Gail Scott (writer)

Gail Scott (born 1945) is a Canadian novelist, short story writer, essayist and translator,[1] best known for her work in experimental forms such as prose poetry[1] and New Narrative.[2] She was a major contributor to 1980s Québécoise feminist language theory, known as écriture au féminin,[3] which explores the relationship between language, bodies, and feminist politics.[4] Many of her novels and stories deal with fragmentation in time, in subjects, and in narrative structures.[5]

Gail Scott
Born1945 (age 77–78)
Ottawa, Ontario
Occupationnovelist, translator, journalist
NationalityCanadian
Period1970s-present
Notable worksHeroine, My Paris, Main Brides, The Obituary

Biography

Born in Ottawa, Ontario in 1945,[6] Scott was raised in a bilingual community in rural Eastern Ontario[4] and educated in English and Modern Languages and French literature at Queen's University and the University of Grenoble, respectively,[6] before moving to Montreal, Quebec in 1967,[2] where she was involved in leftist and indépendantiste movements of the 1970s.[4] Initially working as a journalist, she was a founding editor of publications such as The Last Post, Des luttes et des rires des femmes, Spirale and Tessera.[2] Beginning in 1980, she taught journalism at Concordia University until 1991, and published novels and essay collections.[6] Many of Scott's works explore her experience as an anglophone involved in Québécoise political and literary movements.[4] Scott, along with other Québecoise feminist literary theorists like Nicole Brossard and France Théoret, published La théorie, un dimanche, a collection of essays and creative work that explores the gendered writing subject in language.[4] Her prose work draws heavily on poetic forms and structures, and was anthologized in Prismatic Publics: Innovative Canadian Women's Poetry and Poetics (2009).[1] In an interview published on Lemon Hound, Scott said: "I like to think of each sentence—as much as possible—as a performative unit. A call. The space between the sentences is where the audience or reader bridges with her energy, and in her way, the gap. My debt to poetry has to do with resisting the passive reader."[5] Her works have been noted for their experimental sentence structures and their emphasis on syntax.[5]

She was a nominee for the Governor General's Award for French to English translation at the 2001 Governor General's Awards for The Sailor's Disquiet, her translation of Michael Delisle's Le Désarroi du matelot.[7] She has also published translations of Delisle's Helen avec un secret, Lise Tremblay's La danse juive and France Théoret's Laurence.[2]

She has been a two-time nominee for the Quebec Writers' Federation Awards, for Heroine in 1988[8] and for Main Brides in 1993.[9] With Mary Burger, Robert Glück and Camille Roy, she was a coeditor of Biting the Error: Writers Explore Narrative, which was a Lambda Literary Award nominee for Non-Fiction Anthologies at the 17th Lambda Literary Awards in 2005.[10]

Her novel The Obituary was a shortlisted nominee for the 2011 Grand Prix du livre de Montreal.[11]

She is an out lesbian,[12] and many of her works challenge heteronormative language structures and/or depict lesbian relationships.[13]

Works

Novels
  • Heroine (Talonbooks, 1987; ISBN 978-0889224155)
  • Main Brides (Coach House, 1993; ISBN 978-0889104563)
  • My Paris (The Mercury Press, 1999; Dalkey Archive, 2003; ISBN 978-1564782977)
  • The Obituary (Coach House, 2010; ISBN 978-1552452332)

Short stories and essays
  • "Elisabeth Rides Again." Journal of Canadian Fiction 30 (1980): 89-105.
  • "Petit Larcin." Trans. Roger Des Roches. La Nouvelle barre du jour 107 (Nov. 1981): 53-60.
  • Spare Parts (1981). Expanded as Spare Parts Plus Two (2002, ISBN 978-1552451014)
  • La théorie, un dimanche (with Louky Bersianik, Nicole Brossard, Louise Cotnoir, Louise Dupré and France Théoret) (1988, ISBN 978-2-89091-076-8)
  • Spaces Like Stairs (1989, ISBN 978-0889611313)
  • "'The Kiss' by Edvard Munch, Revisited." The Massachusetts Review 31 (Spring-Summer 1990): 125-31.
  • "There's No Such Thing as Repetition." Books in Canada 23.5 (Summer 1994): cover, 8-11.
  • Editor of Biting the Error: Writers Explore Narrative (with Bob Gluck, Camille Roy, and Mary Burger) (2004, ISBN 978-1552451427)

Translations

References
  1. "The Conversationalist: Interview With Gail Scott". Maisonneuve, October 28, 2010.
  2. "Writing-Translating (from) the In-Between: An Interview with Gail Scott". Studies in Canadian Literature, Volume 31, Number 2 (2006).
  3. Carrière, Marie J. (2002). Writing in the feminine in French and English Canada : a question of ethics. Toronto: University of Toronto Press. ISBN 9781442683716. OCLC 666912356.
  4. Gail Scott : essays on her works. Moyes, Lianne, 1963- (1st ed.). Toronto: Guernica. 2002. ISBN 1550711644. OCLC 48905668.{{cite book}}: CS1 maint: others (link)
  5. "A Conversation with Gail Scott". LEMONHOUND3.0. 2010-12-08. Retrieved 2018-05-09.
  6. Lianne Moyes, Gail Scott: Essays on Her Works. Guernica Editions, 2002. ISBN 978-1550711646. p. 231.
  7. "The kindest cut of all: The G-G's shortlist". The Globe and Mail, October 24, 2001.
  8. "15 writers vying for first English-language Quebec book awards". Montreal Gazette, September 2, 1988.
  9. "QSPELL Book Awards' shortlist announced". Montreal Gazette, September 21, 1993.
  10. 17th Annual Lambda Literary Awards. Lambda Literary Foundation, July 9, 2005.
  11. "Five vying for book prize". Montreal Gazette, November 9, 2011.
  12. "Gay writing for women still a small, exotic flowering in Canada". The Globe and Mail, April 16, 1994.
  13. Nicole Brossard : essays on her works. Brossard, Nicole., Forsyth, Louise. Toronto: Guernica. 2005. ISBN 1550712330. OCLC 57697846.{{cite book}}: CS1 maint: others (link)
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