Galen Tipton

Her music has been described as "hyperactive and intentionally overstimulating digital orchestral soundscapes".[8] According to Pitchfork: "..largely improvised chords and melodies acting secondarily to the constant rush of squelching synthesis underneath. A hypercute take on avant-garde synth music".[9] Her music has been praised by figures like Iggy Pop and David Byrne.[10][8]

She said in an interview that she intended to make accessible experimental electronic music that didn't take itself seriously, partly in reaction to the more self serious inaccessible experimental music she was interested in at the start of her career, to invite people to stranger forms of music.[5]

She has cited SOPHIE as an influence for her sound design, textural elements, experimentation and "Her whole public coming out, and all of the songs related to her trans-ness and identity gave me so much life, as a non-binary, trans girl producer".[11] She has also cited the formlessness of early Arca music and her interest in nature aesthetics and folklore, ASMR and field recordings[5] Other influences include minimalist composer Steve Reich,[8] 100 gecs, Machine Girl, street sects, Deli Girls, Giant Claw[7]

She has cited the Japanese footwork music scene as an influence, “I don’t consider my music footwork, by any stretch, but I feel a strong creative kinship with the Japanese experimental scene that dabbles in footwork. To me, the music these artists make sounds like pure freedom and play, and that’s the space I like to create from—one of unrestricted expression and emotion.”[11][12]