Gas Light

Gas Light is a 1938 thriller play, set in 1880s London, written by the British novelist and playwright Patrick Hamilton.[1] Hamilton's play is a dark tale of a marriage based on deceit and trickery, and a husband committed to driving his wife insane in order to steal from her.[1]

For other uses, see Gaslight (disambiguation).

Gas Light
A Victorian Thriller in Three Acts
First edition 1939
Written byPatrick Hamilton
Characters
  • Mr Manningham
  • Mr Rough
  • Mrs Manningham
  • Elizabeth
  • Nancy
Date premiered5 December 1938 (1938-12-05)
Place premieredRichmond Theatre, Richmond, London
Original languageEnglish
GenreThriller
SettingOn Angel Street, in the Pimlico district of London, 1880

Gas Light was written during a dark period in Hamilton's life.[1] Six years prior to the play Hamilton was hit by a drunk driver and dragged through the streets of London, leaving him with a limp, a paralysed arm, and a disfigured face.[2][3] Two years later, Hamilton's mother took her own life.[2]

Premiering at the Richmond Theatre in London on 5 December 1938 before transferring to the Apollo Theatre in the West End on 1 January, the play closed after six months and 141 performances,[4] but it has endured through an impressive list of incarnations[1] most notably Five Chelsea Lane (1941 American play – renamed for Los Angeles production), Angel Street (1941 American play – renamed again when Los Angeles production transferred to Broadway), and Gaslight (1958 Australian television play). Angel Street was a hit in its Broadway premiere, and it remains one of the longest-running non-musicals in Broadway history, with 1,295 total performances.[5][6]

The play was adapted to the big screen as two films, both entitled Gaslight—a 1940 British film, and a 1944 American film directed by George Cukor, also known as The Murder in Thornton Square in the UK. Both films are considered classics in their respective countries of origin, and are generally equally critically acclaimed. The 1944 American version received seven nominations at the 17th Academy Awards, including Best Picture, and won two, Best Actress (for Ingrid Bergman) and Best Production Design. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[7][8][9]

Synopsis

The play is set in fog-bound London in 1880, at the upper middle class home of Jack Manningham and his wife Bella. It is late afternoon, a time that Hamilton notes as the time "before the feeble dawn of gaslight and tea."

Bella is clearly on edge, and the stern reproaches of her overbearing husband (who flirts with the servants in front of his wife) make matters worse. What most perturbs Bella is Jack's unexplained disappearances from the house: he will not tell her where he is going, and this increases her anxiety. It becomes clear that Jack is intent on convincing Bella that she is going insane, even to the point of assuring her she is imagining that the gas light in the house is dimming.

The appearance of a police detective called Rough leads Bella to realise that Jack is responsible for her torment. Rough explains that the apartment above was once occupied by one Alice Barlow, a wealthy woman who was murdered for her jewels. The murderer was never found.

Jack goes to the flat each night to search for the jewels, and lighting the apartment's gas lights causes the lights to dim in the rest of the building. His footsteps in the supposedly empty apartment persuade Bella that she is "hearing things". Rough convinces Bella to assist him in exposing Jack as the murderer, which she does, but not before she takes revenge on Jack by pretending to help him escape. At the last minute she reminds him that, having gone insane, she is not accountable for her actions. The play closes with Jack being led away by the police.

Productions
Vincent Price in the Broadway production of Angel Street
Judith Evelyn in the Broadway production of Angel Street
Leo G. Carroll in the Broadway production of Angel Street

London

Gas Light premiered on 5 December 1938 at the Richmond Theatre in Richmond, London. It transferred to the Apollo Theatre on 1 January 1939, and to the Savoy Theatre on 22 May 1939. The cast featured Dennis Arundell (Mr. Manningham), Milton Rosmer (Mr. Rough), Gwen Ffrangcon-Davies (Mrs. Manningham), Beatrice Rowe (Elizabeth) and Elizabeth Inglis (Nancy). The production closed 10 June 1939, after a total of 141 performances.[4]

Broadway

In the spring of 1941, Vincent Price and his wife, actress Edith Barrett, saw Gas Light performed in Los Angeles as a three-hander titled Five Chelsea Lane. They were impressed by the play and set about securing the rights for a Broadway production of their own. By fall, they had found a producer to underwrite the project, but Barrett abruptly withdrew to remain in Hollywood and work in films. In November 1941, Price returned to work on the New York stage. Judith Evelyn, the Canadian actress who played the role of Mrs. Manningham in Los Angeles, joined the Broadway production. The name of the play changed to Angel Street.[10]

Angel Street premiered on Broadway at the John Golden Theatre on 5 December 1941, produced and directed by Shepard Traube. The cast featured Leo G. Carroll (Rough), Florence Edney (Elizabeth), Elizabeth Eustis (Nancy), Judith Evelyn (Mrs. Manningham) and Vincent Price (Mr. Manningham).[11][12] Price left the play after a year, when his working relationship with Evelyn deteriorated into what she later described as "violent dislike".[10] In December 1942, John Emery assumed the role of Mr. Manningham.[11]

In a long profile headlined “The Triumph of Traube,“ published on 14 March 1943, The New York Times described some of the challenges faced by the production, including the untimely opening date, two days before Pearl Harbor: “On Dec. 5 the play opened, on Dec. 6 the rave reviews had sent a long line of pilgrims to the theatre box office, on Dec. 7 the play was forgotten under the impact of the Japanese attack. Angel Street wabbled momentarily then picked up its stride, which has hardly slackened since.”[13] The play transferred to the Bijou Theatre on 2 October 1944, and closed on 30 December 1944, after 1,295 performances.[11]

On tour

On 19 December 1941, The New York Times announced that Traube had cancelled a trip to the West Coast in order to form a touring company for Angel Street. The tour was to begin in Baltimore in February, with stops including Washington, D.C.; Pittsburgh, Pennsylvania; and Chicago, Illinois.[14]

On Sunday, 15 March 1942, the touring company of Angel Street opened in Chicago to rave reviews. The New York Times reported an observation by Chicago critic Robert Pollak that "Not since Hellzapoppin had the crowd out front participated so heartily".[15][16]

Revivals

Angel Street was added to the repertory of The American Negro Players in 1947.[17]

The play ran at New York City Center from 22 January 1948 to 1 February 1948 for 14 performances. Directed by Richard Barr, the cast featured José Ferrer (Mr. Manningham), Uta Hagen (Mrs. Manningham), Phyllis Hill (Nancy), Nan McFarland (Elizabeth), Ralph Roberts (Policeman), Victor Thorley (Policeman) and Richard Whorf (Rough).[18]

On 19 August 1952, The New York Times announced that a new off-Broadway group, Hamilton-Bruder Productions (a partnership of Patrick Hamilton and Janet Bruders), was opening with a revival of Angel Street.[19]

The play was revived on Broadway at the Lyceum Theatre, opening on 26 December 1975 and closing on 8 February 1976 after 52 performances and 4 previews. Also directed by Shepard Traube, the cast featured Michael Allinson (Mr. Manningham), Dina Merrill (Mrs. Manningham), Christine Andreas (Nancy), Bette Henritze (Elizabeth) and Robert E. Thompson (Rough).[20][21]

Dulaang UP produced the play's Philippine premiere in February 2005, with an English version and a Filipino translation.[22]

The play was produced at The Old Vic, London in June 2007 under the title of Gaslight. Directed by Peter Gill, the cast featured Andrew Woodall as Mr. Manningham, Rosamund Pike as Mrs. Manningham and Kenneth Cranham as Rough.[23]

The Irish Repertory Theatre produced the play Off-Broadway (as Gaslight) running from 17 May 2007 to 8 July 2007. The production was directed by Charlotte Moore and the cast featured David Staller (Mr. Manningham), Laura Odeh (Mrs. Manningham), Laoisa Sexton (Nancy), Patricia O'Connell (Elizabeth), April Ann Klein (Police Officer) and Brian Murray (Rough). Murray was nominated for a Lucille Lortel Award as Outstanding Featured Actor. Staller was nominated for the Drama League's Distinguished Performance Award, and the production was nominated for the League's Distinguished Revival of a Play.[24][25]

In 2014, the Sandyford Little Theatre Company produced Gaslight: a Radio Play for Stage, an onstage radio play with seven actors playing 24 roles.

In 2015, Myriad Theatre & Film produced Gaslight at Ingatestone Hall in Essex.

In October 2016, the Lantern Theatre in Sheffield, England produced Gaslight.

In 2019, Perth Theatre staged a production of "Gaslight" as part of their Winter/Spring season.

In 2022, the Shaw Festival, the second-largest repertory theatre company in North America, staged a production of Gaslight.

On September 9, 2022, the version by Jô Soares, one of the greatest Brazilian theater directors, premiered in Sao Paulo, Brazil. The director did not attend the premiere, as he died on August 5, 2022. Starring Giovani Tozi and Erica Montanheiro, "Gaslight - A Toxic Relationship", features a 14-meter spider web on the set, and with doses of humor, the production is still running, as one of the greatest theatrical successes in the country. [26]

Reception

Angel Street was a hit in its Broadway premiere, and it remains one of the longest-running non-musicals in Broadway history, with 1,295 total performances.[6]

It remains a perennial favourite with both repertory and amateur theatre companies.

The New York Times critic Brooks Atkinson opens his 6 December 1941 review with this observation: “Although Patrick Hamilton writes his thrillers within a small compass, he writes them with infinite craft and dexterity. Angel Street, which sent a chill up the spine of the Golden Theatre last evening, comes off the top part of the theatre's top shelf.” Atkinson praises Straube for matching “Hamilton’s skill in a tingling performance that fills the theater with an ominous and terrifying illusion” and commends all the actors, observing that Leo G. Carroll had his best role in years.[27]

In his review of the 1948 City Center production, Louis Kronenberger wrote: "(It) remains one of the better thrillers ... let's call it one of the best. All the same, though it holds up nicely for three acts, it seems to me outstandingly good for only one."[28]

Reviewing Traube's 1975 Broadway revival, Clive Barnes asked: “Whatever happened to the good, old‐fashioned melodrama? It probably drifted over to television and died. Just about 35 years ago...Patrick Hamilton's English thriller, Angel Street, opened on Broadway with resounding success. It was directed and produced by Shepard Traube. Last night, at the Lyceum Theater, Mr. Traube attempted an encore. It was not called for... The trouble with this play is not the trouble with this particular play—it is the trouble with this play as a particular. The theater cannot afford the luxury anymore of wilting heroines, villains making out as if they were Vincent Price (35 years ago it was Vincent Price!) or detectives detecting with the solidity of a basset hound... Nothing is quite clever enough in Angel Street, and the atmosphere is so rarefied that the play is artistically in dire need of oxygen.”[29]

On 24 May 2007, in her review of the Irish Repertory Theatre revival, The New York Times' Ginia Bellafante observed that Gaslight "established the blueprint for a kind of domestic-peril thriller... Every time an actress..portrays the sort of wife who discovers that the greatest threat to her mental and physical safety is the man sitting in her breakfast nook, Mr. Hamilton’s estate ought to receive some type of remuneration....David Staller plays this undesirable husband as a man whose lust exempts nothing. Every time he appears onstage, you think: keep this person away from my babysitter and Rolex. Mr. Staller's rogue posture modulates his character's cruelty, leavening the play's potentially stifling mood. Mr. Hamilton believed our most dangerous enemies were always in the room with us ..., and his work can feel claustrophobic.[30] Ms. Moore is aware of this, providing the proper ventilation to clear much of the Victorian must. Brian Murray, playing the detective who uncovers Manningham's plan, is her greatest asset in this regard. He appears onstage with the red cheeks of a Santa Claus, an ageing imp who hides out in nooks and corners, showing a benevolent sarcasm that teases Bella out of her dimwitted complacency".[31]

Adaptations

Film

Television
  • The cast of the original London production recreated their stage roles for a 1939 television presentation directed by Lanham Titchener and performed live on BBC Television.[34]
  • On 20 January 1946, NBC broadcast the complete play.[35] The following Sunday, a long piece by New York Times critic Jack Gould examined the production and its implications for the future of television.[35]
  • A version was produced for Australian television in 1958.[36]
  • Polish television aired a live stage play on 28 September 1961, under the Polish title Gasnący płomień. This was a part of its ongoing series of televised stage plays under the name Cobra Theater (Kobra – Teatr Sensacji). It is the oldest episode of the Cobra Theatre series that is known to have survived in its entirety on tape.[37]

Radio

The story was dramatised as a half-hour radio play on the 3 February 1947 broadcast of The Screen Guild Theater, starring Charles Boyer and Susan Hayward.[38] A 1946 one-hour radio production on Lux Radio Theatre featured Charles Boyer and Ingrid Bergman, stars of the 1944 film adaptation. A 2019 podcast adaptation starred Chloë Grace Moretz, though it was set in the modern day, and the plot was significantly modernised. It was sponsored by Talkspace.[39]

Stage

In 2022, Canada's Shaw Festival premiered a feminist adaptation of the play penned by Johnna Wright and Patty Jamieson. The production, directed by Kelli Fox, starred Julie Lumsden as Bella and André Morin as Jack.[40][41][42]

Denominalisation of the play's title

In 1961, twenty-three years after the stageplay was written, writers began denominalising the film's title and using it as a verb, "gaslighting".[43] Gaslighting, in this context, is a colloquialism that loosely means to manipulate a person or a group of people in a way similar to the way the protagonist in the play (Bella) was manipulated.[44]

The term "gaslighting" does not appear in any of the stageplays or screenplays and is inspired by the film's title "Gaslight".[43]

References
  1. Bellafante, Ginia (24 May 2007). "Crazy, He Calls Me (and Terrified, I Agree)". The New York Times. Archived from the original on 5 June 2015. Retrieved 24 May 2007.
  2. Frezza, Daniel. "About the Playwright: Gaslight". Southern Utah University. Archived from the original on 12 January 2021.
  3. "An Inventory of His Collection at the Harry Ransom Humanities Research Cente". The University of Texas at Austin, University of Texas Libraries. Archived from the original on 12 January 2021. Retrieved 1 September 2021.
  4. Wearing, J. P. (2014). The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel. Lanham, Maryland: Rowman & Littlefield. p. 740. ISBN 9780810893047.
  5. "Angel Street". IBDB.com. Internet Broadway Database.
  6. philadelphiaweekly.com
  7. Tartaglione, Nancy (11 December 2019). "National Film Registry Adds 'Purple Rain', 'Clerks', 'Gaslight' & More; 'Boys Don't Cry' One Of Record 7 Pics From Female Helmers". Deadline Hollywood. Retrieved 11 December 2019.
  8. "Complete National Film Registry Listing". Library of Congress, Washington, D.C. Retrieved 2 October 2020.
  9. "Women Rule 2019 National Film Registry". Library of Congress, Washington, D.C. Retrieved 2 October 2020.
  10. Price, Victoria (1999). Vincent Price: A Daughter's Biography. New York: St. Martin's Press. pp. 109–111. ISBN 0-312-24273-5.
  11. "Angel Street". Internet Broadway Database. Retrieved 6 August 2018.
  12. " 'Angel Street' Listing" playbillvault.com, accessed 20 June 2013
  13. "THE TRIUMPH OF TRAUBE; An Interview With the Director of 'The Patriots' and 'Angel Street' THE TRIUMPH OF TRAUBE". The New York Times. Retrieved 10 July 2020.
  14. "Angel Street' to Make Tour". The New York Times. Retrieved 10 July 2020.
  15. "'Angel Street' in Chicago". The New York Times. Retrieved 10 July 2020.
  16. The New York Times blurb credits Pollak with writing for The Daily Times, i.e., The Chicago Sun Times.
  17. "PLAY AIDS CANCER FUND; American Negro Actors Seen in Hamilton's 'Angel Street'". The New York Times. Retrieved 10 July 2020.
  18. " 'Angel Street', 1948" playbillvault.com, accessed 20 June 2013
  19. "New Unit offers 'Angel Street'". The New York Times. Retrieved 10 July 2020.
  20. "Angel Street, 1975" ibdb.com, accessed 20 June 2013
  21. " 'Angel Street' Listing, 1975" playbillvault.com, accessed 20 June 2013
  22. "Angel Street". Bringing In the Outdoors. Archived from the original (blog post) on 15 November 2016. Retrieved 15 November 2016.
  23. Billington, Michael. "Theatre. 'Gaslight'" The Guardian, 14 June 2007
  24. "'Angel Street', 2007" Archived 19 October 2007 at the Wayback Machine Internet Off-Broadway Database, accessed 20 June 2013
  25. Jones, Kenneth. " 'Gaslight', the Wartime Hit Once Called 'Angel Street', Opens May 17" Archived 17 June 2011 at the Wayback Machine playbill.com, 17 May 2007
  26. "Último trabalho de Jô Soares tem estreia prevista para setembro em São Paulo". 5 August 2022.
  27. "Patrick Hamilton's 'Angel Street' Is the New Mystery Drama at the Golden Theatre". The New York Times. Retrieved 10 July 2020.
  28. Kronenberger, Louis. "Victorian Villainy at the City Center" fultonhistory.com, 25 January 1948
  29. Barnes, Clive (27 December 1975). "The Stage: 'Angel Street'". The New York Times. ISSN 0362-4331. Retrieved 10 July 2020.
  30. Bellafante, Ginia (24 May 2007). "Crazy, He Calls Me (and Terrified, I Agree)". The New York Times. ISSN 0362-4331. Retrieved 15 September 2022.
  31. Bellafante, Ginia. "Theater Review. 'Gaslight'" The New York Times, 24 May 2007
  32. " 'Gaslight' Listing" tcm.com, accessed 20 June 2013
  33. "THE MURDER IN THORNTON SQUARE | British Board of Film Classification". www.bbfc.co.uk. Retrieved 10 July 2020.
  34. "Gaslight (1939)". British Film Institute. Archived from the original on 22 November 2018. Retrieved 9 August 2018.
  35. "TELEVISION: 'ANGEL STREET'; Woe Is Hollywood". The New York Times. Retrieved 10 July 2020.
  36. "Gaslight" – via www.imdb.com.
  37. "FilmPolski.pl". FilmPolski.
  38. "Radio Broadcast Log Of: The Screen Guild Theater". Audio Classics Archive. Archived from the original on 17 September 2010. Retrieved 13 February 2010.
  39. "Gaslight". QCODE. Retrieved 10 February 2020.
  40. Fricker, Karen (9 May 2022). "Tweaked 'Gaslight' at Shaw Festival is skilled and suspenseful". Toronto Star. Retrieved 1 September 2022.
  41. Green, Jesse (4 August 2022). "Blame Canada (or at Least Ontario) for a Wealth of Smart Revivals". The New York Times. ISSN 0362-4331. Retrieved 1 September 2022.
  42. Nestruck, J. Kelly (23 May 2022). "Review: The Shaw Festival's Gaslight rewrite is a gas - too bad copyright extension is going to spoil the fun". The Globe and Mail. Retrieved 1 September 2022.
  43. Yagoda, Ben (12 January 2017). "How Old Is 'Gaslighting'?". The Chronicle of Higher Education. Retrieved 2 June 2017.
  44. DiGiulio, Sarah (13 July 2018). "happening to you?". nbcnews.com. NBC News.com. Retrieved 13 July 2018.


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