Fuller Brooch

The Fuller Brooch is an Anglo-Saxon silver and niello brooch dated to the late 9th century, which is now in the British Museum, where it is normally on display in Room 41.[1] The elegance of the engraved decoration depicting the Five Senses, highlighted by being filled with niello, makes it one of the most highly regarded pieces of Anglo-Saxon art.

Fuller Brooch
Fuller Brooch as displayed in the British Museum
MaterialSilver and niello
Size11.4 cm in diameter
CreatedLate 9th Century AD
Present locationBritish Museum, London
RegistrationM&ME 1952,0404.1
Front view of the brooch

Description

The brooch is a large disc made of hammered sheet silver inlaid with black niello and with a diameter of 114 mm (4.5 in). Its centre roundel is decorated with personifications of the five senses. In the centre is Sight with large staring oval eyes, surrounded by the other four senses, each in his own compartment. Taste has a hand in his mouth. Smell's hands are behind his back, and he stands between two tall plants. Touch rubs his hands together. Hearing holds his hand to his ear. This is the earliest known representation of the five senses. The outer border consists of 16 small medallions decorated with human, bird, animal and plant motifs.[2]

Style and materials

Stylistically it is "in a very late version of the Trewhiddle style".[3] After the discovery of the Strickland Brooch, one of the closest parallels to the Fuller Brooch, also 9th century and in the British Museum, additional research determined that the niello used in the Fuller Brooch was mainly silver sulphide, a type that went out of use later in the medieval period, in itself an argument against it being a modern forgery.[4]

History of ownership

The brooch has survived in excellent condition, although the pin and its attachments have been removed, and the top of the brooch has been perforated for suspension, and it may be the only surviving piece of secular Anglo-Saxon metalwork to remain unburied since its creation. It was thought to be a fake by Sir Charles Hercules Read, Keeper of British and Medieval Antiquities of the British Museum, because of its excellent condition. He advised the Ashmolean Museum in Oxford which had been lent the brooch, to take it off display. It was then bought by Captain A. W. F. Fuller for the price of the silver. In 1952 Capt. Fuller donated the brooch to the British Museum on the condition that it henceforth be called the Fuller Brooch.[5][6][7]

References
  1. David Mackenzie Wilson (1964), Catalogue of antiquities of the later Saxon period, British Museum, OCLC 610435306, The brooch's history (as recounted by Bruce-Mitford) is that it was bought from a London bric-à-brac dealer by an unnamed man who did not know its history, he passed it to Sir Charles Robinson who published it in 'The Antiquary'. A few years later Mr. E. Hockliffe, the son-in-law of Sir Charles Robinson, offered the brooch as a loan to the Ashmolean Museum, Oxford. E. T. Leeds, then an assistant at the museum, persuaded the then keeper D. G. Hogarth to accept the loan. On the advice of the then Keeper of British and Medieval Antiquities at the British Museum (Sir Hercules Read, P.S.A.) and his assistant keeper (R. A. Smith) the brooch was pronounced a fake and withdrawn from exhibition with the approval of the Ashmolean Museum's technical specialist, W. H. Young. The brooch was eventually purchased by Capt. A. W. F. Fuller and, apart from occasional mentions (e.g. by Sir Alfred Clapham), was not thought of seriously until the Strickland brooch (registration no. 1949,0702.1) was brought to the British Museum. On the advice of Sir Thomas Kendrick the Fuller brooch was traced by Mr. Bruce-Mitford and after laboratory examination it was acquired by the British Museum.
  2. Janina Ramirez (2010-08-12). "Treasures of the Anglo Saxons, Decoding the Fuller Brooch". BBC. Archived from the original on 2011-02-02. Retrieved 2011-02-05.
  3. Webster, Leslie, Anglo-Saxon Art, p. 154, 2012, British Museum Press, ISBN 9780714128092
  4. Moss, A.A., Studies in Conservation, vol. ii, 179
  5. Trustees, British Museum. (1952), The British museum quarterly, Volume 17, Trustees of the British Museum, p. 75
  6. Harden, Donald Benjamin (1956), Dark-age Britain, Taylor & Francis, p. 174
  7. British Museum Collection
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