Faramarz Pilaram

Faramarz Pilaram (Persian: فرامرز پیلارام; 1937–1983, or 1982)[1] was an Iranian painter and educator.[2] He is known for his abstract, and calligraphy-based modern paintings. Pilaram was a pioneer within the Saqqakhaneh school, a neo-traditionalist art movement.[3] There were three major periods in his artistic career: figurative, decorative and calligraphic.[1]

Faramarz Pilaram
فرامرز پیلارام
BornApril 10, 1937
Tehran, Pahlavi Iran
DiedSeptember 1983 (or 1982)
Burial placeBehesht-e Zahra
EducationSchool of Decorative Arts for Boys
Alma materTehran University
Occupation(s)Artists, professor
Known forPainting
SpouseHoma Darrati (married 1974–?)
Children3

Early life and education

Faramarz Pilaram was born on April 10, 1937, in Tehran, Pahlavi Iran.[1] Pilaram attended Jalil Ziapour's School of Decorative Arts for Boys (Persian: Honarestān-e honarhā-ye zibā-ye pesarān) in Tehran, where he studied under Mahmoud Farshchian; and graduated in 1959.[1]

He attended the Faculty of Decorative Arts (Persian: Dāneškada-e honarhā-ye tazʾini) at Tehran University (now University of Tehran), where he graduated in 1965.[1] And in 1968, Pilaram received his master’s degree in painting and interior design from the Faculty of Decorative Arts;[1] where he studied under Shokouh Riazi.[4]

In 1974, Pilaram married his cousin Homa Darrati and had three children.[1]

Career

Pilaram was among the first group of Iranian artists focused on Iranian heritage and mythical motifs in their artwork, which makes him one of the founders of the Saqqakhaneh art movement.[1] Other leading members of the movement including Massoud Arabshahi, Mohammad Ehsai, Parviz Tanavoli, and Hossein Zenderoudi.[5]

Pilaram played a pivotal role in the establishment of Iran Gallery (Tālār-e Iran, later Talar-e Ghandriz) in Tehran, founded in 1964 by Pilaram, Mansoor Ghandriz, Rouin Pakbaz, Sadegh Tabrizi, Mohammad-Reza Jodat, Ghobad Shiva, Massoud Arabshahi, Sirus Malek, Farshid Mesghali, Parviz Mahallati, Morteza Momayez, and Hadi Hezareiy.[1][6][7]

He was a founding member of the Group of Free Painters and Sculptors (Persian: Goruh-e naqqāšān-e āzād) in Tehran, led by Marcos Grigorian.[8]

Pilaram participated in the third and fourth Tehran Biennial. From 1972 to 1980, he taught design classes in the Faculty of Architecture at Iran University of Science and Technology.

Death and legacy

In 1983, he died of a heart attack in Maḥmudabad, Mazandaran Province.[1] Some sources state the date of death as 1982, possibly due to calendar conversation issues. Pilaram was buried in the Behesht-e Zahra cemetery in Tehran.[1]

His artwork is in museum collections, including at the Museum of Modern Art,[9] Metropolitan Museum of Art,[10] Tehran Museum of Contemporary Art,[11] and the Grey Art Gallery at NYU.[12]

In 2006, Pilaram had a posthumous retrospective exhibition at Gallery 66 in Tehran, curated by Ali Bakhtiari.[13]

See also

References
  1. Fouladvand, Hengameh (August 1, 2014). "Pilaram, Faramarz". Encyclopædia Iranica.
  2. "بیوگرافی فرامرز پیلارام (۱۳۱۵-۱۳۶۲)". هنر ام‌روز honarmrooz.com (in Persian). Retrieved 2022-12-17.
  3. Keshmirshekan, Hamid; Irving, Mark; Downey, Anthony (2009). Different Sames: New Perspectives in Contemporary Iranian Art. Thames & Hudson. pp. 21, 25. ISBN 978-0-500-97697-5.
  4. Ramezani, Javed. "نمایشی در غیاب| نگاهی به آثار فرامرز پیلارام" [A show in absence A look at Faramaraz Pilaram's works]. Avam magazine (in Persian).
  5. Scheiwiller, Staci Gem (2014-11-01). Performing the Iranian State: Visual Culture and Representations of Iranian Identity. Anthem Press. p. 102. ISBN 978-1-78308-328-2.
  6. Saghafi, Morad (Autumn 1996). "The city and the social presentation of art: A glance at Ghandriz Gallery experience". Pages Magazine, No. 13. Retrieved 2022-12-17.
  7. "Simurg, c. 1961-1964". Grey Art Gallery. 2015-12-07. Retrieved 2022-12-17.
  8. "Iranian Painters, Marcos Grigorian". Toos Foundation. Retrieved 2022-12-16.
  9. "Faramarz Pilaram. Laminations (Les Lames). 1962 | MoMA". The Museum of Modern Art. Retrieved 2022-12-17.
  10. "Composition ca. 1960–63". The Metropolitan Museum of Art. Retrieved 2022-12-17.
  11. "Will the shah's art collection come to Berlin? – DW – 11/25/2016". Deutsche Welle (DW). Retrieved 2022-12-17.
  12. "Colt 45, 1968". Grey Art Gallery. 2015-12-07. Retrieved 2022-12-17.
  13. Iskin, Ruth E.; Salsbury, Britany (2019-12-12). Collecting Prints, Posters, and Ephemera: Perspectives in a Global World. Bloomsbury Publishing USA. p. 246. ISBN 978-1-5013-3850-2.
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