Avenue Montaigne (film)

Fauteuils d'orchestre (literal translation, Orchestra Seats) is a French film released in 2006 directed by Danièle Thompson, which she co-scripted with her son, Christopher Thompson. The film was released in the United Kingdom[3] and Australia as Orchestra Seats, and in the United States and English-speaking Canada as Avenue Montaigne.[4][5]

Avenue Montaigne
Directed byDanièle Thompson
Written byChristopher Thompson
Danièle Thompson
Produced byChristine Gozlan
StarringCécile de France
Valérie Lemercier
Albert Dupontel
Claude Brasseur
Dani
Christopher Thompson
CinematographyJean-Marc Fabre
Edited bySylvie Landra
Music byNicola Piovani
Distributed byTHINKFilm
Release dates
  • 21 January 2006 (2006-01-21) (L'Alpe-d'Huez Film Festival)
  • 15 February 2006 (2006-02-15) (France)
  • 27 April 2007 (2007-04-27) (United States)
Running time
106 minutes
CountryFrance
LanguageFrench
Budget$9 million [1]
Box office$17.6 million [2]

Avenue Montaigne had been selected as the French entry for the Best Foreign Language Oscar for the 79th Academy Awards, making the January shortlist.

Production

Valérie Lemercier was awarded a César Award for Best Actress in a Supporting Role for her performance. The movie was nominated for another four Césars and also received a shortlist nomination for an Academy Award for Best Foreign Film. The film is dedicated to Suzanne Flon (Madame Roux in the cast), who died after the film was completed.[6]

Cast

Plot

Jessica has moved from her small Burgundian town of Mâcon to Paris to start a new life, inspired by her grandmother, Madame Roux, who "always loved luxury". In Paris, she initially has trouble finding work, and spends one evening without shelter. She eventually gets a job waitressing in a small café, the Bar des Théâtres, even though the café, following tradition, has never before hired female waiters. The owner hires Jessica only because he is expecting large crowds soon and needs staff. The café is in an area of Paris close to several artistic venues, including the Théâtre des Champs-Élysées and a concert hall, on Avenue Montaigne. One of the backstage staff at the theatre, Claudie, helps to welcome Jessica to Paris. While working at the café, Jessica meets a number of people who are all dealing with various life crises or changes:

  • Catherine is an actress who has been type-cast by her role in a popular TV soap opera and who yearns to do more artistically rewarding work. She is alternating between her TV soap opera and a production of a Georges Feydeau play, rarely getting time for sleep except in taxicabs. A new opportunity arises when the American film director Brian Sobinski arrives in Paris to cast a new film based on the life of Simone de Beauvoir.
  • Jean-François is a world-renowned pianist who wants nothing more than to share his playing with those who would appreciate it least, and to get away from formal classical music concerts. This disconcerts his wife Valentine, who is also his manager, because of all the planning that she has done for his career.
  • Jacques is an art collector who has decided to sell off his collection towards the end of his life. He and his son Frédéric have a somewhat strained relationship, not helped by the fact that Jacques is in a relationship with the much younger Valérie, with whom Frédéric himself once had an affair. Frédéric is also just separated from his wife.

All three face pivotal turning points in their lives on the same night, with Jessica as a thread between all three.

Classical music reference

The French pianist François-René Duchâble was the classical music technical advisor for the film, and performs the solo piano works for the soundtrack. The character of Jean-François Lefort in this film incorporates elements of Duchâble's own expressed attitudes towards the classical music world. In the film, Jean-François states his dislike for the stresses and formality of the classical music world, and wants to perform concerts for children and the ill. This is reflected from public statements that Duchâble had made in previous years.[7][8][9]

Reception

Avenue Montaigne has an approval rating of 74% on review aggregator website Rotten Tomatoes, based on 100 reviews, and an average rating of 6.5/10. The website's critical consensus states: "A cute and bubbly French comedy that carries no deeper lessons or agendas than to have a little fun for 90 minutes".[10] Metacritic assigned the film a weighted average score of 64 out of 100, based on 25 critics, indicating "generaly favourable reviews".[11]

See also

References
  1. "Fauteuils d\'orchestre (Avenue Montaigne) (2006) – JPBox-Office". Archived from the original on 2021-09-28. Retrieved 2021-10-31.
  2. "Avenue Montaigne (2007) - Box Office Mojo". Archived from the original on 2019-02-12. Retrieved 2021-10-31.
  3. Ian Johns (2007-02-24). "Orchestra Seats". The Times. London. Archived from the original on 2011-05-17. Retrieved 2007-05-04.
  4. Manohla Dargis (2007-02-16). "A Collision of Role Players on the Busy Avenue of Life". New York Times. Archived from the original on 2018-01-16. Retrieved 2007-05-04.
  5. Ken Eisner (16 May 2007). "Avenue Montaigne". The Georgia Straight. Archived from the original on 28 September 2021. Retrieved 31 October 2021.; Glenn Sumi. "French kiss". Now. Archived from the original on 2012-10-15.
  6. Philip French (2007-02-25). "Orchestra Seats". The Observer. Archived from the original on 2021-10-31. Retrieved 2007-04-28.
  7. "Pianist 'goes out with a bang'". BBC News. 2003-07-04. Archived from the original on 2011-04-29. Retrieved 2007-04-28.
  8. Adam Sage (2003-07-04). "Top pianist to go out with grand gesture". The Times. London. Archived from the original on 2011-05-23. Retrieved 2007-04-28.
  9. Terence Blacker (2003-07-25). "The diversion of an exploding piano in a recital". The Independent. Archived from the original on 2007-09-30. Retrieved 2007-04-28.
  10. "Orchestra Seats - Rotten Tomatoes". www.rottentomatoes.com. February 16, 2007.
  11. "Avenue Montaigne" – via www.metacritic.com.
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