Friedrich Heyser

Friedrich Wilhelm Theodor Heyser (September 12, 1857 in Gnoien – September 7, 1921 in Dresden) was a German portrait, landscape, and history painter.

Ophelia, 1900
Portrait of a Lady with a Wreath of Flowers, 1898

Life

Friedrich Heyser studied from 1880 to 1883 at the Academy of Fine Arts in Dresden as a student of Leon Pohle and Paul Mohn. From 1883 to 1885,[1] he studied with Ferdinand Keller at the Academy of Fine Arts in Karlsruhe. In 1890 he briefly attended the Académie Julian in Paris. He lived and worked in Berlin, Bad Harzburg, and Dresden.

Heyser was a member of the Allgemeine Deutsche Kunstgenossenschaft[2] and the artist group Grün-Weiss, formed around 1910. Green and white are the state colors of Saxony. The Grün-Weiß group, as a progressive group within the Dresden Art Cooperative, presented their works from October 29, 1910, in the Emil Richter Art Salon. Members of the Grün-Weiß group included painters Max Frey, Josef Goller, Georg Jahn, Walther Illner, Georg Lührig, Max Pietschmann, Paul von Schlippenbach, Bernhard Schröter, Johann Walter-Kurau, sculptors Richard Guhr, Hans Hartmann-McLean, Heinrich Wedemeyer, and architects Rudolf Bitzan, Georg Heinsius von Mayenburg, and Martin Pietzsch.[3][4] From today's perspective, the Grün-Weiß was a moderate attempt to bring movement into the conservative structures of the Dresden Art Cooperative.[5]

Works

Friedrich Heyser created numerous portraits of well-known personalities as well as genre-like depictions, often based on German poetry. In the last years of his life he created some landscape paintings u. a. from the island of Föhr and from Friesland.

Portraits

Genre-like depictions

  • 1886: The Fisherman (after Goethe)
  • 1887: Der Blumen Rache (after Freiligrath)
  • 1891: The Peri at Heaven's Gate
  • Gloria in Excelsis
  • 1900 (circa): Ophelia

Awards
  • Prize of the Academic Senate for the execution of two murals in the meeting room of the Gewandhaus in Bautzen (ex aequo Georg Schwenk).
  • 1901: Small golden plaquette, International Art Exhibition Dresden 1901.

Literature
  • Ernst Sigismund :  . In: Hans Vollmer (ed.): Founded by Ulrich Thieme and Felix Becker . tape 17 : Heubel–Hubard . EA Seemann, Leipzig 1924, p. 41 .
  • Heyser, Friedrich. In: Friedrich Jansa: German artists in words and pictures. Verlag Friedrich Jansa, Leipzig 1912, p. 264 with ill.
  • Hermann Alexander Müller, Hans Wolfgang Singer :  . In:  . 3rd Edition. 2nd volume, 1st half. Rütten & Luenning, Frankfurt am Main 1896, p. 176 ( Text Archive - Internet Archive ).
  • Heyser, Friedrich. In: Friedrich von Boetticher: Painting works of the 19th century. contribution to art history. Volume 1/2, sheet 31-61: Heideck-Mayer, Louis. Mrs. v. Boetticher's Verlag, Dresden 1895, p. 530 ( text archive - Internet Archive ).

References
  1. "Die elektromagnetische Rotation und die unpolare Induktion in kritisch-historischer Behandlung. von Dr. Siegfried Valentiner, Assistent am Physikalischen Institut der Universität Halle A. S. 70 Seiten Mit N Figuren. Verlag der G. Braunschen Hofbuchdruckerei, Karlsruhe 1904. Preis 2 Mk". Zeitschrift für Elektrotechnik und Elektrochemie. 10 (28): 471. 1904-07-08. doi:10.1002/bbpc.19040102815. ISSN 0372-8323.
  2. "1899 | Wladimir Aichelburg". www.wladimir-aichelburg.at. Retrieved 2022-01-15.
  3. Doenges, Willy (1921). Meissner Porzellan. W. Jess. doi:10.5479/sil.703962.39088010425023.
  4. "The International Hygiene Exhibition, Dresden". The Lancet. 176 (4535): 326. July 1910. doi:10.1016/s0140-6736(01)55850-x. ISSN 0140-6736.
  5. Ābele, Kristiāna (2010). Johann Walter (Walter-Kurau) 1869 - 1932 ; summary of the doctoral dissertation. Riga. ISBN 978-9934-8038-7-1. OCLC 702359303.{{cite book}}: CS1 maint: location missing publisher (link)
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