George Coulouris

Of Greek origin, Coulouris was brought up both in Manchester and nearby Urmston and was educated at ManchOester Grammar School.[1]

Marc Antony (George Coulouris) addresses the crowd in the Mercury Theatre production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany

Marian Warring-Manley as Margery, Whitford Kane as Simon Eyre and George Coulouris as the King in the Mercury Theatre production of The Shoemaker's Holiday (1938)

Harry Shannon, George Coulouris and Agnes Moorehead in Citizen Kane (1941)

The National Board of Review recognised both Orson Welles and George Coulouris for their performances in Citizen Kane (1941)

Coulouris made his stage debut in 1926 with Henry V at the Old Vic. In 1928 and 1929 he appeared in several productions at the Cambridge Festival Theatre including Eugene O'Niell's The Hairy Ape..[2] By 1929, he made his first Broadway appearance, followed by his first Hollywood film role in 1933.

A major impact on his life was Orson Welles, whom he met in 1936 when they both had roles in the Broadway production of Sidney Kingsley's Ten Million Ghosts. Welles invited Coulouris to become a charter member of his Mercury Theatre, and in 1937 Coulouris performed the role of Mark Antony in the company's debut production, Caesar, an innovative modern-dress production of Shakespeare's Julius Caesar.[3]

In 1938, he appeared in the Mercury stage productions of The Shoemaker's Holiday and Heartbreak House,[4] and became part of the repertory company that presented CBS Radio's The Mercury Theatre on the Air and its sponsored continuation, The Campbell Playhouse (1938–40). Also for CBS, in 1943 he appeared in the radio series Suspense, in the episode "The Last Letter of Dr. Bronson" with Laird Cregar and in 1944, "Portrait without a Face".[5]

In Citizen Kane (1941), Coulouris played Walter Parks Thatcher, a financier similar to J. P. Morgan. Coulouris and Welles each received a 1941 National Board of Review Award for their performances.[6]

During the 1940s, Coulouris remained a regular figure on the stage and screen, starring in his own Broadway production of Richard III in 1943. His films in this period included For Whom the Bell Tolls (1943), Between Two Worlds (1944), Mr. Skeffington (1944) and Watch on the Rhine (1943), in which he repeated the role he originated in the Broadway production.[7] He also performed as Robert de Baudricourt in Joan of Arc (1948), starring Ingrid Bergman.

Coulouris was the first actor to star in the title role of the Bulldog Drummond radio program on the Mutual Broadcasting System.[8]

Coulouris returned to Britain after 1950, living first in Putney and later in Hampstead.[9] He appeared in more films, theatre and television productions. His stage work was the most well regarded and included the title role in King Lear at the Glasgow Citizens' Theatre (1952); the lead (Dr. Stockmann) in An Enemy of the People (1959) at the Arts Theatre, Cambridge; Peter Flynn in Seán O'Casey's The Plough and the Stars at the Mermaid Theatre (1962); a part in August Strindberg's The Dance of Death; and Big Daddy in Tennessee Williams's Cat on a Hot Tin Roof (1970).

Later film roles included parts in The Heart of the Matter (1953), Doctor in the House (1954), Papillon (1973), Mahler and Murder on the Orient Express (both 1974). He had rare leading roles in the British horror movies The Man Without a Body (1957) and The Woman Eater (1958).

He played in over 80 films, but radio roles were also numerous, and his television roles included parts in Hancock's Half Hour ("The Missing Page"), Danger Man and The Prisoner ("Checkmate", 1967). Other appearances included the recurring role of science writer Harcourt Brown in the ABC serials Pathfinders to Mars and Pathfinders to Venus, which were sequels to earlier serials (Target Luna and Pathfinders in Space). He appeared as Arbitan in the Doctor Who serial The Keys of Marinus (1964).

Coulouris was married to Louise Franklin from 1930 until her death in 1976, and then to Elizabeth Donaldson from 1977 until his death in 1989. He was the father of computer scientist George Coulouris and artist Mary Louise Coulouris.[9]

In Me and Orson Welles (2008), Richard Linklater's period drama set in the days surrounding the premiere of the Mercury Theatre's production of Caesar, Coulouris is portrayed by Ben Chaplin.[10]

George Coulouris's Broadway credits are listed at the Internet Broadway Database.[11]

Wikimedia Commons has media related to George Coulouris.

• George Coulouris at IMDb
• George Coulouris at Turner Classic Movies
• George Coulouris at the Internet Broadway Database
• The George Coulouris Archive, material related to the actor, compiled by George Coulouris, jr.
• Literature on George Coulouris