathrooms for both staff and occupants. Individual elements of note are the stained glass picture windows of 1882, chimney-pieces, door furniture, a painted ceiling of 1882, and mosaic floor of 1882.[1][3]

As at 24 December 2013, the physical condition was excellent. The archaeological potential is medium.[1][3] Of high integrity in view of the retention to date of the original leasehold (made in 1863) allotment size.[1] Of high integrity in view of the continuation of the historical use of the house with principal and staff quarters.[1] Of high integrity as a large family residence which at its core is John Horbury Hunt's simple, but avant-garde design, embellished by the Manson and Pickering alterations.[1][3]

• Addition of the library and relocation of the stair hall, c. 1900s.
• Construction of stable, c. 1900s.
• Additions of the ground floor drawing room, port-cochere, verandah on harbour side, and an upstairs sitting room, c. 1910–11. Manson and Pickering, architects.
• Alterations to the upper floor of the servant's wing, 1924. Weston and Hoare, architects.
• Additional verandah on the second floor on the elevation fronting Double Bay. 1926. Stuart Bros. builders.
• Construction of garage, and alteration to stable. 1930. Neave and Berry, architects.
• Additional first floor bathroom off main bedroom and sitting room. 1936. Stacey A. Neave, architect.
• Alteration to the window of the library. 1952. Stuart Bros., builders.
• Alterations to upgrade bathroom fittings, staff quarters, etc., c. 1966.
• Construction of swimming pool and reinforced concrete retaining wall, 1970.[1][3]

Land title is in one lot, and closely approximates original leasehold title issued in 1863, with additions made in 1924 and 1936. Land title is inclusive of Seven Shillings Beach. Listing should exclude swimming pool and associated reinforced concrete wall.[1]

• Clive Lucas, Stapleton & Partners Pty Ltd (1999). Fairwater, Assessment of Significance.
• Davis, W. H. (1901). Photograph Album.
• Hornery, Andrew (2017). 'Lady Mary Fairfax, 1929–2017: From frock shop to media dynasty: raising eyebrows along the way'.
• Lawson, Valerie (2017). 'Lady Mary Fairfax: 1922–2017: Her motto: touch every life with good'.
• Macken, Lucy (18 September 2017). "What next for Lady (Mary) Fairfax's Point Piper estate Fairwater?". Domain, The Sydney Morning Herald.
• Nesta-Griffiths, G. (1970). Point Piper – Past and present.
• Simpson, C. Australian Dictionary of Biography – Fairfax family entries.
• Souter, G. (1981). Company of Heralds.
• Woollahra Municipal Council (1991). Register of Significant Trees – Significant Trees under Private Ownership – 560 New South Head Road – 'Fairwater'.

This Wikipedia article was originally based on Fairwater, entry number 01381 in the New South Wales State Heritage Register published by the State of New South Wales (Department of Planning and Environment) 2018 under CC-BY 4.0 licence, accessed on 2 June 2018.

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