Gaetano Bellei

Francesco Francia, admiring Raphael's "Saint Cecilia" for the first time. 1876

At an early stage of his work, Bellei writes genre scenes, the details and features of which are subsequently often reproduced, with various variations, in new works, since they are appreciated by collectors and patrons of the arts. The narrative nature and frivolous themes of his paintings are combined with excellent technique and often in line with mainstream European trends. Bellei is also involved in portraiture and sacred painting. Since 1893 he taught at the Modena Academy, but continues to participate in exhibitions such as Turin in 1898, Milan in 1906 and Rome in 1911.[4] In 1876, while still a student, he won the competition for the Poletti Prize with the painting Francesco Francia Admiring Raphael's Saint Cecilia for the First Time, defeating Achille Boschi. Thanks to this eminently scenographic picture, Bellay becomes a Fellow. In the future, his paintings depart from academism, causing controversy with their realistic character. Thus, "Resfa" - a work in rough and dark colors, inspired by German symbolism - at first attracts criticism, but then is widely recognized as "the best painting of modern art in Modena".[2]

Domenico Morelli has argued that Bellei "seems to hold both the imaginary and the real".[4]

Gaetano Bellei's favorite themes are old people and children. He writes scenes of humble, everyday rural life, in which there are, for example, grandfather and grandson hugging each other, as well as card players, monks, workers, and sometimes animals. Many of them are reproduced and repeated in different variations, since they are appreciated by the buying public.[4] Bellei manifests himself as a master of depicting human affections, reactions and sensations. At an exhibition in Genoa in 1885, he first presented "Happy Kitten" (Il micino fortunato), which brought him such a commercial success that Bellei immediately reproduced several versions of the same plot.[2]

Bellei also dabbled in Art Nouveau, for example, in the painting "In the Rain", where the perfect technique of conveying rain and clothes of models attracts attention, and in the manner of pointillism, for example, in the canvas "Port of Livorno".

Bellei created a number of religious works, including an altarpiece with the Redeemer for the parish in Zocca and Blessed Cottolengo for the Rangoni chapel in Bomporto. In 1914 he decorated and painted the main chapel of the Church of Santa Maria di Munano, then wrote "Saint Magdalene" for the Church of San Domenico in Modena. Later he devoted himself entirely to altar painting, working throughout all province of Modena.[2]

Bellei's period of passion for portraiture marks a return to divisionism. The artist was hired to paint a number of official portraits; He also painted more personal works, such as portraits of the spouses Palazzi, Ferruccio Cambi, or Self-portrait.[4]

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  Gaetano Bellei. "L'avance"
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  Gaetano Bellei. "The joker"
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  Rainy_day. 1919
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  Una buona birra