George Porter Jr.

Porter's parents were both avid lovers of music. His father frequently listened to Duke Ellington and his mother sang in the local church choir. He grew up in New Orleans next to future Meters bandmate, Joe "Zigaboo" Modeliste, and the two became friends when George was 10 years old. As teenagers, they played jam sessions together with Porter playing a box guitar.[4] Porter was inspired to play bass guitar by another New Orleans native, Benjamin "Poppi" Francis who also gave Porter some lessons on the instrument.[5] When Porter was still in his teens, he sat in with Earl King. After one of the shows, Art Neville came up to him saying he was trying to start a band and asked if he would like to join. Porter agreed spawning the beginnings of The Meters. At first the band was known as Neville Sound and consisted of seven men including Cyril and Aaron Neville as vocalists and Gary Brown on saxophone. After a short time, however, the band was trimmed down to four core members - Art Neville, Zigaboo Modeliste, Leo Nocentelli and Porter Jr. The four were playing six nights a week at a Bourbon Street bar called Ivanhoe when they were approached by Allen Toussaint and asked if they wanted to sign a record deal. After the deal, the label wanted the band to change their name to something that better reflected their sound. They settled on "The Meters." By the early seventies, Porter was touring coast to coast with The Meters. At the same time, The Meters were performing as session musicians on numerous hit records, including "Right Place, Wrong Time," "Lady Marmalade," "Sneakin' Sally Through the Alley," and "Southern Nights." In 1975, they were touring as the opening act to the Rolling Stones.[4] Porter has said that the best moment in his musical career is when he and the other Meters were opening for the Stones in Paris in 1976. The crowd started to boo them, when Keith Richards and Mick Jagger came out in support of The Meters and told the crowd to shut up and listen to the music. He said that moment kept The Meters alive for the time being [5] By 1977, however, the band broke up due to personal differences. After the breakup, Porter Jr. formed a band called Joyride.[4]

Porter performs at Bimbo's 365 Club, San Francisco, May 2011

Porter played with Joyride and with many other New Orleans musicians in the 1980s. In 1989, Porter reunited with Art Neville and Leo Nocentelli as The Meters, replacing Joe Modeliste on drums with Russell Batiste Jr.[6] In 1990, he started a band called The Runnin' Pardners; a band that is still playing today. Also in the 1990s, Porter became a highly coveted bass player in the studio playing with artists like David Byrne and Tori Amos.[7] In 1994, Porter and Neville re-collaborated to form the band The Funky Meters to carry on The Meters sound. They were joined by Brian Stoltz on guitar and Russell Batiste Jr. on drums. Stoltz left the band in 2007 but rejoined in 2011 and the band still plays today.[8]

In 2000, the original four Meters reunited for a show at the Warfield in San Francisco. Modeliste wanted to make the reunion a permanent one but the other members and their management objected. In 2006, however, The Meters performed at the New Orleans Jazz and Heritage Festival.[9][10] This was the first Jazz Fest since Hurricane Katrina so the fact that The Meters reunited for it meant a lot to the city. In 2012, Porter, Leo Nocentelli, Joe Modeliste, and Phish keyboardist Page McConnell performed two concerts as The Metermen. Limited shows followed in 2013 and 2014 with two more night shows during Jazz Fest.

Porter appears in performance footage in the 2005 documentary film Make It Funky!, which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz.[11] In the film, he performs with Snooks Eaglin and house band on "Come On (Let the Good Times Roll)", and is seen in clips with other musicians, including Art Neville.[12]

Since Hurricane Katrina, Porter has done some activist work with other New Orleans musicians informing people of the dangers of eroding wetlands threatening the future of the city.[13] Porter still tours consistently with the Runnin' Pardners, Joyride, and The Funky Meters. He plays sporadically with the four original members of The Meters, now known as The Original Meters and also frequently collaborates with other musicians, many of whom are from New Orleans. On February 24, 2018, Porter sat in with Dead & Company during their New Orleans concert at the Smoothie King Center, playing bass on several songs including "Smokestack Lightning", "Bertha" and taking lead vocals on "Sugaree".[14]

He plays sporadically with Steve Kimock on various projects including Voodoo Dead.

• Sneakin' Sally Through the Alley - Robert Palmer (Island Records, 1974)
• Nightbirds - Labelle (Epic Records, 1974)
• Keep On Lovin' You - Z. Z. Hill (Hill Records, 1975)
• Phoenix - Labelle (Epic Records, 1975)
• Patti LaBelle - Patti LaBelle (Epic Records, 1977)
• New Orleans Heat - Albert King (Tomato Records, 1978)
• Victory Mixture - Willy DeVille (Sky Ranch Records, 1990)
• Storyville - Robbie Robertson (Geffen, 1991)
• Uh-Oh - David Byrne (Warner Bros. Records, 1992)
• Soul of the Blues - Solomon Burke (Black Top Records, 1993)
• There's Room for Us All - Terrance Simien (Black Top Records, 1993)
• Under the Pink - Tori Amos (Atlantic Records, 1994)
• Boys for Pele - Tori Amos (Atlantic Records, 1996)
• From the Choirgirl Hotel - Tori Amos (Atlantic Records, 1998)
• Maestro - Taj Mahal (Heads Up, 2008)
• Bible Belt - Diane Birch (S-Curve Records, 2009)
• Good Road to Follow - John Oates (Elektra Records, 2014)