Fritz Lück
Fritz Lück (1880-1967) was a German painter and art director who designed the film sets on a number of productions from the silent era through to the post-Second World War period. He also worked in theatrical set design, particularly during the 1920s and 1930s. He worked on Nazi propaganda filmss such as Carl Peters and Titanic.[1] Later he was employed on émigré Fritz Kortner's 1949 film The Last Illusion.[2]
Fritz Lück | |
---|---|
Born | 20 November 1880 |
Died | 8 April 1967 |
Occupation | Art director |
Years active | 1923–1957 (film) |
Selected filmography
- The Island of Tears (1923)
- A Woman, an Animal, a Diamond (1923)
- Inge Larsen (1923)
- The New Land (1924)
- The Girl from America (1925)
- New Year's Eve on Alexanderplatz (1939)
- Ich klage an (1941)
- Geheimakte W.B.1 (1942)
- Titanic (1943)
- The Degenhardts (1944)
- Ghost in the Castle (1947)
- The Appeal to Conscience (1949)
- The Last Illusion (1949)
- Schuß um Mitternacht (1950)
- The Disturbed Wedding Night (1950)
- The White Hell of Pitz Palu (1950)
- Who Is This That I Love? (1950)
- The Falling Star (1950)
- Eine Frau mit Herz (1951)
- The Secret of a Marriage (1951)
- Father Needs a Wife (1952)
- That Can Happen to Anyone (1952)
- Fanfare of Marriage (1953)
- Must We Get Divorced? (1953)
- Ludwig II (1955)
References
- Giesen p.189 & p.223
- Langford p.226
Bibliography
- Giesen, Rolf. Nazi Propaganda Films: A History and Filmography. McFarland, 2003.
- Langford, Michelle. Directory of World Cinema: Germany. Intellect Books, 2012.
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