Greek Dark Ages

Around this time, large-scale revolts took place in several parts of the eastern Mediterranean. Attempts to overthrow existing kingdoms were made as a result of economic and political instability by surrounding people, who were already plagued with famine and hardship. Parts of Western Anatolia were possibly attacked by the so-called Sea Peoples, whose origins, perhaps from different parts of the Mediterranean region such as the Black Sea, the Aegean and Anatolian regions, remain obscure.

Geometric-style box in the shape of a barn. On display in the Ancient Agora Museum in Athens, housed in the Stoa of Attalus. From early geometric cremation burial of a wealthy pregnant woman, 850 BC.

With the collapse of the palatial centers, no more monumental stone buildings were built, and the practice of wall painting may have ceased. Writing in the Linear B script also ceased, and vital trade links were lost as towns and villages were abandoned. Writing in the Linear B script ended particularly due to the redistributive palace economy crashing; there was no longer a need to keep records about commerce.[4] The population of Greece declined.[5] The world of organized state armies, kings, officials, and redistributive systems disappeared. Most of the information about the period comes from burial sites and the grave goods contained within them.

The emerging fragmented, localized, and autonomous cultures lacked cultural and aesthetic cohesion and are noted for their diversity of material cultures in pottery styles (e.g. conservative in Athens, eclectic in Knossos), burial practices, and settlement structures. The Protogeometric style of pottery was stylistically simpler than earlier designs, characterized by lines and curves. Generalizations about the "Dark Age Society" are considered simplifications, because the range of cultures throughout Greece at the time cannot be grouped into a single "Dark Age Society" category.[6]

Tholos tombs are found in early Iron Age Thessaly and in Crete but not in general elsewhere, and cremation was the dominant rite in Attica but nearby in the Argolid, it was inhumation.[7] Some former sites of Mycenaean palaces, such as Argos or Knossos, continued to be occupied; the fact that other sites experienced an expansive "boom time" of a generation or two before they were abandoned has been associated by James Whitley with the "big-man social organization", which is based on personal charisma and is inherently unstable: he interprets Lefkandi in this light.[8]

Some regions in Greece, such as Attica, Euboea, and central Crete, recovered economically from these events faster than others, but life for common Greeks would have remained relatively unchanged as it had for centuries. There was still farming, weaving, metalworking and pottery but at a lower level of output and for local use in local styles. Some technical innovations were introduced around 1050 BC with the start of the Protogeometric style (1050–900 BC), such as the superior pottery technology that included a faster potter's wheel for superior vase shapes and the use of a compass to draw perfect circles and semicircles for decoration. Better glazes were achieved by higher temperature firing of the clay. However, the overall trend was toward simpler, less intricate pieces and fewer resources being devoted to the creation of beautiful art.

The smelting of iron was learned from Cyprus and the Levant and was exploited and improved upon by using local deposits of iron ore previously ignored by the Mycenaeans: edged weapons were now within reach of less elite warriors. Though the universal use of iron was one shared feature among Dark Age settlements,[9] it is still uncertain when the forged iron weapons and armour achieved strength superior to those that had previously been cast and hammered from bronze. From 1050, many small local iron industries appeared, and by 900, almost all weapons in grave goods were made of iron.

The distribution of the Ionic Greek dialect in historic times indicates early movement from mainland Greece to the Anatolian coast to such sites as Miletus, Ephesus, and Colophon, perhaps as early as 1000 BC, but contemporaneous evidence is scant. In Cyprus, some archaeological sites begin to show identifiably Greek ceramics;[10] a colony of Euboean Greeks was established at Al Mina on the Syrian coast, and the revival of an Aegean Greek network of exchange can be detected from 10th-century BC Attic Proto-geometric pottery found in Crete and at Samos, off the coast of Asia Minor.[11]

Finds from an early geometric Cremation Burial of a pregnant wealthy woman, from the N.W. of the Areopagus, about 850 BC, Ancient Agora Museum (Athens); exhibit 14–16: broad gold finger rings; exhibit 17–19: gold finger rings; 20: pair of gold earrings with trapezoid endings

Cyprus was inhabited by a mix of "Pelasgians" and Phoenicians, joined during this period by the first Greek settlements. Potters in Cyprus initiated the most elegant new pottery style of the 10th and 9th centuries, the "Cypro-Phoenician" "black on red" style[12] of small flasks and jugs that held precious contents, probably scented oil. Together with distinctively Greek Euboean ceramic wares, it was widely exported and is found in Levantine sites, including Tyre and far inland in the late 11th and 10th centuries. Cypriot metalwork was exchanged in Crete.

Greece during this period was likely divided into independent regions organized by kinship groups and the oikoi or households, the origins of the later poleis. Excavations of Dark Age communities such as Nichoria in the Peloponnese have shown how a Bronze Age town was abandoned in 1150 BC but then reemerged as a small village cluster by 1075 BC. At this time there were only around forty families living there with plenty of good farming land and grazing for cattle. The remains of a 10th century building, including a megaron, on the top of the ridge has led to speculation that this was the chieftain's house.[13]

This was a larger structure than those surrounding it but it was still made from the same materials (mud brick and thatched roof). It was perhaps also a place of religious significance and communal storage of food. High-status individuals did in fact exist in the Dark Age, but their standard of living was not significantly higher than others of their village.[14] Most Greeks did not live in isolated farmsteads but in small settlements. It is likely that at the dawn of the historical period two or three hundred years later, the main economic resource for each family was the ancestral plot of land of the Oikos, the kleros or allotment. Without this, a man could not marry.[15]

Lefkandi on the island of Euboea was a prosperous settlement in the Late Bronze Age,[16] possibly to be identified with old Eretria.[17] It recovered quickly from the collapse of Mycenaean culture, and in 1981 excavators of a burial ground found the largest 10th-century building yet known from Greece.[18] Sometimes called "the heroon", this long narrow building, 50 metres by 10 metres, or about 164 feet by 33 feet, contained two burial shafts. In one were placed four horses and the other contained a cremated male buried with his iron weapons and an inhumed woman, heavily adorned with gold jewellery.[19]

The man's bones were placed in a bronze jar from Cyprus, with hunting scenes on the cast rim. The woman was clad with gold coils in her hair, rings, gold breastplates, an heirloom necklace, an elaborate Cypriot or Near Eastern necklace made some 200 to 300 years before her burial, and an ivory-handled dagger at her head. The horses appeared to have been sacrificed, some appearing to have iron bits in their mouths. No evidence survives to show whether the building was erected to house the burial, or whether the "hero" or local chieftain in the grave was cremated and then buried in his grand house; whichever is true, the house was soon demolished and the debris used to form a roughly circular mound over the wall stumps.

Between this period and approximately 820 BC, rich members of the community were cremated and buried close to the eastern end of the building, in much the same way Christians might seek to be buried close to a saint's grave; the presence of imported objects, notable throughout more than eighty further burials, contrast with other nearby cemeteries at Lefkandi and attest to a lasting elite tradition.

An Ancient Greek pair of terracotta boots. Early geometric period cremation burial of a woman, 900 BC. Ancient Agora Museum in Athens.

The archaeological record of many sites demonstrates that the economic recovery of Greece was well underway by the beginning of the 8th century  BC. Cemeteries, such as the Kerameikos in Athens or Lefkandi, and sanctuaries, such as Olympia, recently founded in Delphi or the Heraion of Samos, first of the colossal free-standing temples, were richly provided with offerings – including items from the Near East, Egypt, and Italy made of exotic materials including amber and ivory.[20] Exports of Greek pottery demonstrate contact with the Levant coast at sites such as Al-Mina and with the region of the Villanovan culture to the north of Rome.[21]

The decoration of pottery became more elaborate and included figured scenes that parallel the stories of Homeric Epic. Iron tools and weapons improved. Renewed Mediterranean trade brought new supplies of copper and tin to make a wide range of elaborate bronze objects, such as tripod stands like those offered as prizes in the funeral games celebrated by Achilles for Patroclus.[22] Other coastal regions of Greece besides Euboea were once again full participants in the commercial and cultural exchanges of the eastern and central Mediterranean and communities developed governance by an elite group of aristocrats, rather than by the single basileus or chieftain of earlier periods.[23]

By the mid-to-late-8th century BC, a new Greek alphabet system was adopted from the Phoenician alphabet by a Greek with first-hand experience of it. The Greeks adapted the abjad used to write Phoenician, a Semitic language used by the Phoenicians, notably introducing characters for vowel sounds and thereby creating the first truly alphabetic writing system. The new alphabet quickly spread throughout the Mediterranean and was used to write not only the Greek language but also Phrygian and other languages in the eastern Mediterranean. As Greece sent out colonies west towards Sicily and Italy (Pithekoussae, Cumae), the influence of their new alphabet extended further.

The ceramic Euboean artifact inscribed with a few lines written in the Greek alphabet referring to "Nestor's Cup", discovered in a grave at Pithekoussae (Ischia), dates from c. 730 BC. It seems to be the oldest written reference to the Iliad. The Etruscans benefited from the innovation: Old Italic variants spread throughout Italy from the 8th century. Other variants of the alphabet appear on the Lemnos Stele and in the alphabets of Asia Minor. The previous Linear scripts were not completely abandoned: the Cypriot syllabary, descended from Linear A, remained in use on Cyprus in Arcadocypriot Greek and Eteocypriot inscriptions until the Hellenistic era.

Some scholars have argued against the concept of a Greek Dark Age, on grounds that the former lack of archaeological evidence in a period that was mute in its lack of inscriptions (thus "dark") is an accident of discovery rather than a fact of history.[24][25] As James Whitley has put it, "The Dark Age of Greece is our conception. It is a conception strongly coloured by our knowledge of the two literate civilisations that preceded and succeeded it: the bureaucratic, palace-centred world of Mycenaean Greece and the chaotic and creative Archaic age of Hellenic civilisation."[26]

• Dark Ages in history

• Chew, Sing C., World Ecological Degradation: Accumulation, Urbanization and Deforestation 3000 BC ‒ AD 2000, 2001, ISBN 0-7591-0031-4 Chapter 3, The second-millennium Bronze Age: Crete and Mycenaean Greece 1700 BC – 1200 BC.
• Desborough, V.R.d'A. (1972). The Greek Dark Ages. St. Martin's Press.
• Dickinson, Oliver (2006). The Aegean from Bronze Age to Iron Age: Continuity and Change Between the Twelfth and Eighth Centuries BC. New York: Routledge. ISBN 0-4151-3589-3.
• Faucounau, Jean, Les Peuples de la Mer et leur histoire, Paris : L'Harmattan, 2003.
• Hurwitt, Jeffrey M., The Art and Culture of Early Greece 1100–480 BC, Cornell University Press, 1985, Chapters 1–3.
• Knodell, Alex R. (2021). Societies in Transition in Early Greece: An Archaeological History. Oakland: University of California Press. ISBN 978-0-5203-8053-0.
• Langdon, Susan, Art and Identity in Dark Age Greece, 1100–700 BC, Cambridge University Press, 2010.
• Latacz, J. '"Between Troy and Homer : The so-called Dark Ages in Greece", in: Storia, Poesia e Pensiero nel Mondo antico. Studi in Onore di M. Gigante, Rome, 1994.
• Snodgrass, Anthony M. (c. 2000). The dark age of Greece : an archaeological survey of the eleventh to the eighth centuries BC. New York: Routledge. ISBN 0-415-93635-7.
• Sandars, N.K. (c. 1978). The Sea Peoples: Warriors of the ancient Mediterranean 1250–1150 BC. London: Thames and Hudson. ISBN 0-500-02085-X.
• Whitley, James (1991). Style and Society in Dark Age Greece: The Changing Face of a Pre-literate Society 1100–700 BC (New Studies in Archaeology). Cambridge: Cambridge University Press. ISBN 0-5213-7383-2.