Folk poetry

Folk poetry (sometimes referred to as poetry in action) is poetry that is part of a society's folklore, usually part of their oral tradition. When sung, folk poetry becomes a folk song.

Description

Folk poetry in general has several characteristics. It may be informal and unofficial, generally lacks an owner and may "belong" to the society, and its telling may be an implicitly social activity.[1] The term can refer to poems of an oral tradition that may date back many years;[2] that is, it is information that has been transmitted over time (between generations) only in spoken (and non-written) form.[3] Thus as an oral tradition folk poetry requires a performer to promulgate it over generations.[4]

The definition can also be extended to include not just oral epics, but latrinalia, many forms of childlore (skipping-rope rhymes, the words of counting-out games etc), and limericks;[5] as well as including anonymous or improvised poems.[6]

Narrative folk poetry is often characterized by repetition, a focus on a single event (within an overall epic narrative if present), and an impersonal narration, as well as use of exaggeration and contrast.[7]

It is thought that epics such as The Iliad, and The Odyssey derive from, or are modeled on earlier folk-poetry forms.[8]

Forms and works

Regional or societal forms

  • Landay, Afghan single couplet poems
  • Zajal, Arab folk poetry form
  • Bylina, east slavic oral epic narratives
  • Pantun, Malay poetic form

Collections

Derivative works

Many poets have worked in the style of, or imitated, folk poetry. These include Johann Gottfried Herder, Walter Scott, and Johan Ludvig Runeberg, and others.[3]

See also

References

  1. Gwyndaf, Robin (2006), "Poetry in Action: Verse and Narration in Everyday Communication" (PDF), Folklore, 33: 85–94, doi:10.7592/FEJF2006.33.gwyndaf
  2. "Folk Poetry", CCP Encyclopedia of Philippine Art: Philippine literature, 1994, p. 170
  3. Dorson 1982, p. 85.
  4. Dorson 1982, p. 86.
  5. Herrera-Sobek, María (2006), Chicano Folklore: A Handbook, pp. 23–4 ; definition from Dundes "What is Folklore?", (1965)
  6. Bloom, Harold (1989), The Art of the Critic: Early twentieth century, p. 111-
  7. Dorson 1982, pp. 87–90.
  8. Dorson 1982, p. 90.

Sources

  • Dorson, Richard M., ed. (1982), Folklore and Folklife: An introduction

Further reading

  • Pearce, T. M. (Oct 1953), "What Is a Folk Poet?", Western Folklore, Western States Folklore Society, 12 (4): 242–248, doi:10.2307/1496665, JSTOR 1496665


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