Sidney Lovell

The mausoleum at Rosehill Cemetery in Chicago, considered Lovell's masterwork.

In 1882, architect James M. Wood arrived in Racine for the opening of the Blake Opera House, which he had designed and which he was to manage. Lovell became acquainted with Wood, and left Racine with Wood in 1883.[1] Lovell served as Wood's architectural apprentice (there being almost no schools of architecture at the time),[1] and assisted Wood in designing the Grand Opera House in Wausau, Wisconsin, in 1883;[5] the Academy of Music in East Saginaw, Michigan, 1884;[6][7] Wood's Opera House in Bay City, Michigan, in 1885;[8][7] and then later large-scale theatrical scenery in Chicago, Illinois. Although Lovell and Wood's activities between 1883 and 1885 are not known, by 1885 Lovell was a full-fledged architect.[1]

From spring 1885 to summer 1886, Wood and Lovell traveled from town to town in Michigan, designing theatrical scenery.[1] In 1886, Wood designed the Hennepin Avenue Theater in Minneapolis, Minnesota.[9] Wood and Lovell's other activities are not known from 1886 to 1888, but in 1888 the pair arrived in Los Angeles, California, where Wood had won a commission to remodel the Grand Opera House[1] The project was finished in 1890.[10] The two men formed a partnership, Wood & Lovell, in 1891[3] in San Francisco.[1][lower-alpha 1] The firm added a third partner, Fuller Claflin, in 1893. Wood and Lovell focused on commissions in Chicago and New York City, while Claflin handled West Coast business.[13] The same year, Wood & Lovell opened a branch office in Chicago, to which the two original partners removed.[14] They kept their San Francisco office open until 1895.[1]

During this period, Wood & Lovell specialized in theaters with an East Indian decorative motif.[1] Among the projects on which Lovell and Wood worked were the Broadway Theatre in Denver, Colorado, in 1890;[15] the Marquam Grand Opera House in Portland, Oregon, in 1890;[16] the Loring Opera House in Riverside, California, in 1890;[16] the Tacoma Theater in Tacoma, Washington, in 1890;[17][7] the Yosemite Theater in Stockton, California, in 1892;[16][18] Stockwell's Theatre in San Francisco in 1892;[19] the Empire Theater in Quincy, Illinois, in 1893;[14] the Lafayette Square Opera House in Washington, D.C., in 1895;[20][21] and the Jefferson Theatre in Portland, Oregon, in 1896.[22]

In 1897, Wood and Lovell dissolved their partnership.[16] Lovell continued to design theaters, including the Tucson Opera House in Tucson, Arizona, in 1897;[23] the Overland Theater in Nebraska City, Nebraska, in 1897;[24] the Metropolitan Opera House in Owatonna, Minnesota, in 1897;[25] the Appleton Opera House in Appleton, Wisconsin, in 1901;[26] the Neenah Theater (a movie theater) in Neenah, Wisconsin, in 1902,[27] the Illinois Theatre in Rock Island, Illinois, in 1905;[28] and the Kedzie Avenue Theater Annex (a movie theater) in 1912.[29]

Entrance tower at Kensico Cemetery by Lovell & Lovell, which cleverly concealed the cemetery's water tank.

As early as 1892, Lovell began work designing non-theatrical buildings as well. One of the earliest was the Hotel Renaissance, built in San Francisco in 1892.[30] Lovell continued to design non-theatrical structures, such as apartment buildings,[31] but did not focus his work in this area until about 1913. In that year, he designed a department store building in Marinette, Wisconsin;[32] an apartment building in Chicago;[33] a nickelodeon and billiard hall in Chicago;[34] and a theater, office building, billiard hall, and retail store in Chicago.[35]

In 1914, architects William Ernest Walker and Howard L. Cheney joined Lovell's firm.[36] Over the next four years, Lovell continued to design a wide array of commercial structures: a five-story warehouse in Chicago in 1915;[37] luxury apartments in Chicago in 1915;[38] an ornate fence for wealthy Chicago residence in 1916;[39] an apartment building Chicago in 1916;[40] a large 18-unit apartment building Chicago in 1916;[41] two small apartment buildings in Chicago in 1917;[42] a testing laboratory building in Chicago in 1917;[43] a factory and power station in Chicago Heights, Illinois, in 1917;[44] and a factory in Chicago Heights, Illinois, in 1918.[45]

In 1912, Rosehill Cemetery, a large cemetery on Chicago's North Side, contracted with Lovell for the design of a massive mausoleum. The Community Mausoleum (also known as the Rosehill Mausoleum) was completed in 1914, and is widely considered to be Lovell's masterwork.[46] The $300,000 ($8,764,784 in 2022 dollars), 1,500-crypt structure[47] was the first large-scale public mausoleum in the nation.[46] The mausoleum contains 38 windows by the Tiffany Studios.[48] This is the largest collection of secular Tiffany-designed glass in the United States,[49] and was valued in 1994 at $10 million ($19,744,050 in 2022 dollars).[48] In 1916, Lovell designed a $150,000 ($4,033,945 in 2022 dollars), 1,000-crypt mausoleum for Valhalla Cemetery in St. Louis, Missouri.[50]

As Lovell designed mausoleums, he came to realize that there were fundamental problems facing above-ground burial. It had been common for centuries for above-ground burial vaults to be tightly sealed, to prevent the leakage of fluids and the spread of nauseating odors (both generated by the decomposition of the human body) from vaults.[51][52][53] Tightly sealed vaults, however, allowed decomposition gases to build up, causing vaults to violently rupture ("exploding vault syndrome") and scatter partly-decomposed remains inside the mausoleum.[54][55][56][57] Lovell designed a solution, which involved building a ventilation system and drainage system behind the vaults. He applied for a patent, which was granted on October 23, 1917 (patent number 1,244,109).[58][59]

Chapel at the mausoleum at Mayfield Cemetery in Cleveland Heights, Ohio.

Lovell designed a mausoleum for Forest Hill Cemetery in Kansas City, Missouri, in 1919,[60] and later that year designed and erected a large family monument for the Francis Joseph Reitz family in St. Joseph Catholic Cemetery in Evansville, Indiana.[61]

In 1920,[62] Lovell was at work on designs for a $264,000 ($3,856,505 in 2022 dollars) mausoleum at Oakwood Cemetery in Saginaw, Michigan;[63] and a $300,000 ($4,382,392 in 2022 dollars) mausoleum at Deepdale Cemetery in Lansing, Michigan;[64] and a $150,000 ($2,191,196 in 2022 dollars) mausoleum at Forest Lawn Cemetery in Norfolk, Virginia;[65] and a $150,000 ($2,191,196 in 2022 dollars) mausoleum at Old Mission Cemetery in Wichita, Kansas.[66]

Lovell's son, Marion "Don" Lovell, joined his father's firm in 1922, and the company adopted the name "Lovell & Lovell".[67]

In 1923, Lovell was commissioned to design a large mausoleum at Knollwood Cemetery in Mayfield Heights, Ohio.[68] The $175,000 structure was finished in 1928.[69] Lovell designed a public mausoleum for Kensico Cemetery in Valhalla, New York, in 1924,[70] and a unique Gothic stone entrance to conceal a 60-foot (18 m) high water tower in 1928.[71] He also designed the Oakwood Memorial Mausoleum in Oakwood Cemetery in Dixon, Illinois, in 1924.[72]

Lovell designed another Cleveland-area mausoleum in 1926 for Mayfield Cemetery in Cleveland Heights, Ohio. The $400,000 structure opened in 1929.[73] Lovell & Lovell finished design work on the $250,000 Memorial Crypt at Fairlawn Cemetery in Decatur, Illinois, in late 1925 or early 1926. It opened in April 1927.[74]

Lovell completed work on the Llano Pantheon, a mausoleum in Llano Cemetery in Amarillo, Texas, in 1927.[75]

In association with T. P. Barnett & Co., Lovell & Lovell designed a mausoleum at Oak Grove Cemetery in St. Louis in 1928.[76] That same year, Lovell & Lovell designed a mausoleum at Mount Royal Cemetery in Pittsburgh, Pennsylvania,[77] a $500,000 mausoleum at Forest Park Cemetery in Houston, Texas,[78] and a $250,000 mausoleum at Springdale Cemetery in Peoria, Illinois.[79][80][lower-alpha 2]

In 1930, Lovell & Lovell completed work on the Highland Memorial Mausoleum in Highland Cemetery in South Bend, Indiana.[82]

The Chicago Daily Tribune reported that Lovell, alone or in association with his son, designed 56 mausoleums and mausoleum additions in his lifetime.[83]