Corps of drums

Eventually, as the use of musical instruments on the battlefield diminished, corps of drums looked to fill specialist roles within the battalion while still retaining their original role for ceremonial purposes. In some armies, drummers were absorbed by bands and ceased to be infantry soldiers, becoming full musicians.

In armies where corps of drums remained formed bodies within infantry battalions, different strings of logic have seen corps of drums employed in various roles. Because the corps would historically be employed in support of the battalion, in areas such as delivering mail or designating billets, they are often given the role of assault pioneers or supporting-fire (machine gun) platoons.

Because the corps of drums' role on the battlefield was originally to signal orders, some units are organized into signals platoons for operating radios. Drummers would also accompany officers to meet officers of an opposing army in order to parley. Therefore, some corps of drums perform a liaison role.

Historical duties such as uncasing and casing of the colors on parade and various other privileges are continued in most units. Due to the specialist duties and ceremonial aspects of a drummer's life, a corps of drums may be the unofficial custodian of regimental customs and traditions.

Corps of drums recruit from the whole battalion, and are usually attached to the battalion headquarters. Each corps of drums is commanded by a drum major, a senior non-commissioned officer, who usually reports to the adjutant of the battalion.

The Corps of Drums of 1st Battalion Grenadier Guards marching away from the forecourt of Buckingham Palace.

The main instrument is the side drum. These were originally of a rope-tension design with wide wooden hoops, a wooden shell, and an animal-skin head. In the British Army, this model has been continuously upgraded, with the inclusion of snares, more modern metal rod-tension, and plastic heads. The current British Army 97s-pattern side drum also has nylon hoops.

The side drum was increasingly decorated throughout the 19th century, until it bore the fully embellished regimental colors of the battalion, including its battle honours. As such a regiment's drums are often afforded respect.

Historically, all members of a corps of drums would be able to beat the various 'calls' on the drum, but in order to provide melody to accompany long route marches when not in combat, some would also play a fife, replaced in the modern British Army by the five-key flute. A wide variety of flutes and pitches are used. The fife and later the flute have been favored as a warlike instrument due to their shrill pitch and thus the ability to be heard above the noise of battle. Many tunes such as "The British Grenadiers" are traditionally played by military flutes. Fifes and keyed flutes were typically pitched in B♭, but the flute family eventually expanded to include a piccolo in E♭, a perfect fourth higher, and a flute pitched in F, a perfect fourth lower than the B♭ flute. There was also a "B♭ bass", which was pitched an octave below the B♭ flute. Occasionally the B♭ flute is known as the "treble" to avoid confusion with the B♭ bass flute. The development of this family of flutes facilitated the development of flute band part music which in many ways imitates the style of larger military bands.

The bugle replaced the drum mid-way through the 19th century as the most common means of communication on the battlefield. These duties were carried out by the battalion's corps of drums, whose drummers now each carry a bugle, which can be sounded on parade to give certain orders, to offer salutes, or to play the "Last Post" (or "Taps") at funerals, in addition to playing bugle marches composed when on the march.

As the musical role of a corps of drums became more ceremonial in the 19th and 20th centuries, more instruments were added to make their output more musically complete. A modern corps of drums may thus have a range of percussion instruments such as a bass drum, tenor drums and cymbals (and occasionally glockenspiels) in addition to the snare drum, flute and bugle.

A corps of drums of the Duke of Wellington's regiment (since amalgamated into the Yorkshire Regiment).

Drummers have always worn distinct uniforms so as to stand out on the battlefield. During the 18th century most British Army drummers were distinguished by wearing their regimental uniforms in "reversed colours" – thus an infantry regiment wearing red coats with yellow facings would clothe its drummers in yellow coats with red facings. This practice tended to make drummers targets in battle and after 1812 was replaced by less conspicuous distinctions.[3] These usually consisted of lace, used liberally all over the standard uniform, in varying patterns. Many early patterns consisted of a "Christmas-tree" pattern in which the chest was covered in horizontal lace decreasing in width downwards, and chevrons of lace down each sleeve. The modern infantry pattern in the British Army is of "crown-and-inch" lace sewn over the seams down the sleeves, around the collar, and over the seams on the back of the tunic. The crown-and-inch lace itself is about 1⁄2 inch (13 mm) thick with a repeating crown pattern. The Guards Divisions drummers have the old-style "Christmas-tree" pattern, with fleurs-de-lis instead of crowns.

Whilst corps of drums in the British Army often parade in combat uniforms and other forms of dress, they will usually parade in the full dress uniform as above, being one of a few formations which regularly wear full dress.

In some regiments, it has become custom for the percussion rank to wear leopard skins over their uniform. This has the dual purpose of protecting the uniform (cymbals have to be muffled against the chest, and therefore would leave vertical marks on a bare tunic) and protecting the instruments themselves (the bass drum can be scratched by uniform buttons). Modern "leopard skins" are made from synthetic fur. Other regiments opt for a simple leather or cloth apron.

Drummers have traditionally been armed with "drummers' swords", a shortsword with a simple brass hilt bearing the Royal Cypher. The practice of wearing swords has been discontinued by some regiments, though many still do carry the swords, whilst some use an SA80 bayonet as a modern alternative.

The Corps of Drums of the Honourable Artillery Company at Wellington Barracks.

The Honourable Artillery Company maintains a corps of drums, and as such is the only such sub-unit in an artillery unit in the British Army.[4] Although the Honourable Artillery Company now fulfills an artillery role, historically it was an infantry regiment, with two battalions fighting during the Great War.[5] The last infantry battalion was disbanded in 1973, but the corps of drums remained. As the regiment still maintains the privilege granted to it by King William IV in 1830, that the H.A.C. should dress with similar uniforms as the Grenadier Guards, except wearing silver where the Grenadiers wear gold, the corps of drums of the HAC dresses in a very similar fashion to that of the Corps of Drums of the Grenadier Guards.[6] Just as in other corps of drums of the British Army, its personnel carry out a soldiering role as their main function.

Since the HAC is the oldest unit in existence in the British Army, and as drummers were on the establishment of infantry units at the latest during the 16th century, it may be assumed that the corps of drums of the HAC is the oldest in the British Army, though it has not been in continuous existence.

In addition, the HAC's veteran unit, the Company of Pikemen and Musketeers maintains an early form of Corps of Drums known as the 'Musik'. In this capacity, more basic fifes and larger rope-tension drums are used and 17th century uniforms are worn in keeping with the rest of the company.

RLC Drums with Battle honours.

The Royal Logistic Corps (RLC) also maintains a corps of drums in the form of several side drummers, drawn from soldiers who serve a short tour as drummers before returning to a field unit. This is not a conventional corps of drums, as it has no flautists, and comes under the command of regimental headquarters of the RLC, rather than forming a separate entity. It frequently plays with the Band of the RLC, but often performs in isolation. It is famed for its "black light" display. These drummers stem from the 12 drummers placed on the Royal Waggon Train (RWT) in 1803. There are reserve soldiers within the Corps of Drums of 157 Regiment RLC, based at Cardiff in Wales.

At the time of Waterloo, in the period of deployment to the Low Countries, the RWT introduced drums made of brass. These originated on the Indian sub-continent. The size 14 by 12 inches (360 by 300 mm). They weighed 16 pounds (7.3 kg). They were faced in blue and carried the cypher of King George, with the title below. A few drums of the period survive today. The drumsticks were of Canadian maple, following the campaigns in North America during the Napoleonic era. The drums had drag ropes purchased from unit funds. Whilst drummers carried the bugle, the common instrument for the "Waggoners" was the fanfare trumpet on account of their cavalry traditions, and inclusion in the light cavalry. During that period the corps was then being divided between the foot soldiers, which used drums and fifes, and the mounted soldiers, with cavalry fanfare trumpets as signalling instruments. The drum sling was still that of the hook.

Royal Marines Corps of Drums

Royal Marines Bands are led by 'buglers', who are trained on both the side drum and the bugle as well as the Herald Fanfare Trumpet (natural trumpet); this section of the band is referred to as "the Corps of Drums", which since 1903 is now situated at the front of the band. Whilst similar to Army corps of drums, these are members of the Royal Marines Band Service (RMBS), although they retain their own rank structure. Members of the RMBS are primarily musicians; however, they also carry out secondary roles (e.g. medics, drivers, force protection etc.) when required to, like their Army counterparts.

RM Buglers have a similar history to Army 'drummers' in that they were used to convey orders on a ship on drums and bugles, and would then mass onshore into corps of drums, though they were still expected to work as individual soldiers,[7] also known in slang by the Royal Navy as drummers.

These drummer-buglers trace themselves back to the raising of the Royal Marines in 1664 as a maritime foot regiment, with six drummers attached to its battalions.

Drums were, in 1664, used for the raising of the Duke of York's and Albany's Maritime Regiment of Foot, the Admiral's Regiment. The regiment's 1,200 personnel had six snare drummers per company, the ancestors of the corps of drums of the Royal Marines Band Service. The Holland Regiment soon came after them. They were later to be called The Buffs, the Old Buffs and Howards's Buffs.

Each time a maritime regiment, or from 1672 onward, a marine regiment, is disbanded and a new one appears in its place, drummers come in, especially the young ones who liked playing drums and wanted to serve playing them. The 1702 formation of the marine and sea-service foot regiments saw the drummers' greatest action at Gibraltar, when they played the drums to support their regiments.

The War of Jenkins' Ear saw into action ten British marine regiments and an all-American marine regiment, all units whose drummers and fifers played alongside their units.

Even though part of the British Army which in the 18th century was led by the War Office, the Board of Ordnance and the Commissariat, marines were naval units. Royal Navy officers were at one point part of the marines. Due to two laws that regulated them and other army and navy units, marine drummers faced a loyalty problem over what drum calls they would have to do, and for what branch and on what occasion they might be required to play drums for orders, commands, etc.

In 1755, the problem was solved. The Admiralty took over what was then called His Majesty's Marine Forces. Even though at first Royal Navy officers filled the officer ranks, with lieutenant-colonel being perceived as the highest relevant rank, in 1771 a promotion to colonel occurred for the first time in the H.M.M.F.

After their formation, the H.M.M.F's drummers and fifers of the three marine divisions played alongside their fellow soldiers in various landings worldwide on behalf of the Royal Navy. They joined their units in the American War of Independence, and a drummer was at James Cook's service during his sea travels.

At Adm. John Jervis's insistence, by King George III's order in 1802, the H.M.M.F. was transformed into the H.M.M.F.-Royal Marines, albeit larger than today's establishment. Two years later, bomb vessel crews and gunners became part of the newly created Royal Marine Artillery, in which bugle calls became a regular part of life from then on.

The Royal Navy in the 19th century was short of manpower in both the H.M.M.F.-R.M. and the R.M.A. For this, Army units joined the H.M.M.F.-R.M. as replacement units, carrying not only their drummers and fifers but also buglers.

In 1855, during the units' service in the Crimean War, the H.M.M.F.-R.M's foot units became one under the unified title of Royal Marines Light Infantry, later known as the Royal Marine Light Infantry. From then, bugles replaced drums as signallers and order beaters, but the latter would be still useful for drill, being then called drummers and buglers, and from 1867 the R.M.L.I./R.M.A. drummers were called "buglers" only, serving individually in ships and the R.N's shore establishments and artillery units and massed into corps of drums for their units on the ground. Fifes fully declined and disappeared in usage. By then, a bugler playing both the drum and his bugle both to sound orders and do drum calls was a common sight in the RMLI and RMA. By the 1890s, even buglers also trained in using herald trumpets or Fanfare trumpets became commonplace in RMLI and RMA bases and facilities. A 1902 incident changed the buglers forever. A Coronation Review at Aldershot was due soon, and the then Sr. Bandmaster of the RMLI, Lt. George Miller, asked his fellow bandmasters to get buglers for his band for the review. The next day at a church parade, he asked 30 RMLI buglers to front the RMLI Massed Bands. They then marched to his own arrangement of Onward Christian Soldiers. Everyone was shocked by this and were amazed that the formation that he used would become a RMLI and RMA military band standard formation setup, and the precision stick drills that he made became a permanent fixture in military events where either or both the RMLI and RMA's presence were needed. Soon later, when the RM began operating the Royal Naval School of Music the next year as a training venue for future bandsmen of the RN, RMLI and RMA, they brought this formation for Royal Navy bands as well, inspiring the formations used by modern military bands of some Commonwealth countries like Australia, Singapore, Malaysia and Brunei.

1923 would see the buglers of the R.M.L.I. and R.M.A. now belong to the Corps of Royal Marines, the Royal Marines of today. Seeing action during the Second World War and in the growing crisis of the Cold War were the R.M.'s brave buglers of the new Royal Marines Band Service, even though separate from the bands themselves. The R.M.A. and R.M.L.I. buglers' dress uniforms (dark blue trousers and tunic and red collars and trouser wells) became the full dress of the corps bands and buglers, with the addition of a Wolseley pith helmet as headdress, and yellow shoulder cords and slashed cuffs to indicate their long history, heritage and lineage from 1664.

By 1950, the R.N.S.o.M. became today's Royal Marines School of Music, and the Royal Naval bands were dissolved. Beating retreats by both the Royal Marine bands and the R.M. Corps of Drums buglers would begin to occur annually, later triennially and as of today biannually, at Horse Guards Parade, Portsmouth and other venues, playing for the entire Royal Navy and the Royal Marines. It would be only in 1978 that the R.M.B.S. would have buglers as well in its rosters. By the 1990s, however, only five R.M. corps of drums were left as the Deal Depot closed down in 1996, the Chatham band already dissolved in the 1940s, with three at the R.N. England bases in Portsmouth, Plymouth and at the Britannia Royal Naval College till 2008 (The last is now assigned to HMS Collingwood), one in the R.M.S.o.M. (then in Deal and now in Portsmouth since 1996) and another one in Scotland at HMS Caledonia. By the 1950s, only the band carried the corps at the lead, as separate corps of drums, which played only bugles alongside the drums, were discontinued altogether (these were adopted in the 1880s when the RM began to transition from fifes to bugles).

Today there are six R.M. Bands (plus the training company, R.M.S.o.M. Junior Musicians and Buglers) located around the UK, in Portsmouth (three in HMS Nelson, which includes the R.M.S.o.M.), Fareham (HMS Collingwood), Plymouth (HMS Raleigh), Lympstone (Commando Training Centre Royal Marines) and Scotland (HMS Caledonia) for a total of seven bands and attached corps of drums. All members of the R.M.B.S. are trained at the Royal Marines School of Music (HMS Nelson). Buglers' training lasts two years. Basic military skills are taught during four months of initial military training and, if successful, trainee buglers are instructed on the bugle, drum and herald/fanfare trumpets. Musical skills are refined and supported with additional lessons in music theory and aural perception. Parade work forms a large part of the curriculum and considerable time is spent developing personal drill and bearing.

Today's R.M. Corps of Drums contains approximately 60 buglers who carry out duties ranging from repatriation services (Last Post and Reveille), mess beatings (drum displays), beating retreat (marching displays) and concerts on behalf of the Royal Marines and the entire Royal Navy.

Like the British Army, Military snare (side) drums (MSD) are the principal instrument of the corps of drums; however, another core instrument is the bugle, which the buglers carry and occasionally play. Bass drums are often used during parades and drum displays, while cymbals and single tenor drums are used during parades and ceremonies only. Herald Fanfare trumpets (natural trumpets) are also performed on such occasions where a bugle fanfare would be inappropriate for such. The corps is led by a drum major and a bugle major serves as the principal player for it.

A drummer of the Royal Regiment of Fusiliers holds the Drummer's Colour.

The Drummer's Colour, also known as the Wilhelmsthal Colour, is a unique colour held by 1st Battalion, Royal Regiment of Fusiliers. A drummer, usually the youngest in the battalion, is detailed to carry it when it is on parade.[8]

At the battle of Wilhemstahl in 1762, the 5th Foot led the centre column under the command of Prince Ferdinand of Brunswick. During this action, they captured the colour of an opposing French regiment, and took a large number of prisoners.[9] After this date, the regiment carried a small green silk banner in addition to their usual stand of colours to commemorate the one they captured. This was destroyed along with the Regimental Colour by a fire in the Officer's Mess in 1833. Despite representations made to King William IV, a request to replace the Drummer's Colour following the fire was refused. However the regiment continued to parade a replacement, and was granted specific permission to do so by King George V in 1933.[8]

Since then, a drummer has been entrusted with carrying the colour. This is unique within infantry regiments of the British Army, since colours are normally only entrusted to commissioned officers, except when they are in the custody of sergeants to convey them to an ensign.[10] The Drummer's Colour is typically paraded only on St. George's Day, unlike the other colours of the regiment, which are used more frequently. On this day, it is decorated with red and white roses, in keeping with regimental custom which sees all members of the regiment wear the roses in their headdress on this day. The drums of the Corps of Drums and the drum major's staff are also similarly decorated.

When the Royal Northumberland Fusiliers were amalgamated with other regiments to form the Royal Regiment of Fusiliers in 1968, the tradition of carrying the Drummer's Colour was maintained by the 2nd Battalion. When this battalion was in turn 'deleted' in 2014 as a result of the Strategic Defence and Security Review 2010, the Drummer's Colour was passed to the 1st Battalion.

A sergeant drummer (drum major) and drummer of the Northumberland Fusiliers with the Drummer's Colour.

The Drummer's Colour is of gosling green silk edged with gold. St. George and the Dragon are embroidered in the centre, with red scrolls edged with gold above and below. The motto of the Northumberland Fusiliers, Quo fata vocant (Go where divine providence leads), is displayed on the upper scroll, and the word 'Northumberland' is on the lower. Above the lower scroll is a large 'V' with 'Regt' below, both in gold, indicating that the Northumberland Fusiliers were the 5th Regiment of Foot at the time of the battle. A laurel wreath with red berries surrounds the central elements, and Tudor roses surmounted by crowns feature in the four corners.[11]

In addition to Army and Navy/Royal Marines Corps of Drums, in the United Kingdom there are also cadet- civilian corps who base their music on the military traditions of the country.[1] The Army Cadet Force corps use the Army-style formations and instrumentation (flutes/bugles, snare, bass and tenor drums, cymbals and Glockenspiels), save for those with Scottish and Irish links that have Pipe bands instead and those affiliated with the light infantry (especially the now only LI regiment The Rifles) have a corps of drums without the fifes while using only bugles. Those corps of the Combined Cadet Force, Royal Marines Volunteer Cadet Corps and the Sea Cadet Corps use the RN/RM naval and ship-style corps (Snare/Side drums/Bugles, Bass and Tenor drums, cymbals and glockenspiels) and are attached to the main band or are separate formations. This formation is also used by the military band of the Duke of York's Royal Military School. Another example of a military style CoD is that of the Royal British Legion, whose bands are modeled on the Royal Navy and Royal Marines Band Service. The Royal Air Force however does not have any such ensembles, and only Corps of Drums under the Royal Air Force Air Cadets are active, with their formation being similar to those of the RN and RM.

The Metropolitan Police restarted a Corps of Drums in 2011, when the central youth engagement unit purchased some drums and sent cadets on a "band camp". Greenwich borough subsequently took a caretaker role of the drums and established a corps of drums. 2015 saw Kensington and Chelsea and Hillingdon Boroughs expanding and creating more branches. It is the first band in the Metropolitan Police to be composed of members of the Metropolitan Police since 1988. It is also the first band in the name of the Metropolitan Police since 1997, when the civilianised Metropolitan Police Band was disbanded.

Civilian corps of drums are also formatted after their respective services, with corps patterned after those of the Army, Navy and the Royal Marines in instrumentation and marching style becoming commonplace. These are staffed by both veteran and retired military drummers as well as civilian drummers playing the fifes, bugles and percussion. In Northern Ireland, civilian corps are mounted by Loyalist groups, which for the most part use flutes with no bugles at all. A number of formations use accordions instead of flutes. This is the same for some Republican aligned groups there, as well as some bands in Ireland itself.

• Moscow Military Music College
• All Suvorov Military Schools (i.e. Minsk, Yekaterinburg, Kazan)
• All Nakhimov Naval Schools (the Murmansk branch for example)
• Kronstadt Sea Cadet Corps
• Black Sea Fleet Naval Training Center Sevastopol
• Ivan Bohun Military High School
• Monte Melkonian Military College
• Jamshid Nakhchivanski Military Lyceum
• Astana Zhas Ulan Republican School
• Mastibek Tashmukhamedov Military Lyceum of the Ministry of Defense of Tajikistan
• Berdimuhamed Annayev 1st Specialized Military School
• Military Music College of Mongolia
• Georgi Atanasov Military Music School (until 2001[12])

The practice was introduced to the Netherlands East Indies in the early 1800s, and today both the Yogyakarta Kraton Guards and the Royal Guard of Pakualaman each sport an ancient form of the corps, alongside a recently reconstituted formation from the Royal Guard of the Surakarta Sunanate. Alongside them, both the southern regencies of Central Java and Yogyakarta have dedicated civilian corps, each serving the bregodo rakyat (people's brigade) companies that conserve the traditions of the armed services of the former sultanates. These corps, when formed up in parade, are composed of:

• Snare drums
• Fifes, flutes, suling flutes
• Bugle/s
• Trumpet/s (in some civil bands)
• One to three Kendangs
• Single tenor drum/s (in civil bands)
• Cymbals
• Bass drum (in civil bands and in Surakarta)
• Gong/s

Similar to the German corps, the Chilean corps of drums are both military and civil bands, the Bandas de Guerra (War Bands) that the Chileans call them formally.

Military corps of drums belong to the Chilean Armed Forces' three services, the Carabineros de Chile and the Chilean Gendarmerie and differ in instrumentation and officers in charge (only in the Chilean Navy).

• Chilean Army: Snare drums, fifes, bugles (led by a drum major and a bugle major)
• Chilean Navy: Snare drums, fifes, bugles (led by a drum major)
• Chilean Air Force: Snare drums, bugles (led by a drum major and a bugle major)
• Chilean Carabiners: Snare drums, bugles (led by a drum major and a bugle major)
• Chilean Gendarmerie: Snare drums, bugles (led by a drum major and a bugle major)

The military style corps also inherit the British corps' tradition of carrying drummers' swords attached to belts in all their dress uniforms.

Civilian corps are usually school based bands with the addition of a percussion section (Snare drums, bass drums and cymbals) and glockenspiels and are either part of a school marching band or as a standalone band in itself. In these separate bands, a fife major leads the band's fifers/flautists while on duty, and also assist the drum major and the bugle major. These positions also exist on corps which are now part of school bands, as well as in a few volunteer community fire departments. These civil corps perform on occasions when requested and participate in competitions.

Corps of drums in Ecuador are both military and civil bands. These corps are very similar to the German corps, but with the addition of bugles and the single tenor drum.

Like the Chilean corps, these bands have differences in configuration and instrumentation in the Ecuadorian armed forces. But the corps snare and tenor (sometimes bass) drummers often play on drums that are painted in the service or unit colours (sometimes in the colours of Guayaquil, which are blue and white for the corps of the Ecuadorian Navy) and in the case of the Military Academy "Eloy Alfaro" and the Air Force Academy "Cosme Rendella", have the unit/school insignia attached to the bugles' and fifes' tabards.

The typical Ecuadorian corps, called as the Peloton Comando (Commando Platoon) but are also called as the Banda de Guerra (War Band), just like in Chile in several schools and colleges (many bands now fall under the Banda Escolar or Banda de Paz title due to recent state reforms), is led by a drum major (in several cases there would be 1 to 4 drum majors) and is composed of:

• Snare drums
• Fifes (common only in the Ecuadorian Army and Ecuadorian Air Force and school bands)
• Bugles and natural trumpets (common in all three services, principal instrument in the Ecuadorian Navy)
• Single tenor drums
• Bass drums (optional and common in some corps)
• Cymbals (optional and in some corps)
• Glockenspiels
• Multiple tenor drums (only in school bands)

Ecuadorian Civil corps of drums are similar only to the Army and Air Force corps but are based as youth bands stationed in schools across the nation. Notable exceptions include the Corps of Drums of the Ecuadorian National Police. Like military corps, they are led by a drum major in all their activities but there are cases of multiple drum majors leading, from a minimum of two to a maximum of four or five. But in some corps, there are some majorettes and tambourine players. Those that are based on the Navy's corps of drums (especially Guayaquil-based corps) use the same instrumentation as its corps have.

Similar to Germany and Colombia's, the Venezuelan corps of drums are both military and civil bands, and like Colombia's, Peru's and Ecuador's contain the same instrumentation of :

• Snare drums
• Bass drums
• Cymbals
• Single tenor drums
• Glockenspiels
• Bugles (and optionally trumpets)

The corps is led by a single drum major. In some corps, especially in civil-based ones, other brass instruments may be added into the bugle section.

Military corps have tabards applied on the bass drums, snare drums, glockenspiels and bugles on every occasion that it is performing. One such formation is the Military Academy of Venezuela Corps of Drums. Recently there's an effort to build up full-time military marching bands in the national armed forces with the percussion of the corps combined with brass and woodwind instruments.

Corps of drums in Bolivia, both military and civil, are inspired by German and French band practices and are part of the main band. The instruments used by them are snare drums, tenor drums (single and multiple), bass drums, cymbals and sometime glockenspiels. Turkish crescents are used as standards and are paraded as part of them. In military corps attached to bands there would be one to two drum majors and in some cases standards or vertical banners are used to distinguish the corps when on parade. Civil corps attached to marching bands would have one to eight drum majors (in some cases ten) and would also have a military-styled colour guard marching with the Turkish crescents and optionally the standards. Several school civil corps in cities in Bolivia preserve the tradition of a bugle section and fifes.

Peruvian corps of drums are both military (Banda de guerra) and civil bands (Banda ritmica), with differences in instrumentation. In whatever combination, it's a main part of the main school or military marching band led by the Director of Music, with the drum major or majorette or standard bearer leading led by the conductor or as a separate band led by the drum major or standard bearer at the front of the ensemble. These follow the Spanish and French influence.

Corps of drums in the Peruvian Armed Forces and the National Police of Peru (formerly the Civil Guard of Peru, Peruvian Investigations Police and Peruvian Republican Guard), plus school or college based bands and corps attached to them or as separate bands are composed of snare and or field drums, single tenor drums, multiple tenor drum (in school corps), bugles and glockenspiels in addition to the regular snare and bass drums and cymbals. Tambourines are common within the school-based corps, with female majorettes assisting the conductor or the school band drum major or music director. Tabards are applied only on the bugles and glockenspiels, as well as in the snare and tenor drums if applicable.

Colombian corps of drums are similar to those of Ecuador, Peru, Chile and Venezuela but are different in leadership, being led by a minimum of 3-7 drum majors or majorettes, and are composed instrumentally of:

• Snare drums
• Field/precision snare drums
• Bass drums
• Single tenor drums
• Multiple tenor drums (civil corps)
• Cymbals
• Glockenspiels
• Bugles and trumpets
• Natural trumpets (military corps only and in several civil corps)
• Trombones (optional, only in select military corps)
• Saxhorns (only in select military corps)
• Bagpipes (in the corps of drums of the Colombian Naval Academy and the Basic School of the Colombian Naval Infantry)
• Tambourines (civil corps)
• Conga drums (civil Corps)
• Timbales (civil corps)
• Cowbells (civil corps)
• Suspended cymbals (civil corps)

Civil corps would also have a separate conductor, occasionally standard bearers and colour guards marching along.

Even through separate from the main marching band, a part of the band itself or as a band of its own, they are both useful as military-based and civil-based marching bands. The drums are either covered with cloth tabards of the unit or band to which the corps belongs, or painted in various colours to suit its needs. The bugles, trumpets and glockenspiels (and in military units and several civil bands, natural trumpets) are attached with small tabards with the military service, police, school or college insignia, name or emblem shown in them.